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We've read the celebrity memoirs - the deep dives into the lives of the (maybe) 2% of actors who ever make it BIG. But what's life like for the other 98%? In this intimate and sometimes comic account, the author offers a tour through the perils and passions, the realities and random gigs of an actor just trying to make a living doing work she loves. The struggle is real! You'll roll your eyes at her missteps and be in her corner as she figures out how to define success on her own terms.

If you are a drama student, actor, performer, speaker or voice-artist or training to be one, this is the book for you! There is nothing else out there like it! Filled with easy to follow vocal warm-up exercises, awesome alliterations and illustrations; you will be impressing audiences and smashing auditions in no time without damaging your most valuable asset - your voice!

Recommended by agents and acting coaches, Acting In Chicago, 4th Edition demystifies the question of how to build a rewarding, sustainable, and profitable acting career. Everything you need to make a full-time living as a Midwest-based actor is at your fingertips in this updated edition. You'll just need to bring your talent. Specific information is presented logically so you can lay your path of least resistance through the industry. --

Audiobook Acting: A Masterclass in the Art and the Business is the roadmap to compelling audiobook storytelling. Written as if you are in a personal coaching session with Taro Meyer, each chapter focuses on a single topic and offers illuminating stories and workouts that allow you to practice and progress at your own pace. New actors will learn to handle any type of book--as well as howto produce a demo, make submissions, and access industry resources--and experienced professionals will learn new techniques. Master powerful techniques that will enable you to Strengthen your voice through proper breathing and vocal placement Develop a tone and point of view for each book Fuse your interpretation with the author's Create evocative imagery Develop identifiable, vibrant characters

REALITY SLOWS ME DOWN offers a wide variety of audition pieces for professional actors, as well as high school and college students and actors performing in community theaters. The contents have a broad range of choices in age, emotional tones, and personality characterizations that will suit any actor's need and inclination. These include attitudes of irony, desperation, bewilderment, suffering, anger, and exhilaration. Further, five dialogues are given for practice with friends and actors to be used for fun and practice. As well, the various speeches may be used as presentation pieces before a studio audience.

Stanislavsky and Pedagogy explores current thinking around the pedagogical implications of Stanislavsky's work, depicting the voices of a number of practitioners, teachers, and scholars who are themselves journeying with Stanislavsky.

Stanislavsky and Pedagogy explores current thinking around the pedagogical implications of Stanislavsky's work, depicting the voices of a number of practitioners, teachers, and scholars who are themselves journeying with Stanislavsky.

This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet's troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this book focuses on these questions in relation to long-established, traditional practices using puppets, devotional objects, and related items with sacred aspects to them or that perform ritual roles. Looking at performance traditions and artifacts from China, Indonesia, Korea, Mali, Brazil, Iran, Germany, and elsewhere, the essays from scholars and practitioners provide a range of useful models and critical vocabularies for addressing the ritual and spiritual aspects of puppet performance, further expanding the growing understanding and appreciation of puppetry generally.This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.

Embodied Playwriting: Improv and Acting Exercises for Writing and Devising is the first book to compile new and adapted exercises for teaching playwriting in the classroom, workshop, or studio through the lens of acting and improvisation.

Embodied Playwriting: Improv and Acting Exercises for Writing and Devising is the first book to compile new and adapted exercises for teaching playwriting in the classroom, workshop, or studio through the lens of acting and improvisation.The book provides access to the innovative practices developed by seasoned playwriting teachers from around the world who are also actors, improv performers, and theatre directors. Borrowing from the embodied art of acting and the inventive practice of improvisation, the exercises in this book will engage readers in performance-based methods that lead to the creation of fully imagined characters, dynamic relationships, and vivid drama. Step-by-step guidelines for exercises, as well as application and coaching advice, will support successful lesson planning and classroom implementation for playwriting students at all levels, as well as individual study. Readers will also benefit from curation by editors who have experience with high-impact educational practices and are advocates for the use of varied teaching strategies to increase accessibility, inclusion, skill-building, and student success.Embodied Playwriting offers a wealth of material for teachers and students of playwriting courses, as well as playwrights who look forward to experimenting with dynamic, embodied writing practices.

