Filmhistorie, filmteori og filmkritik

Most critical writings on horror films conceptualise woman as victim. Creed challenges this view with a feminist psychoanalytic critique, discussing films such as Alien, I Spit on Your Grave and Psycho.

An exciting anthology of new, queer readings of horror films from Jaws to Jennifer's Body.

This book is an interdisciplinary study that traces the commerce-art-politics nexus of Hong Kong cinema from 2000 to 2020. Fangyu Chen investigates the current nascent generation of film workers who joined the industry as it gradually entered an era marked by the domination of Hong Kong/mainland co-productions.

"For many years, the state of the galaxy between Revenge of the Sith and A New Hope was a mystery to Star Wars fans. With the release of Star Wars: Rebels and Rogue One, and more recently, Obi-Wan Kenobi and Andor, an exciting new era has begun to emerge-the Dawn of Rebellion. Before Luke Skywalker ever picked up a lightsaber, the rebels were scattered and desperate bands of idealists, fighting their own battles against the might of the Empire. Victories were few, losses high, and danger ever-present. This Visual Guide charts this darkest of times, revealing all of the key characters, locations, vehicles, and weapons from the hit Disney+ series Obi-Wan Kenobi and Andor, with supporting material from the Skywalker saga. Includes an exclusive new cross-section artwork of the Fondor Hauler"--

Released in 1919, Anders als die Andern is a remarkable artefact of the pre-Stonewall homosexual rights movement of early-twentieth-century Germany. Ervin Malakaj shows how the film's "mournful cinema" is key to its endurance, fostering connection through emotions and acting as a springboard to engage in an intergenerational queer struggle.

La carrera de John Fante tras un éxito esquivo está repleta de anécdotas sorprendentes y giros inesperados. El último, el encuentro casual entre su obra y las manos de Charles Bukowski en una biblioteca de Los Ángeles, sería el que le permitiría, finalmente, darle caza. En el despertar tardío de la bibliografía fantiana sobresale Ask the Dust, un retrato en claroscuro del amor fatal en los márgenes de la L.A. de los años 30 que golpeó la inspiración del director y guionista Robert Towne al primer contacto: arrancaba entonces un nuevo pillapilla entre la pasión del genio y el pragmatismo de la industria que recorrería los pasillos de Hollywood durante más de tres décadas. 2006 pondría término a la espera y alfombra roja a la película: Ask the Dust desembarcaba en los cines estadounidenses. Por fin.Este trabajo da cuerpo a las historias esbozadas en las líneas anteriores, pero también penetra en una fracción de la alfaguara paratextual que sucedió al lanzamiento de la película para analizar su recepción por parte de crítica y público. Al mismo tiempo, sus páginas calibran el peso de la (in)fidelidad a la novela en sus valoraciones y desglosan cómo aborda cada audiencia este aspecto, tan central como controvertido en la genealogía de los estudios de adaptación. Para saber más, no hace falta preguntar al polvo: basta con leer este libro.

Sportswomen in Cinema considers both documentary and fiction films from a variety of periods and cultures, by directors including Kathryn Bigelow, Gurinder Chadha, Im Soon-rye, George Kukor, Ida Lupino, and Leni Riefenstahl. Drawing from psychoanalytic and phenomenological theories, the book presents a series of landmark close readings of films featuring a variety of different forms of athletic activity, including baseball, basketball, bodybuilding, boxing, climbing, football, rollerderby, surfing, tennis and track and field. In focusing on themes such as gesture, screen space and sound, it moves beyond a purely narrative analysis of sports films. What's more, as well as building on existing scholarship in sports studies to argue that sport should always be conceived of as more than simply competitive, the book also contributes to ongoing efforts in film theory to foster new feminist discourses on sexual difference.The ideas of thinkers such as Judith Butler, Bracha Ettinger, Griselda Pollock and Michel Serres are employed to explore how films featuring female athletes reflect changing perspectives on femininity and sexuality and also, potentially, contribute to transforming our perceptions about sportswomen and cinema. Sportswomen in Cinema is an important addition to the literature of film studies, gender studies and sports studies.

(a parody by Daniel M. Kimmel)Daniel M. Kimmel has made us think about film as the veteran critic who wrote the Hugo finalist Jar Jar Binks Must Die... and other observations about science fiction movies. He's made us laugh as the author of Shh! It's a Secret: a novel about aliens, Hollywood, and the Bartender's Guide, Time on My Hands: My Misadventures in Time Travel, and Father of the Bride of Frankenstein. Now, for the first time anywhere, in the guise of his pompous alter ego Dr. Brentwood Masterling, M.F.A., D.V.M., Ph. D., he gets to do both.Can Your Heart Stand the Shocking Facts? is indeed a "deep dive" into the world of director Edward D. Wood, Jr.'s Golden Turkey Award winner for Worst Film, Plan 9 from Outer Space. In it, Dr. Masterling provides an annotated complete transcript of the movie, along with an essay about Wood, and several questions for further discussion. Herein you'll learn how star Bela Lugosi cleverly died before the film was even made, and how Plan 1 had been to bring a gift basket to Earth. Is any of it true? As the Amazing Criswell asks in the film's stirring climax, "Can you prove that it didn't happen?"

