Arkitektur: offentlige bygninger

Bu rehber, iki, üç veya daha fazla gün süren bir ziyaret için sanat ¿ehri Venedik'i göstermektedir.Murano, Burano ve Torcello Lagün Adalar¿ da dahil olmak üzere, ¿ehri ziyaret etmek için mant¿kl¿ bir güzergah boyunca düzenlenmi¿ cazibe merkezlerinin aç¿klamalar¿ ve fotöraflar¿ bulunmaktad¿r.Ayr¿nt¿l¿ haritalar ziyaret güzergah¿n¿ göstermektedir.Ayr¿ca Venedik'e ulämak için mevcut tüm ulä¿m araçlar¿ da aç¿klanmaktad¿r.

Przewodnik ten ilustruje miasto sztuki, jakim jest Wenecja, dla wizyty trwaj¿cej dwa, trzy lub wi¿cej dni.Posiada opisy i zdj¿cia atrakcji, w tym wysp laguny Murano, Burano i Torcello, üöone wzd¿ü logicznej trasy zwiedzania miasta.Szczegó¿owe mapy ilustruj¿ tras¿ zwiedzania.Opisuje tak¿e wszystkie dost¿pne ¿rodki transportu, ¿eby dotrze¿ do Wenecji.

Tässä oppaassa esitellään Venetsian taidekaupunki kahden, kolmen tai useamman päivän vierailua varten.Siinä on kuvauksia ja valokuvia nähtävyyksistä, kuten Muranon, Buranon ja Torcellon laguunisaarista, jotka on järjestetty loogisen vierailureitin mukaisesti.Yksityiskohtaiset kartat havainnollistavat vierailun reittiä.Siinä kuvataan myös kaikki Venetsiaan pääsemiseksi käytettävissä olevat liikennevälineet.

Ce guide illustre la ville d'art de Venise, pour une visite de deux, trois, ou plus jours.Il contient des descriptions et des photos des attractions, y compris les îles de la lagune de Murano, Burano et Torcello, disposées selon un itinéraire logique de visite de la ville.Des cartes détaillées illustrent l'itinéraire de la visite.Il décrit également tous les moyens de transport disponibles pour se rendre à Venise.

Henry Flitcroft was first employed by the leading aristocratic architect of the time, Richard Boyle, Lord Burlington, who helped him to establish his long career. Flitcroft had about 50 clients over 40 years, working for many dynasties, including the royal family, the Bedfords, the Yorke/Hardwickes and the Malton/Rockinghams. Remarkably, he was employed regularly by the Duke of Montagu and his family from 1725 to 1765, and the Hoare family from 1728 to his death in 1769, and was responsible for some of the great country houses of the period including Wimpole, Woburn Abbey and Wentworth Woodhouse. This is the first book which details his life and examines his complete body of work. It sets Flitcroft within his social context, providing insights into those for whom he worked as well as his fellow architects. Flitcroft waged fierce battles to maintain his professional positions at Westminster Abbey and St Paul's and the documents are revealed here for the first time. The book dissects the dramatic story of Flitcroft's insane son and the legal cases that ensued which link Flitcroft and G.E. Street, who inherited Flitcroft's own house in Hampstead. In addition, Flitcroft's furniture designs are assessed and his notable churches and London buildings including Chatham House, Benjamin Franklin House and Pushkin House. Finally, his last great project at Stourhead is re-examined.

Classicism is ubiquitous, from the facade of Selfridges to the letterhead of The Times, to the pedimented porches of neo-Georgian housing estates. This book invites readers to discover in their surroundings a rich language of form which is there to be revealed.It discusses the pleasures and problems of post-medieval architectural classicism, both its rigour and flexibility, its perfections and incompleteness, its continuities and innovations, and its expressiveness - from the camp to the sublime, and from originality to plagiarism. Abandoning conventional chronological, biographical or stylistic arrangements, the book makes connections between familiar art historical periods, focusing on looking closely at the buildings and their details, from which useful generalisations emerge.The book discusses how Renaissance architects, when faced with the bewildering variety of classical antiquity, produced canonical versions of the orders and thus a systematic method of designing in the antique manner. It asks how the highly regulated language of classicism can sustain the originality of a Michelangelo, a Soane or a John Simpson and looks at the human body in relation to classical architecture. It examines the various treatments of the wall and of lettering on classical buildings, before concluding with a chapter on architectural backgrounds in Quattrocento art, revealing how this can lead to a different kind of looking at painting and sculpture.

Rome, Italy's capital, is a sprawling, cosmopolitan city with nearly 3,000 years of globally influential art, architecture, and culture. Ancient ruins such as the Colosseum and the Forum evoke the power of the former Roman Empire. Vatican City, the headquarters of the Roman Catholic Church, has St. Peter's Basilica and the Vatican Museums, which house masterpieces such as Michelangelo's Sistine Chapel frescoes.This guide covers a four-day visit to Rome, Italy. So naturally, having precisely four days, you must be willing to work hard to experience as much of Rome as possible.There are extensive descriptions and color photos of the attractions for you to use during your visit.It also lists many reviews for the best-recommended restaurants within walking distance from the location where lunch or dinner is planned.

Am 15. Juni 1880 wurde das neue Empfangsgebäude der Berlin-Anhalter Eisenbahn am Askanischer Platz dem Verkehr übergeben. Doch die Eröffnung des imposanten Bauwerks von Franz Schwechten war nur eine Etappe des 1871 begonnenen Umbaus des Anhalter Bahnhof in Berlin. Auf einer Länge von 5km wurden neben dem Personenbahnhof ein Güterbahnhof, Werkstätten, Aufstell- und Verschiebegleise und viele weitere Anlagen neu errichtet. In zeitgenössischen Originaltexten werden die Anfänge der Berlin-Anhalter Eisenbahn, der Umbau des Bahnhofs und die Architektur der Gebäude geschildert. Zahlreiche Fotos und Zeichnungen illustrieren dieses Zeitdokument der Berliner Verkehrs- und Architekturgeschichte.

The Total Environment Masterplan provides proven strategies and principles to avoid problems and ensure your construction project runs smoothly, with an end product that is sustainable, efficient and beautifully designed.

Illustrated stories of far-flung lighthouses which transport the reader to the some of the most remote places on earth.

A photographic exploration of one of Ohio's most remarkable landmarks Nearly 100 years after its construction, the Thomas J. Moyer Ohio Judicial Center in Columbus, Ohio, is finally receiving the artistic recognition it deserves in this richly illustrated book. In the early 1920s, when plans for the Ohio Judicial Center building were initially conceived, American culture and politics were in a period of transition and turbulence. The country emerged from World War I, moved through the Roaring Twenties, and then sank into the Great Depression. To counter the effects of this economic crisis, public art was often commissioned for government buildings, including the Ohio Judicial Center, which was completed in 1933 and showcases work from 12 artists. Featuring more than 100 photographs taken by Richard W. Burry, Art and History in the Ohio Judicial Center is the first book to celebrate the building's impressive architectural detail and highlight its 200 Art Deco- and Beaux Arts-style murals, reliefs, and mosaics. Burry tells the story of the public art in the Ohio Judicial Center and provides illuminating historical context, helping the present-day reader to understand the building's art not only from a contemporary perspective but also through the eyes of those living almost a century ago.

In this book, you will encounter a vision of the future drawnfrom my understanding and appreciation of the complexityof city planning and urban development that comes from alifetime of passion and love for city planning and architecture.The inspiration is derived from the beauty and harmonyof the urban spaces of the past.With even a modest appreciation of the history of architecture,the reader may find their own inspiration in the picturesqueassemblage of public urban spaces, built form, shapesand shadows of the architectural presentation illustrated inthe pages of this book.

The best guide to the pubs and bars of Merseyside listing more than 1,900 places, with details of over 1,400 I have visited. For more information, go to www.merseypub.com. Thirteenth Edition: Database updated to 31 January 2023.

Zaha Hadid war eine revolutionäre Architektin. Jahrelang wurde sie in weiten Kreisen gefeiert und mit zahlreichen Preisen ausgezeichnet, obwohl sie praktisch nichts baute. Einige behaupteten sogar, es sei schier unmöglich, ihre Entwürfe umzusetzen. Dennoch wurden Hadids Visionen in ihren späteren Lebensjahren Realität und brachten ein neues, einzigartiges architektonisches Vokabular in Städte und Projekte wie das Port House in Antwerpen, das Al Janoub Stadium bei Doha in Katar und das beeindruckende neue Flughafengebäude in Peking. Zum Zeitpunkt ihres verfrühten Ablebens 2016 war Hadid fest in der höchsten Architekturelite etabliert und arbeitete an Bauvorhaben in Europa, China, dem Nahen Osten und den Vereinigten Staaten. Sie war die erste Architektin, die sowohl den Pritzker-Architekturpreis als auch die prestigeträchtige Royal Gold Medal der RIBA erhielt. Ihr langjähriger Partner Patrik Schumacher leitet heute das Büro Zaha Hadid Architects. Diese kompakte Ausgabe , die auf Grundlage der XXL-Monografie entstand, deckt Hadids sämtliche Werke bis hin zu laufenden Projekten ab. Mit reichlich Fotos, ausführlichen Skizzen und Hadids eigenen Zeichnungen folgt der Band ihrer Laufbahn, indem er nicht nur ihre bahnbrechendsten Bauten erfasst, sondern auch ihre Entwürfe für Möbel und Inneneinrichtungen einbezieht, die Teil ihrer einzigartigen Welt waren, die unverkennbar den Stempel des 21. Jahrhunderts trägt.

