Elektronisk kunst, holografi og videokunst

This volume is the first in the Museum Ludwig's new series "In their own words." The series is dedicated to contemporary artists who, in addition to their visual oeuvre, have produced texts that take an independent approach to the concerns of their times and presents, above all, approaches that have proved influential and continue to inform current debates. VALIE EXPORT is regarded as one of the most important international pioneers of conceptual media art, performance, and experimental film. In the late 1960s, her often provocative installations, films, and actions caused an uproar. From the outset, VALIE EXPORT has written not only detailed concepts for her projects but also theoretical essays, poems, notes, and lectures. A large number of her published texts have been made accessible here in one book, along with a selection of printed interviews and unpublished notes and lectures created between 1967 and 2020.

When it comes to social marketing, small businesses have four options:1. Learn to do it yourself: saves tiime and money after you learn the apps and purcahse the soft/hardware2. Hire a high-dollar production company: saves time, but watch for huge expenses3. Hire a qualified contractor who uses existing content to create replicable video animation masterpieces: low cost/saves a ton of time4. Do nothing and hope for the bestThis book is a resource to help you gain valuable time by showing you how to create your own social marketing videos inexpensively and freeing up time so that you can do the things that are important to you and your business. You will learn tips and tricks, access over 40 video production resources and applications, copy creative brief and script writing templates and social media advice from the Executive Producer at Hilltop Video Services.Here you will find references to hardware: camera, lighting, microphones; software apps for content, animation templates, graphic art and photographs.YOU CAN DO THIS!Yes, you can create Hollywood style video ads, announcements, and holiday video greeting cards all using existing content, and without breaking your bank account.

Künstliche Intelligenz und ihre Verheißungen übernehmen das Regiment und erschaffen lebensähnliche Daseinsformen. Der Mensch forciert den Fortschritt - und steht dabei längst an der Schwelle zu seiner eigenen Ersetzbarkeit. Dieser Band dokumentiert die Begegnung mit Avataren, lernenden Menschmaschinen und mit einer sprechenden Maus!Die eingeladenen Künstlerinnen und Künstler, Louisa Clement, Ryan Gander, Timur Si-Qin und Jordan Wolfson, gehören alle einer Generation an, die in einer digitalen Welt aufgewachsen ist. Sie spiegeln in ihren Biografien wie in ihrem Schaffen die zunehmenden Machtsphären virtueller Möglichkeiten. Ihnen gegenübergestellt sind Pablo Picasso, Jackson Pollock, Willem de Kooning, Gerhard Richter, Sigmar Polke und andere: Sie alle haben in ihrer Zeit die klassische Erwartungshaltung an ein Werk der Kunst verändert.

Taiwanese contemporary artist Yao Jui-chung has gained international renown for his imaginative, bold and incisive, and often humorous critiques of his country's complex and contested identity and history. Born in 1969, Yao grew up during a tumultuous period, when Taiwan transformed from authoritarianism to democracy. His art, which comprises photography, video, installation, and painting, draws inspiration from history, politics, and society, and from China's and Taiwan's ancient artistic and religious traditions and mythical worlds. As well as being an artist, Yao also works as a curator and writer and has published several books on Taiwanese art. This monograph is the first-ever comprehensive study of Yao Jui-chung's work in English, examining his practice over the past three decades. Featuring more than 200 images, it offers an essay by scholar, curator and Taiwan art specialist Sophie McIntyre and an in-depth interview with the artist by Hou Hanru, the artistic director of Rome's MAXXI. The book will appeal to specialists, collectors, and students of art, as well as scholars and students in Taiwan and China studies, politics, and history.

The book's title-Taking Measures-has a double meaning: as a reference to the practices of measurement and to the political potential of power and resistance. Throughout their history to today, film and video have served as measuring devices for scientific, economic, political, and other purposes, and have been employed in a variety of fields beyond art. In acknowledging these uses also lies the opportunity for art to test its own effectiveness in public space and to uncover potential for resistance in artistic action. This book-which has evolved from a series of dialogues between artists and researchers as part of the research project Exhibiting Film: Challenges of Format at the University of Zurich-addresses issues of measures and formats in both content and design. In which practices of measurement, of the production of knowledge and evidence in the interest of useful research, are film and video involved? In what way can artistic practice not only make these involvements visible but challenge and test them? How can technologies of measurement in art be used politically and be made operative for the public sector? How can formats themselves, as the measures of art, be exhibited? How can they be put in relation to exhibition spaces and their economies of valorization, and how can this relationship be assessed? These questions are explored in illuminating and richly illustrated essays.