Named to Kirkus Review's List of "Best Indie Books of 2023"Mugge describes the genesis of his twenty-five music films, the methods used, and the experiences shared by him, his crews, and his subjects.

An examination of director Todd Haynes and his Bob Dylan biopic.

How a Hollywood gem transformed the national discourse on post-traumatic stress disorder.

An insight into the struggles of paid domestic workers in Latin America through an exploration of films, texts, and digital media produced since the 1980s in collaboration with them or inspired by their experiences.

"In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: It's as fabricated as it is ubiquitous. In The Authenticity Industries, journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"--and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters"--

A chronological overview of one of modern cinema’s most celebrated directors, featuring interviews with Jane Campion herself.Awarded Best Cinema Album by the French Syndicate of Film CriticsJane Campion on Jane Campion offers a unique perspective on the creative process of one of cinema’s greatest contemporary film directors. Through a series of interviews beginning in the early days of Campion’s career and conducted by award-winning cinema historian Michel Ciment, each chapter contains the study of a film, starting with the short films that Campion made during her studies at the Australian Film Television and Radio School, then moving through the Academy Award–winning The Piano, The Portrait of a Lady, Holy Smoke, In the Cut, Bright Star, the TV series Top of the Lake, and ending with the Academy Award–winning The Power of the Dog. Organized chronologically, film by film, the interviews are illustrated with film stills and photographs taken on set, as well as with annotated scripts, storyboards, and personal documents lent by Campion. The book also reproduces three short stories and a text about the poet John Keats written by the director, along with actress Holly Hunter’s “Scattered Memories” of their collaborations on The Piano and Top of the Lake. A detailed bibliography and filmography of the filmmaker complete this volume, which contains more than 300 color and black-and-white illustrations.Includes Color and Black-and-White Images

A definitive account of Blaxploitation cinema-the freewheeling, often shameless, and wildly influential genre-from a distinctive voice in film history and criticism

"Jean Gabin was more than just a star of iconic movies. To many, he was France itself. This biography traces his involvement in the râealisme poâetique and film noir movements of the 1930s and 1940s, his Hollywood years, his role in the World War II liberation of France, his affairs and his real-life role as a farmer"--

"For decades, James Bawden and Ron Miller have established themselves as maestros of provocative interviews, giving fans unmatched insights into the lives of Hollywood A-listers. In their fourth collection, the authors pay tribute to film pioneers who lit up Tinseltown from the 1930s through the 1960s. They Made the Movies features conversations with legendary directors who created many of film's all-time classics, including Frank Capra (It's A Wonderful Life, 1946), Richard Fleischer (20,000 Leagues Under the Sea, 1954), Alfred Hitchcock (Psycho, 1960), Ralph Nelson (Lilies of the Field, 1963), Robert Wise (The Sound of Music, 1965), and Chuck Jones (How the Grinch Stole Christmas! 1966). Tantalizing firsthand details about many acclaimed films are revealed, such as the revelation of Mervyn LeRoy's first-choice of lead actress for The Wizard of Oz ("Shirley Temple . . . but Shirley couldn't sing like Judy [Garland]"), Billy Wilder's insights on directing ("You have to be a sycophant, a sadist, a nurse, a philosopher"), and how megaproducer Hal B. Wallis purchased an unproduced play titled Everyone Comes to Rick's and transformed it into Casablanca ("The part [of Sam] almost went to Lena Horne, but I thought she was too beautiful"). The authors also celebrate the contributions of marginalized filmmakers such as Ida Lupino, James Wong Howe, Oscar Micheaux, and Luis Valdez, who prevailed in Hollywood despite the discrimination they faced throughout their careers. They Made the Movies appeals to film and television enthusiasts of all ages"--

"Celebrating the 40th anniversary of Scarface starring Al Pacino--Brian DePalma's 1983 gangster film that shook the world, shocked the critics, and shot bullet holes through the American dream--this explosive Hollywood tell-all charts not only the phenomenon of this controversial classic but also the equally controversial legacy of the original 1932 Scarface that inspired it"--

"Covering more than 130 films, spanning more than 100 years--from Cecil B. DeMille's 1915 film The Cheat to Wayne Wang's The Joy Luck Club to the Danielses' Everything Everywhere All at Once in 2022--this groundbreaking book explores how these iconic films have shaped how America sees Asians and how Asian Americans see themselves"--

This wide-ranging encyclopedia covers all the characters, places and objects included in the seminal book that first introduced the world of Middle-earth, highlighting the legendary sources from which Tolkien took inspiration.

A penetrating new reading of Murnau's classic silent film that shows its transitional status, both historically and stylistically, while emphasizing its innovative camerawork and the ethical stakes of its story.

"Matt Singer eavesdrops on [Siskel & Ebert's] iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he'd kept secret from everyone outside his immediate family--including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day"--