Only book on the market that covers the architecture and interiors of these fascinating houses. Up-to-date photographs as well as in-depth archival materials. Much never-published-before information from original architects' drawings to house plans, descriptions of life in the homes and more. An established bestseller since 2005

"Prishtina in 53 Buildings" draws a multifaceted portrait of Kosovo's capital city by using architecture as a prism to understand political, cultural and economic processes. Essays on fifty-three built structures, written by different authors with different geographical background and different professional perspective, add up to multilayered account of the city's history and present. The texts include architectural analyses, political reflections, ethnographic observations and personal memories. Taken together, however, they allow for an understanding of the ambiguous and conflicting processes that are propelling urban development not only in Prishtina. The texts are supplemented by pictures and a visual essay by Italian photographer Filippo Romano."Prishtina in 53 Buildings" is more than a guide book for visitors or residents of the city. Buildings are not only the materialization of design principles or architectonic ideas, but the outcome of socio-economic processes. The built environment is constantly re-appropriated, re-interpreted and re-valuated as architects do not have the final say as to the meaning and the function of an edifice. By conceptualizing architecture as materialization of societal processes, "Prishtina in 53 Buildings" pushes beyond notions that assume an intrinsic and coherent 'logic' of cities. The editors Donika Luzhnica and Jonas König show that a polyphonic approach is more apposite to depict the often-contradictory trajectories of urban development. What holds true for cities in general, is in particular applicable for post-conflict cities like Prishtina. EditorsDonika Luzhnica is an architect based in Zurich and Prishtina, where she co-founded Ars Atelie. Her award-winning research on the reactivation of Gërmia, a former department store in Prishtina, was featured at Architecture Biennale 2021 in Venice. She was a guest editor of a special feature of the German architecture magazine Bauwelt on Prishtina's urban development and architecture. She currently works with CH Architekten in Zurich. Jonas König is a researcher at the Institute of Urban and Regional Planning at Technical University Berlin. He was a guest editor of two special features of the architecture magazine Bauwelt on architecture in Albania (2019) and Prishtina (2022) and has published in journals such as City, Kajet, Monu, and dérive on urban development issues in Southeast Europe.PhotographerFilippo Romano is a documentary and architecture photographer. Filippo Romano's work has been exhibited internationally, among others, at the Biennale of Architecture in Venice 2010 and 2021. Also, he has published several books and has been featured in media outlets such as Abitare, Dwell, Domus, Io Donna, Courrier International, Huffington Post, and Newsweek. ContributorsThe book contains contributions by Alba Imeri, Ana Dragic, Andrra, Anna Di Lellio, Antigonë Isufi, Antonia Young, Arbër Sadiki, Arnisa Kryeziu, Arta Basha Jakupi, Aurela Kadriu, Bardhi Haliti, Besa Luci, Carlo Ratti, Daniele Belleri, Dion Zeqiri, Donika Luzhnica, Eliza Hoxha, Ena Kukic, Erodita Qehaja, Erzë Dinarama, Fitore Isufi Shukriu, Flaka Haliti, Flakë Zeneli, Gil Boesch, Gjergji Islami, Gresa Kastrati, Guillaume de Morsier, Gyler Mydyti, Ilir Bajri, Ilir Gjinolli, Iliriana Sejdullahu, Ines Demiri, Jean-Arnault Dérens, Jeton Neziraj, Jonas König, Kai Vöckler, Krenare Juniku, Lydra Hoxha, Martin Pohl, Maximilian Hartmuth, Mirjeta Qehaja, Nebojsa Milikic, Nick Ames, Nita Deda, Nora Krasniqi Arapi, Predrag Guberinic, Rozafa Basha, Ruth Duma Coman, Sakibe Jashari, Sali Spahiu, Samir Karahoda, Shkumbin Ahmetxhekaj, Shpresa Jashari, Sokol Beqiri, Sokol Ferizi, Toton, Valentin Kuník, Visar Geci and Vladimir Kulic.

