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I 2022 fejrer vi, at danske dramatikere i 300 år har lagt et utal af ord i munden på et utal af skuespillere på et utal af scener - og med tiden også på biograflærredet, i radioen, på TV-skærmen med videre. I 116 af de trehundrede år har dramatikerne været organiseret i Danske Dramatikere, stiftet af Emma Gad i 1906. Forfatter Jacob Wendt Jensen har skrevet historien om et forbund af drevne historiefortællere, sceneforfattere, TV-digtere i med-, mod- og søgang. Danske Dramatikeres historier er på 536 sider og indeholder blandt meget andet interviews med Svend Åge Madsen, Leif Petersen, Charlotte Strandgaard, Kirsten Thorup, Kaj Nissen, Sten Kaalø, Niels Brunse, Jørgen Ljungdalh, Nina Malinovski, Astrid Saalbach, Stig Thorsboe, Kim Fupz Aakeson, Bo Hr. Hansen, Line Knutzon, Nikolaj Scherfig, Madame Nielsen, Søren Sveistrup, Jokum Rohde, Jacob Tingleff, Jakob Weis, Anders Thomas Jensen, Mette Heeno, Christian Lollike, Maya Ilsøe, Jeppe Gjervig Gram, Julie Maj Jakobsen, Anna Emma Haudal og Amalie Olesen.
This book shows a replica of a Spec Script, 116 pages long. Hunter Harrison has just saved the ex-president's life. However, he struggles to save his own as the U.S. President dispatches him to Moscow. His mission: to foil a plot to take out the Russian President. The Year 2035.
I Danmark i 1930’erne er der lige så meget fart på udviklingen som det nye lyntog, der passerer den nybyggede Lillebæltsbro. I filmbranchen sker der også store forandringer, hvor stumfilmen nu for alvor forstummer til fordel for tonefilmen. 30’ernes film kendetegnes ved den muntre genre fyldt med komik, romantik og musik. Marguerite Viby og Hans W. Petersen titter til hinanden, Christian Arhoff ’Okke-ja’er og ’Okke-nejer’, imens Ib Schønberg snart for alvor skal blive hele Danmarks Ibbermand. Hvor der i den virkelige verden ikke var meget at grine ad i de voldsomme krisetider, så stod smil og latter i kø i de mørke biografsale. Det var dog ikke lystspil hele vejen igennem, for faktisk starter tonefilmen med kendte dramatiske værker af både Blicher og Drachmann. Danskerne kunne også stifte bekendtskab med skattefrie historiske film og de første danske musicals. Velkommen til en fantastisk tidsrejse igennem filmens første tonefilmsårti – 1930’erne. Uddrag af bogen I 1931 udkommer Nordisk Films Kompagni med den første danske tonefilm, ’Præsten i Vejlby’. Det krævede sin tilvænning og især for de mange og efterhånden garvede filmfolk. De fik sved på panden ved tanken om at skulle filme på en helt anden måde og med nyt og dyrt teknisk udstyr. Det var ikke bare ligetil. Filmproduktioner blev i det hele taget meget dyrere, og mange filminstruktører var bange for at give slip på deres ’stumfilmstider’. Men det krævede også tilvænning hos publikum, som hidtil kun havde mødt filmstjernerne stumme på lærredet. Man havde selv dannet sig en ide om, hvem de var, og hvordan de skulle lyde, og det stemte ikke altid overnes med virkeligheden, når filmen pludselig fik lyd på. Om forfatteren Sandra Neerhøj er født 1990 i Sønderborg. Efter endt skolegang og studentereksamen var det lærergerningen, Sandra tog fat på, hvor historie var selvskrevet som undervisningsfag. Det er netop historie, som er Sandras store passion, og dette i særdeleshed den danske film-, teater- og revyhistorie, som hun har interesseret sig for siden den tidligste ungdom.