"Acting, by simple definition, means to be in the process of doing. It's not uncommon to meet people who say they want to be actors. My question to them is always the same: What are you currently doing to become an actor? "Doing" they say? Yes - If you wanted to be a musician you'd practice every day. If you were an athlete you'd train every day. Acting is no different. We feel lucky when we get a job. The fact is, we're most lucky when we're prepared when an opportunity knocks. Jasmine Embrechts' insightful book is a toolbox of achievable activities for beginner and working actors. A book filled with great reminders for all of us to do!"Matthew Modine, actor and filmmaker"The Active Actor is a refreshing, down-to-earth and practical guide to help you to stay motivated and proactive between acting jobs. It's clearly laid out and full of inspirational and practical exercises to help you nurture your inner artist. Jasmine's in-depth knowledge and experience shines through and her positivity is infectious!"Bea Grist, Mental Health and Wellbeing Manager, SpotlightWhat to do with all the downtime between acting jobs? How do we stay motivated? Actors often feel they can really only be considered actors when they are working on their next part. But there is so much that can be done to stay in the right mindset, and that helps careers move forward. The downward spiral of doubt and erosion of confidence is avoidable if we continue to work on our craft and take steps towards our goals. So often actors lose heart in the period between jobs and as a result sabotage their chances at the next audition. This book focuses on all the tasks that actors can and should be doing to keep active as a performer, when they haven't yet got their next job lined up. An actor's life is all-encompassing: a rich life contributes to an actor's next role. Focus on doing the tasks in this book that will help you stay centred, committed and in the right mindset, as divided into four sections:Business and Skillset tasksCreative tasksIdeas for learningSelf-care optionsThe inner artist must be nurtured and this book points you in the right direction with actionable steps to take in your journey as an actor - including that time when you are looking for your next role.

Domenico Belli, who died in 1627 in Florence, published in 1616 two works in the new monodic style, an operatic scene (Orfeo dolente) and this collection of songs and duets. His tyle is fairly radical and difficult both in execution and harmony.

Life as an actor is full of setbacks. Discover proven psychology techniques to avoid damaging your mental health and sinking into despair. Building a successful acting career requires resilience. Whether going to auditions, applying to drama school, or battling unemployment, you must be able to bounce back from setbacks and keep going. Resilient actors benefit from the "familiarity effect:" the more industry professionals see you, the more they like you, and the more opportunities you get. But how do you keep going despite repeated setbacks? How do you shake off the painful feelings that arise and get back in the game with a healthy mindset? Encountering a setback changes your brain chemistry, which depletes your energy and affects your state of mind. Repeated setbacks can have a cumulative effect, making it harder to bounce back and take on new challenges. Fortunately, psychologists have studied these negative effects and developed a range of powerful techniques to avoid falling down this slippery slope. Resilience for Actors distills these psychological insights specifically for actors using clear and jargon-free language. Whether you got knocked back after delivering an amazing audition, or recently got fired from an acting job, this book provides you with the tools to bounce back and go after the next opportunity with optimism and enthusiasm. Read this book and discover:How to deal with rejection in a positive wayHow to recover from disappointmentHow to stop the vicious cycle of despairMindset hacks to turn failure into successPractical tools you can use straight awayShort enough to read in an afternoon, yet jam-packed with practical advice, Resilience for Actors will help you overcome any setback and find your inner strength. Alexa Ispas holds a PhD in psychology from the University of Edinburgh. The books in her Psychology for Actors Series provide actors with proven psychology techniques to thrive and build a successful career.

What if an actor possessed the expressive tools to work across cultures? Actor, director, and playwright Michael Devine (Playing Outside the Lines: Collected Plays I) has spent years bridging cultures in both performance and training. Through an exploration of the core principles of power, control, and joy, BoxWhatBox frees the artist from habits that inhibit their development and their ability to create, and which confine them within the box of their own cultures and lived experience. With case studies, photographs, and engaging games, exercises, and études, BoxWhatBox is the practical handbook for any actor who desires to inspire.

Want to show up to auditions and acting jobs brimming with confidence? If you are tired of battling your inner demons, psychology can help. Life as an actor brings out a lot of insecurities. Every time you go to an audition, begin rehearsals, or give a performance, the most personal things about yourself-your physicality, personality, and mannerisms-are put on display and critically evaluated.Given this ever-present scrutiny, your self-confidence can suffer, affecting your ability to perform.High-pressure situations, such as an important audition, a table read, or opening night, are often where your self-confidence may falter, resulting in missed opportunities, regrets, and sometimes marking the onset of chronic stage fright.If this sounds familiar, psychology can help.For several decades, psychologists have studied the problems associated with low self-confidence and developed a range of simple yet powerful techniques to overcome such barriers.Self-Confidence for Actors explains in clear and jargon-free language how to apply these psychological tools to your craft. Read this book and discover:How to overcome stage frightHow to disarm your inner criticHow to conquer imposter syndromeHow to radiate confidence while under pressureHow to prevent nerves from sabotaging your performanceHow to connect with your boldest self when it matters mostPractical tools you can use straight awayShort enough to read in an afternoon, yet jam-packed with practical advice, Self-Confidence for Actors will help you calm your nerves and perform at your best.Alexa Ispas holds a PhD in psychology from the University of Edinburgh. The books in her Psychology for Actors Series provide actors with proven psychology techniques to thrive and build a successful career.

