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The Big Idea: An Unusual Play In Three Acts is a dramatic work written by Albert Ellsworth Thomas and originally published in 1917. The play explores the concept of big business and the power dynamics that exist within it. The story centers around a wealthy businessman named John B. Smith who is determined to make his mark on the world by creating a revolutionary new invention. However, his plans are disrupted when a group of his employees attempt to steal his idea and use it for their own gain. The play delves into themes of greed, ambition, and the corrupting influence of power. Through its three acts, The Big Idea presents a thought-provoking commentary on the business world and the lengths people will go to achieve success. With its engaging characters and intricate plot, this play remains a classic of American theater and a must-read for anyone interested in exploring the complexities of human nature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Manual of the National Art Theatre Society of New York is a book that was originally published in 1904. It is a comprehensive guide to the organization and operations of the National Art Theatre Society, which was a non-profit organization dedicated to promoting the arts in New York City.The book is divided into several sections, each of which covers a different aspect of the society's work. The first section provides an overview of the society's history, mission, and organizational structure. It also includes a list of the society's officers and board members.The second section of the book focuses on the society's programs and activities. This includes information on the society's theater productions, concerts, lectures, and other events. The section also provides details on the society's outreach programs, which were designed to bring the arts to underserved communities in New York City.The third section of the book is devoted to the society's finances. This includes information on the society's budget, fundraising efforts, and financial policies. It also includes a list of the society's donors and supporters.The final section of the book contains a variety of additional resources for members of the society. This includes a list of recommended reading on the arts, a directory of other arts organizations in New York City, and a glossary of terms related to the theater and the arts.Overall, the Manual of the National Art Theatre Society of New York provides a comprehensive guide to the work of this important organization. It is a valuable resource for anyone interested in the history of the arts in New York City, as well as for those interested in the work of non-profit organizations dedicated to promoting the arts.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Craft of the Tortoise is a play written by Algernon Tassin, consisting of four acts. The story revolves around the character of Tortoise, who is a master craftsman and renowned for his exceptional skills. The play is set in a small village where Tortoise lives and works. The villagers are in awe of Tortoise's talent and seek his services for their various needs.The play delves into the theme of the importance of hard work, patience, and perseverance. Tortoise, the protagonist, is a symbol of these virtues, as he spends years perfecting his craft and never gives up despite the challenges he faces. The play also explores the relationship between Tortoise and his apprentice, who learns the craft from him.As the story progresses, a conflict arises when a wealthy merchant arrives in the village and offers to buy Tortoise's workshop. Tortoise, who values his craft above all else, refuses to sell, and the merchant becomes determined to acquire the workshop by any means necessary. The conflict reaches a climax in the final act, where Tortoise's determination and skill are put to the test.Overall, The Craft of the Tortoise is a captivating play that emphasizes the importance of hard work, patience, and perseverance. It is a must-read for anyone who appreciates the value of craftsmanship and the rewards that come with dedication to one's craft.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A classic text for theatre and film it has sold 100,000 copies in its first edition.

It's extremely difficult to be an actor, for many reasons: It's mostly unrewarding financially. It takes a lot of hard work before an actor even gets a part. A career is apt to be short-lived. The field is incredibly competitive. Cream does not always rise to the top. And yet actors young and old line up by the thousands wanting to do it. What fuels this desire? What is it that drives actors to withstand the frustration of not getting parts, of getting bad parts in bad plays, of being mistreated by directors, misundertood by audiences, misinterpreted by critics?With a nod to the Paris Review's Writers at Work model, Actors at Work looks at the way some of our most respected stage and film actors today approach their calling. In a collection of interviews with a dozen artists, including Philip Seymour Hoffman, Patti LuPone, and Billy Crudup, the book explores not only the impetus to perform but also key topics about the process and profession, including the way actors approach a role, what techniques they use to deal with directors and other cast members, the ways in which they use their own personal lives in their work, and their influences, idols, and insecurities. The result is a book that actors will find indispensable and fans will find irresistible.

TOOLS AND TECHNIQUES FOR CHARACTER INTERPRETATION HANDBOOK OF PSYCHOLOGY FOR ACTORS

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

An essential companion for actors in rehearsal - a thesaurus of action words to revitalize performance.