Do you know where falling stars come from, and where they go? Follow the journey of two little polar bears who go on a trip to find out what falling stars become. Across the land, across the water, and across the snow, these polar bears will find out and create a new friend in the process.

Since 1968, Bernhard Leitner has been creating sound spaces, meaning he considers sound to be an architectural, sculptural material. His first work in this regard was a model of Soundcube, a walkable cube with a grid of 384 loudspeakers lining its six inner walls. Moving sound through individually controlled loudspeakers distributed over an area creates spaces that are entirely auditory in nature. Initial empirical studies conducted by the artist were followed by approximately 150 sound space sculptures created between the mid-1970s and the present, each a unique calibration of the relationship between the bodily perception and sound spaces as they emerge in physical space and in time. Every one of Leitner`s sculptures can be experienced as an interior (visitors can walk, sit, lie down in them), and each reveals new psycho-physiological dimensions of experience. This is the first volume to comprise all of the artist`s sound space investigations, sound space sculptures, and sound space installations.

In 2013, five years after the world has been convulsed by a global banking and financial crisis, Isaac Julien premiered his film PLAYTIME to address an important question: Can capital be rendered visible? By following the stories of six protagonists-interconnecting figures in the world of art and finance-Isaac Julien subsequently found narrative images for the process of capital interlocking at a global level, intertwining a macroscopic and a microscopic perspective dialectically, as it were.The Palais Populaire and the Wemhöner Collection have joined forces to shed new light on PLAYTIME from today's perspective and to testify to the work's topicality, as capital as a medium plays into almost all political, social and societal issues and influences the lives of nearly every human being on this planet.

A scrapbook on Baillie's life and career, with stills, ephemera and writings by filmmakers across generationsThis is the first book on the West Coast avant-garde filmmaker Bruce Baillie (1931-2020), famed for the films Mass for the Dakota Sioux (1964), Castro Street (1966) and All My Life (1966) and for his influence on directors such as George Lucas (one of Lucas' charitable foundations helped fund the digital transfer of Baillie's films) and Apichatpong Weerasethakul. Alongside stills from Baillie's films, the book fosters a dialogue between Baillie and filmmakers and writers across several generations, including experimental filmmaker Peter Hutton, filmmaker and anthropologist J.P. Sniadecki and Jonas Mekas, along with suites of images by the Thai director Apichatpong Weerasethakul, British artist and experimental filmmaker Ben Rivers and Brazilian artist and filmmaker Ana Vaz, among others. Reproductions of correspondence and other ephemera are also included.

An innovative visual history of Indian cinema's history, actors, directors, influences and graphic styleIn India, the power of an icon or a holy person is often conveyed by way of sight: one must "behold" the entity in question. This particular import of sight has undoubtedly contributed to cinema's elevated position within Indian culture; the release of a film and the hero-worship of actors in India arouses great fervor. Bollywood Superstars traces the development of Indian cinema from its precedents in the late 19th century to its establishment as a massive industry a century later. Several chapters are dedicated to key figures within this remarkable history, including cinematographer Ravi Varma, producer Dadasaheb Phalke, director Satyajit Ray and the actor Rajinikanth.The volume emphasizes the particular flavor of films produced in different regions: "Kollywood" cinema from Tamil (a mix of comedy, action and emotion), "Bollywood" cinema from Mumbai (musical "masala films") and "Tollywood" cinema from Bengali (critically acclaimed art films). Punctuating this wealth of information are film stills, movie posters, photographs and various artworks that have inspired the country's filmmakers.

"A groundbreaking history of digital design from the nineteenth century to todayDigital design has emerged as perhaps the most dynamic force in society, occupying a fluid, experimental space where product design intersects with art, film, business, engineering, theater, music, and artificial intelligence. Stephen Eskilson traces the history of digital design from its precursors in the nineteenth century to its technological and cultural ascendency today, providing a multifaceted account of a digital revolution that touches all aspects of our lives.We live in a time when silicon processors, miniaturization, and CAD-enhanced 3D design have transformed the tangible world of cars and coffee makers as well as the screen world on our phones, computers, and game systems. Eskilson provides invaluable historical perspective to help readers better understand how digital design has become such a vibrant feature of the contemporary landscape. Along the way, he paints compelling portraits of key innovators behind this transformation, from foundational figures such as Marshall McLuhan, Nam June Paik, and April Greiman to those mapping new frontiers, such as Sepandar Kamvar, Jeanne Gang, Karim Rashid, Neri Oxman, and Jony Ive.Bringing together an unprecedented array of sources on digital design, this comprehensive and richly illustrated book reveals how many of the digital practices we think of as the cutting-edge actually originated in the analog age and how the history of digital design is as much about our changing relationship to forms as the forms themselves"--