Arkitekten Ivar Bentsen tegnede i 1914 en villa og atelier til billedhuggeren Kai Nielsen. Atelieret blev malet ultramarine blå på vægge og lofter, og var så specielt, at de senere ejere fik rummet malet om og ovenlyset lukket. Nu er villaen blevet restaureret og både ovenlys og de blå vægge er blevet reetableret. Samtidig er hele villaen blevet gennemrestaureret. Bogen fortæller om Kai Nielsen og Ivar Bentsen og om de usædvanlige nabobygninger i området, og den fortæller om husets restaurering.

Bogen viser med en serie sort-hvide billeder det nu nedrevne elefanthus i Københavns ZOO. Billederne introduceres af fotografen selv og af en tekst om elefanter i Danmark kulturhistorisk set – fra Gundestrupkarret til Elefantordenen.

The dream of owning a home in the countryside has led to cities expanding more and more, growing together and destroying unspoilt nature. In addition, however, the need for affordable and attractive living space in cities is also increasing. Proximity to work and good infrastructure are clear advantages of city life. The »Penthouses for all« concept focuses on people's individual living wishes. It shows that sophisticated architecture can be affordable for all and is also possible in cities in the course of densification. The new living space for all is developed by building on flat roofs, which are plentiful in urban areas. Unfortunately, in the past the possibilities of targeted development of roofs remained largely unrecognised, especially in the newly built districts. So far, flat roofs here have mostly only been planted or used for energy generation. Here and there they are also built on later, but as a rule they remain unused for residential purposes. The situation is very different in many southern countries. There, it is a matter of course to use flat roofs for living and to include them in the planning right from the start. The book gives an insight into the inexhaustible possibilities of living on roofs. Numerous examples show that the dream of a home in the countryside can also be realised in the city. Not only small, low-cost roof houses are possible. With special »construction kits«, larger units can also be put together; alternative forms of living can be thought of and realised as well; nothing remains utopian. Ultimately, the aim is to make living in cities more attractive again in order to prevent urban sprawl and destruction of nature, and to give people back a home and identity even in the city. However, new building laws and development plans must create the prerequisites for this. So far, subsequent building on roofs is often prevented by building laws or rejected for aesthetic reasons. Further construction on roof areas is paralysed by the requirement to adapt to the existing building. Thus, only roof superstructures are created that are hardly recognisable as such or that take up the given monotonous design elements in order to adapt to the existing buildings.

2017 hat die Stadt Würzburg ihr erstes Baugruppenprojekt auf den Weg gebracht. Von den Münchner Projektsteuerungsspezialisten für Baugruppen, Plan Z, wurde bogevischs buero mit dem Entwurf beauftragt. Für 16 Wohnungen mit 14 Familien und 18 Kindern entstand eine Zwillingsarchitektur. Zwei quadratische Gebäude, die durch Loggien und Dachterrassen kubistische Körperlichkeit gewinnen, stehen sich gegenüber. Die Holzfassaden mit verschiedenen Fenstergrößen auf hellem Betonsockel vermitteln nach Außen, wie dieser Hybrid innen organisiert ist. Ein Treppenhauskern aus Stahlbeton trägt die Massivholz-Konstruktion der Wohnungen in 16 verschiedene Grundrisse. Ein Gemeinschaftsraum am Hof zeugt von der kommunikativen Idee der Baugruppentradition, dass ihre Mitglieder nicht nur persönliche Interessen nach günstigem Wohneigentum verfolgen, sondern auch in Nachbarschaftlichkeit investieren. In der Parkstadt Schawbing zeigt ein anderes Projekt von bogevischs buero, dass auch in der Idee der Baugenossenschaft noch jener schöne Gedanke zu Verwirklichung strebt, Mieter nicht als scheue Rehe, sondern als kontaktfreudige Sozialwesen zu behandeln. Das von dem Münchner Beamtenwohnungsverein errichtete Eckgebäude besitzt mehrere Optionen, um Hausgemeinschaft zu fördern. Hinter einer Glaswürfelwand befindet sich ein großer Gemeinschaftsraum. Davor liegt eine Spielfläche mit einer Toberampe über der Tiefgarageneinfahrt. Und auf dem Dach wurde eine Gemeinschaftsterrasse mit Küche, Holzbänken und Kastenbeeten eingeschnitten. Viele Details, von den Moiré-erzeugenden Lochblechen vor den Fenstern über das Farbkonzept bis zu dem wertigen Bodenbelag aus Kalkstein belegen, dass auch genossenschaftliches Bauen zu schönem Wohnen bei erschwinglichen Mietpreisen führt, wenn es mit klugen Designentscheidungen geplant wird. Till Briegleb

