Cirkus

Igennem tyve år har zirkusdirektør Søren Østergaard rejst land og rige rundt med sit Zirkus Nemo. Med sig har han haft nogle af landets mest markante og alsidige artister, som hver på sit felt med stor virtuositet og professionalisme har bjergtaget danskerne med deres kunst. I bogen møder vi blandt andet Baconmanden, kendt og elsket for sine performances, hvor han som menneskelig flæsk har ladet sig stege på en glohed pande i oversize. Vi møder også Bager Jørgen, der er berømmet for sin forrygende optræden med dansende wienerbrød for det danske kongehus. Senest er han sprunget ud som digter med den bedstsælgende samling 15 erotiske brøddigte, som går som varmt brød. Som alle store kunstnere og genier slæber de rundt på tung bagage. I bogen får vi eksempelvis den tragiske historie om, hvordan det musikalske geni Manden, der ikke kan fløjte, som igennem årtier har betaget en nation med sine koncerter, hvor han ikke har fløjtet alt fra Jazz, rock og pop til de store klassiske værker af blandt andre Wagner, mistede sine forældre ved en koncert, hvor de skulle hyldes for deres livslange opbakning. Også den fænomenale showdressør Ib Glann har mødt tragedien, faktisk var det hans berømte bedstefars død, som satte gang i hans karriere, da han efterlod sit barnebarn et brev, hvori der blot stod: ”Rid Ib”, og det gjorde han så. Smadremanden er i en kategori for sig. Om ham ved man absolut intet om hans baggrund, intet af det han selv har fortalt, har man kunne bakke op med andre kilder. Vi ved, at han i dag bor i Otterup på Fyn, men den mest sandsynlig teori om hans oprindelse går på, at han kommer fra det ydre rum og er blevet placeret her på planeten for at observere menneskene. Med fotos af Steen Broholm.

Åh, se lige et cirkus! Se de hvide araberheste der skinner af sukkervand, og se manegen og tryllekunstnere og akrobater og jonglører og et orkester i guldhabitter. