Teater: instruktion og produktion

Feminist Theatre Then & Now - Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. Interviews and essays by playwrights, directors, producers and actors including: Asian Women's Theatre in Britain by Rukhsana Ahmad Derby Theatre by Sarah Brigham Interview with Moira Buffini Intersectional Feminism at Work by Kelly Burke The Personal was very Political by Clair Chapwell Behind The Lines by Alison Child How Feminism has Influenced my Playwriting by April de Angelis Interview with Suzanne Gorman Clean Break by Anna Herrmann Interview with Hannah Khalil The Women in Theatre Lab by Polly Kemp and Jennifer Tuckett Persistence, Expression and Evolution by Peta Lily Interview with Roberta Livingston Ecofeminism by Bibi Lucille The Third World of Irish Women by Jaki McCarrick Monstrous Regiment by Mary McCusker Open Clasp Theatre by Catrina McHugh Interview with Suzie Miller Interview with Ann Mitchell Interview with Rebecca Mordan Interview with Amy Ng Untold Stories by Maeve O'Neill Girls' Night Out by Rachel O'Regan Interview with Kaite O'Reilly Sphinx by Sue Parrish and Susan McGoun Interview with Julia Pascal Out of the Attic - WTW by Cheryl Robson and Anna Birch Scylla's Bite by Rebekah Smith and Abbie Lowe Interview with Dame Rosemary Squire Women in their own Words by Lucy Stevens Stella Quines & After by Gerda Stevenson Differences Matter by SuAndi Theatre from a Lesbian Perspective by Clare Summerskill Interview with Imy Wyatt Corner Index

some scripts presents Monologues by LGBTQIA+ Writers for LGBTQIA+ Actors, an anthology building on our work as a literary magazine since 2019. Queer and trans actors deserve a place to seek monologues by scriptwriters that reflect their own lived experiences. Queer and trans scriptwriters deserve to have their pieces published, read, and practiced for the masterpieces they are. Dive in for unique monologues of LGBTQIA+ characters from LGBTQIA+ writers.

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Numerous books have been written on the art of directing from the classical to contemporary times. Many of these works have concentrated on different facets of the discipline of directing such as the definition, history, and development of directing, as well as the qualities, functions, and types of directors. However, areas of directing that have not received much scholarly attention include works that serve as manuals for budding directors and studies that reflect the theory and practice of directing in Africa, especially from Nigerian theatre practitioners. While studies on directing, such as Wainstein's 'Stage Directing: A Director's Itinerary' (2012), Dean and Carra's 'Fundamentals of Play Directing' (2009), and Johnson's 'Visions Towards a Mission: The Art of Interpretative Directing' (2003), provide general insights on the art of directing plays, Emasealu's 'The Theatre of Ola Rotimi: Production and Performance Dynamics' (2010) and Uwatt's 'Playwriting and Directing in Nigeria: Interviews with Ola Rotimi' (2004), document the directorial practice of the Nigerian director, Ola Rotimi. Aside from documenting the directing techniques of key Western directors, this book's advantage over existing works is that it documents the directorial styles of Ola Rotimi and other West African directors, as well as the directorial techniques of directors from South, North, and East Africa. It also traces the evolution of the theatre stage, examines the directorial implications of the arena, proscenium, thrust, traverse and African traditional theatre stage orientations, and engages the notions of blocking, movement, directorial concept and directorial approach.In particular, this book aspires to contribute to the discourse on play directing with perspectives from African theatre. It also fills gaps in previous studies by delving into the notions of theatre and directing, the director's history, qualities, and tools. It examines types of directors, functions of the director, directing principles, and key Western and African theories of performance. It also evaluates the history of the theatre stage, the characteristics, benefits and drawbacks, and directorial implications of the arena stage, proscenium stage, thrust stage, traverse stage, African traditional theatre stage, the use of blocking, movement, and the meaning of directorial concept and directorial approach.

All songs were written with NWC Noteworthy Composer. For a small fee we canprovide original NWC files for any of the musicals. By downloading the free viewerprogram from Noteworthy Composer.com https://noteworthycomposer.com/nwc2/viewer.htm you can play songs as arranged via your computer or laptop.It can be used to learn songs or if connected to a music keyboard as backgroundfor performances.Licensing fees follow the industry pattern, but will be minimal until the brillianceof Joann's work is established. Rights to perform songs are included in thefee. Performing a number of short plays as one event will be considered oneperformance. Squeeze in as many as you like. Send questions to Playformers@gmail.com along with info for licensing:

LIBRASHQIP me anë të gamës "Klasikët Botërorë", ju fton të nisni një udhëtim të jashtëzakonshëm letrar nëpër shekuj me një koleksion magjepsës që celebron thelbin e letërsisë së përjetshme. Zhytuni në një tapiceri të pasur të imagjinatës dhe përvojës njerëzore ndërsa eksploroni një antologji të kuruar për t'ju sjellur më të mirat e letërsisë botërore."Tragjedia e Jul Çezarit" është një nga veprat më të njohura të William Shakespeare dhe tani disponohet në një përkthim të shkëlqyer në gjuhën shqipe nga Fan Noli. Kjo tragjedi e mahnitshme zhyt lexuesin në botën e njërës prej figurave më të rëndësishme të historisë së lashtë: Jul ÇezaritNë rrëfimin e tij të pasionuar, Shakespeare shpalos një përplasje të fortë midis vetëdijes individuale dhe interesave të përgjithshme të kombit. Ai zbërthen ambiciet, konspiracionet dhe rrugëtimin e vështirë drejt tronditjes finale. Intriga, tradhëtia dhe varfëria e karaktereve krijojnë një shfaqje dramatike e cila nuk mund të lër askënd pa emocione.Përkthimi i Fan Nolit shfaq shkëlqimin e asaj që Shakespeare pati në mendje. Me kujdes të madh, ai i sjell në jetë fjala për fjale dialogjet e karaktereve, e ndihmon lexuesit të ndjehet afër dilemave të tyre dhe i mban ato të lidhura me emocionet e thella dhe konfliktet e tyre të brendshme. "Tragjedia e Jul Çezarit" në përkthimin e Fan Nolit është një pasuri e vërtetë e letërsisë.

How far would you go to support the one you love?Kyle and Holly are just like every other happy couple, desperately in love - except that Holly has severe mental health issues.Written from the author's first hand experience of mental health, this play explores the challenges love has to face when confronted with OCD.

Do you know the story of Diana? Probably. But do you know this story of Diana? We very much doubt it.Join Diana in heaven as she shares the untold and untrue tale of her extraordinary life.The playscript by Linus Karp from the show that's sold out venues across the UK. A celebration of Ar Di that is as hilarious as it is tasteless.

Henry and Dan invite you to enjoy four short plays that can be performed with a limited set. Three murder mysteries - well, not quite mysteries, but there is murder. And a play with a magical door.

This unprecedented angle on the oeuvre of Robert Wilson reveals the importance of chair design for his cross-medium artFor American experimental theater stage director and playwright Robert Wilson (born 1941), theater is a totality of visual, textual and performative mediums. Wilson has incorporated furniture designs into his scenography since his earliest productions in the 1960s. "In almost all of my plays, there is a chair specially designed," he said. "Often, the chairs are much like an actor." Wilson's chairs, with their frequently referential names (the Kafka Chair, Queen Victoria Chairs, the Mondrian Chair), assume expanded significance as the surviving artifacts of each performance. The works in this publication range from 1969 to 2011, from the stainless steel mesh Parzival Sofa (1987) to the painted wood Clementine Hunter Rocker (2011). Wilson's practice as a designer is illuminated by his practice as a collector, with pieces in materials ranging from wood, bronze and steel to taxidermied legs, tempered glass and neon. This publication includes several works never previously exhibited.

U knjizevnom opusu velikog Bore Stankovica svoje mesto nasle su i tri drame: Kostana, Tasana i Jovca.