Buildings provide tremendous insights into the character of imperialism, not least in the manner in which Western forms were spread across the globe. They reveal the projection of power and authority in colonised landscapes, as well the economic ambitions and social and cultural needs of colonial peoples in all types of colonies. They also represent a colonial order of social classes and racial divisions, together with the ways in which these were inflected through domestic living space, places of work and various aspects of cultural relations. They illuminate the desires of Europeans to indulge in cultural and religious proselytisation, encouraging indigenous peoples to adopt western norms. But the resistance of the supposedly subordinate people led to the invasion, adoption and adaptation of such buildings for a post-colonial world. The book will be vital reading for all students and scholars interested in the widest aspects of material culture.

Ordinary citizens fought City Hall to have a suicide barrier erected around North America's second most "popular" suicide magnet, the Bloor Viaduct over Toronto's Don Valley.

I slutningen af 1880’erne var springvand højeste mode, og da Foreningen til Hovedstadens Forskønnelse blev stiftet, var dens første opgave i 1885 at skabe et springvand til Højbro Plads. Foreningens medlemmer var bl.a. i Tyskland for at se på springvand, og de endte med at indbyde nogle af Danmarks fineste kunstnere til at tegne skitser til den nye vandkunst. To af kunstnerne var Thorvald Bindesbøll og Joakim Skovgaard, der sammen tegnede et dragespringvand i bronze og granit – og tabte til billedhuggeren Vilhelm Bissen og maleren Edvard Petersens Storkespringvand, som blev opført på Amagertorv, hvor det stadig står.Heldigvis var der mange andre pladser i byen, der ikke havde fået deres eget springvand, og i 1905, efter Københavns Rådhus var færdigopført, blev Dragespringvandet til virkelighed på den nye rådhusplads. Dog kunne der ikke blive råd til den helt store model, så det endte med en kumme uden midterfigur, som i folkemunde kom til at hedde ”spytbakken”. Først i 1923 kom den store midterfigur af tyren og dragen til, og springvandet stod derefter i al sin pragt i nogle år, indtil det skulle rykkes og fik fjernet sit yderbassin, fordi H.C. Andersens Boulevard skulle udvides.Bogen fortæller hele springvandets historie rigt illustreret med alt fra Bindesbølls og Skovgaards originaltegninger til fotos af springvandet omgivet af københavnere gennem de mere end 100 år, det har ligget på Rådhuspladsen.

Opened in 1992, the Kunsthal in Rotterdam is a key design in the portfolio of Rem Koolhaas and OMA, the renowned firm Koolhaas cofounded in 1975. It is part of the Museumpark, a park also designed by OMA and the location of the Nederlands Architectuurinstituut NAi, the Museum Boijmans Van Beuningen, and the Museum of Natural History. The Kunsthal's exhibition space is divided into three large exhibition halls and two smaller galleries. The building also houses an auditorium and a restaurant. This outstanding space for art is a prime destination for countless architecture fans every year, and is celebrated by Tibor Pataky, architect and architectural historian, in this inspiring book. He explains the history, the programmatic background, and the cultural references of the design, which has been adapted several times. He also places it in the context of OMA's work of the 1980s and the intellectual environment of Deconstructivism. Eight captivating series of illustrations-historic and new photographs, plans and documents from OMA's archive, and other images-focus on the structure's outstanding qualities and its embedding within the park. A set of new plans, newly drawn for this book, illustrate the highlights of OMA's design. The volume is a hugely attractive tribute to one of the most significant works of post-WWII architecture in Europe.

"Sites of International Memory interrogates the political and cultural legacies of the recent international past in conceptualizations of nationhood and identity today in the material and ideological sites of international memory. It maps an international past that was often simultaneously imperial and national, cosmopolitan and global, and that is now is sometimes self-consciously remembered, or more often actively forgotten"--