In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have.

A guide for actors, and everyone else, to getting the best for less and surviving, thriving and living the good life in the Big Apple. Here is the ultimate guidebook for the hordes of aspiring young performers who arrive in the Big City determined to climb the ladder to stardom. But the purpose of Craig Wroe, an actor himself, is not to provide instruction on how to refine acting, singing or dancing talents or how to land a job in the chorus of The Producers. Plenty of other books do that. His aim is far broader - to help you survive in the crowded, frantic, expensive maelstrom that is New York. From finding a decent, reasonably inexpensive place to live to finding competent, reasonably inexpensive dental care, from getting computer training to organize your day-to-day existence to joining a gym to harden your body, from eating well to dressing better - all on a tight budget - there is virtually no aspect of life in New York that is not covered in this book. And it not only names names; it gives addresses and phone numbers as well. And keep in mind that newly-arrived lawyers, accountants, models, writers-you name them-need these things too.

TRANSFORMATIONAL ACTING

Lorna Marshall's revolutionary new book, The Body Speaks, is a fundamental rethinking of our relationship to the body and its role in performance. Seventy percent of everyday conversation is conveyed through body language. Lorna Marshall shows us how to recognize and lose unwanted physical inhibitions that we've learned throughout life. Good performers--no matter whether they're trapeze artists or Shakespearean actors--are able to fully reach their audience and engage with them because they have learned to use their bodies to their best effect. Marshall encourages actors in training as well as those already working on the stage to unleash our potential and express ourselves more clearly in a book destined to become a standard volume on any working or training actor's bookshelf.

Gather any group of actresses, from students to stars, and someone will inevitably ask, "Where are all the great roles for women?" The roles are right here, in this magnificently diverse collection of plays-full-lenghts, one-acts, and monologues--with mainly female casts, which represent the answer to any actress's prayer.The editors of the groundbreaking anthology Plays for Actresses have once again gathered an abundance of strong female roles in a selection of works by award-winning authors and cutting-edge newer voices, from Wendy Wasserstein and Christopher Durang to Claudia Shear, Eve Ensler, and Margaret Edson. The characters who populate these seven full-length plays, four ten-minute plays, and eleven monologues include a vivid cross-section of female experience: girl gang members, Southern debutantes, pilots, teachers, traffic reporters, and rebel teenagers. From a hilarious take on Medea to a taboo-breaking excerpt from The Vagina Monologues to a moving scene from the Pulitzer Prize-winning Wit, the plays in Leading Women are complex, funny, tragic, and always original--and a boon for talented actresses everywhere.

SWORD FIGHTING: A MANUAL FOR ACTORS & DIRECTORS

Looking for a great piece to work on in your scene study class? For an audition? You want something fresh, juicy, well-written -- something you haven't seen in every scene book. Give Chekov a rest and turn to memorable characters and scenes from the silver screen.This remarkable anthology offers an incredible range of contemporary dialogues from the pens of the industry's finest talents -- scenes that pulsate with emotional life, scenes that live on their own, out of context. Blistering drama and caustic comedy are excerpted from the classic screenplays of James L. Brooks and Oliver Stone, and there are cutting-edge scenes from the Coen Brothers, Kevin Smith and Spike Lee. These are the scenes of today's films, a wealth of material to motivate any actor -- great scenes that will inspire and challenge you.Within these pages, actors will find emotionally charged scenes from big studio megahits and small gems from acclaimed independent films. Featuring characters ranging from the larger-than-life to low-key introverts, 99 Film Scenes for Actors is a cornucopia of cinematic classics for actors eager for their close-up.

Eric believes that this book is the "craft bible," since it focuses entirely on the craft an actor must acquire in order to fulfill dramatic material. The book explores the seven major obligations related to material--time and place, relationship, emotional, character, thematic, historical, and subtextual--and from there goes on to define choices and explain how to use them to fulfill those obligations. The third element of the craft, the choice approaches, is the practical work the actor must do to create the choices. Out of the current thirty-one choice approaches, only twenty-two are explored in this book. The remaining nine are investigated in subsequent books.