Write Your Screenplay with the Help of Top Screenwriters!It's like taking a Master Class in screenwriting … all in one book! Discover the pitfalls of writing to fit a budget from screenwriters who have successfully navigated these waters already. Learn from their mistakes and improve your script with their expert advice."I wish I'd read this book before I made Re-Animator."-Stuart Gordon, Director, Re-Animator, Castle Freak, From BeyondThe book covers (among other topics):Academy-Award Winner Dan Futterman ("Capote") on writing real storiesTom DiCillio ("Living In Oblivion") on turning a short into a featureKasi Lemmons ("Eve's Bayou") on writing for a different time periodGeorge Romero ("Martin") on writing horror on a budgetRebecca Miller ("Personal Velocity") on adapting short storiesStuart Gordon ("Re-Animator") on adaptationsAcademy-Award Nominee Whit Stillman ("Metropolitan") on cheap ways to make it look expensiveMiranda July ("Me and You and Everyone We Know") on making your writing spontaneousAlex Cox ("Repo Man") on scaling the script to meet a budgetJoan Micklin Silver ("Hester Street") on writing history on a budgetBob Clark ("Children Shouldn't Play with Dead Things") on mixing humor and horrorAmy Holden Jones ("Love Letters") on writing romance on a budgetHenry Jaglom ("Venice/Venice") on mixing improvisation with scriptingL.M. Kit Carson ("Paris, Texas") on re-writing while shootingAcademy-Award Winner Kenneth Lonergan ("You Can Count on Me") on script editingRoger Nygard ("Suckers") on mixing genresThis is the book for anyone who's serious about writing a screenplay that can get produced!Grab it today!¿¿¿¿¿"A perfect read for anyone who wants to write a film script or for anyone who just enjoys watching movies."-Fred Willard, Actor, A Mighty Wind, Best in Show, Waiting for Guffman"This volume is packed full of useful little nuggets of information."-Jonathan Lynn, Director, My Cousin Vinny, Clue, Nuns on the Run, The Whole Nine Yards"Packed with war stories and savvy advice for beginning screenwriters."-Larry Gross, Screenwriter, 48 hrs., Streets of Fire, True Crime
Nominated for nine Academy Awards, including Best Original Screenplay and Best PictureWinner: Best Screenplay, BAFTAs 2023Winner: Best Screenplay, Golden Globe Awards 2023.Winner: Best Screenplay, Venice Film Festival 2022.What is he, twelve? Why doesn't he want to be friends with you no more? 1923. As shots ring out from the warring mainland, on the island of Inisherin it's the rift between old drinking pals Pádraic and Colm that leads both men to ever more alarming action.
This book explores the relationship between multiplicity and representation of non-European and European-American cultures, with a focus on comics and superheroes.
Derek Jarman's Blue weaves a sensory tapestry that serves as both a political call to action and a meditation on illness, dying, and love. "For Blue there are no boundaries or solutions." -Derek Jarman Originally released as a feature film in 1993, the year before the acclaimed artist and filmmaker Derek Jarman's death due to an AIDS-related illness, Blue is a daring and powerful work of art. The film - and this highly-anticipated book's text - serve as iconoclastic responses to the lack of political engagement with the AIDS crisis. Written poetically and surrealistically, Jarman's text moves through myriad scenes, some banal, others fantastical. Stories of quotidian life--getting coffee, reading the newspaper, and walking down the sidewalk--escalate to visions of Marco Polo, the Taj Mahal, or blue fighting yellow. Facing death and a cascade of pills, Jarman presents his illness in delirium and metaphors. He contemplates the physicality of emotions in lyrical prose as he grounds this story in the constant return to Blue - a color, a feeling, a funk. Michael Charlesworth's compelling introduction brings Blue into conversation with Jarman's visual paintings as never before.
You don't have to attend film school to take a screenwriting course with the master teacher in the field -- it's all in his book! Meet Hal Ackerman, up close and personal, just as hundreds of his students have known him through the years. Hal Ackerman offers a treasure trove of information on the writing of quality, saleable screenplays by teaching the art of story structure, substance and style. Over the last quarter century, dozens of screenplays written in his classes have been sold and several have become films, including ones starring Tom Hanks (directed by Steven Spielberg), Gwyneth Paltrow, Christian Bale, Hilary Swank and Diane Lane. They have won accolades in many prestigious contests and have been the gateway scripts to writing jobs in feature films and TV including HBO, Showtime, TNT, OWN, ABC, NBC, CBS, Disney, and more. With this book every professional writer gets a lifetime collaborator and every aspiring writer has a teacher in residence on his or her shelf. *Newly Revised and Updated edition featuring Pose, Moonlight, La La Land, Juno, Breaking Bad, Better Call Saul, among others. *Top-selling screenwriting book for almost 20 years -- 20th Anniversary Edition
In-depth tome exploring long lost horror films like DRACULA'S DEATH (1920) and LONDON AFTER MIDNIGHT (1928), plus unproduced scripts like WOLF MAN VS. DRACULA (1944) and BLACK LAGOON (1952).
A collection of the scripts of episodes 1-12 of the television series Normal people, accompanied by behind-the-scenes photos and an introduction by director Lenny Abrahamson.
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