A Los Angeles drama critic called REGARDING MRS. CARTER a "Hamlet for women." That is certainly hyperbole, but this theatrical monologue provides a strong showcase for a mature female actor with an understanding of style, wit, and emotional honesty. It requires one costume and can be performed with a minimal set, but a creative lighting designer is crucial. The play may also be performed with the script in hand. Performance rights are available through the author.

From his humble beginnings growing up on his grandfather's dairy farm in New York, JOEL THURM became one of the most admired, powerful, and accomplished casting directors in Hollywood, Early on, Thurm's instincts proved beyond reproach when he recognized John Travolta as much more than a teen idol, casting him in the TV movie THE BOY IN THE PLASTIC BUBBLE. It was during his years as Vice President of Talent and Casting for both Paramount Television and NBC that he discovered the remarkable Phoenix family, from which River and Joaquin became A-list movie stars. With his insider's knowledge, irreverent style, and biting wit, Thurm tells the stories of his key involvement in such iconic movies and shows as GREASE, AIRPLANE!, THE ROCKY HORROR PICTURE SHOW, CHEERS, TAXI, THE LOVE BOAT, FANTASY ISLAND, STARSKY & HUTCH, CHARLIE'S ANGELS, THE GOLDEN GIRLS, KNIGHT RIDER, THE COSBY SHOW, HILL STREET BLUES and many, many more. SEX, DRUGS, AND PILOT SEASON is the ultimate backstage pass to the boardrooms of Manhattan and the executive suites of Hollywood where show-business history was made. "A true talent at the top of the biz. We are all lucky to know him! And a great guy! It's fun and I love it."-JOHN TRAVOLTA "Thank you for pretty much everything in my life."-TED DANSON "Always grateful for helping to cast me and for all the unsung work he did behind the scenes for GREASE .... Great memories and details I didn't know."-OLIVIA NEWTON-JOHN "Actors are naturally nervous around casting directors. Then one comes along who changes your life! Thanks, Joel,"-DANNY DEVITO "Joel is one of the good guys,"-TONY DANZA "This book will make you laugh out loud, cry and wonder 'did this really happen?' Joel Thurm was in the eye of the tornado and he is still standing."-DEBBIE ALLEN

From his humble beginnings growing up on his grandfather's dairy farm in New York, JOEL THURM became one of the most admired, powerful, and accomplished casting directors in Hollywood, Early on, Thurm's instincts proved beyond reproach when he recognized John Travolta as much more than a teen idol, casting him in the TV movie THE BOY IN THE PLASTIC BUBBLE. It was during his years as Vice President of Talent and Casting for both Paramount Television and NBC that he discovered the remarkable Phoenix family, from which River and Joaquin became A-list movie stars. With his insider's knowledge, irreverent style, and biting wit, Thurm tells the stories of his key involvement in such iconic movies and shows as GREASE, AIRPLANE!, THE ROCKY HORROR PICTURE SHOW, CHEERS, TAXI, THE LOVE BOAT, FANTASY ISLAND, STARSKY & HUTCH, CHARLIE'S ANGELS, THE GOLDEN GIRLS, KNIGHT RIDER, THE COSBY SHOW, HILL STREET BLUES and many, many more. SEX, DRUGS, AND PILOT SEASON is the ultimate backstage pass to the boardrooms of Manhattan and the executive suites of Hollywood where show-business history was made. "A true talent at the top of the biz. We are all lucky to know him! And a great guy! It's fun and I love it."-JOHN TRAVOLTA "Thank you for pretty much everything in my life."-TED DANSON "Always grateful for helping to cast me and for all the unsung work he did behind the scenes for GREASE .... Great memories and details I didn't know."-OLIVIA NEWTON-JOHN "Actors are naturally nervous around casting directors. Then one comes along who changes your life! Thanks, Joel,"-DANNY DEVITO "Joel is one of the good guys,"-TONY DANZA "This book will make you laugh out loud, cry and wonder 'did this really happen?' Joel Thurm was in the eye of the tornado and he is still standing."-DEBBIE ALLEN

From A Midsummer Night's Dream's Puck to Othello's Desdemona, this new edition of Speaking Shakespeare gives you all the necessary tools to bring any of Shakespeare's eclectic characters to life. Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony's 'O, pardon me, thou bleeding piece of earth' and the bloody scene in which Macbeth admits to Lady Macbeth that he has 'done the deed' are placed in context and discussed in depth.Combining clear practical, textual and imaginative work with a brilliant analysis of scenes and speeches from the whole range of Shakespeare's plays, this is an essential and inspiring guide for anyone working on his plays today. It brings a renewed focus on the language of power, so frequently spoken in the worlds of politicians and company directors, which will give readers insight into the potency of clear, direct communication, specifically in the context of Shakespeare. Each chapter has been revised following the author's 20 additional years of experience as a voice coach and includes techniques necessary for a clear and convincing performance.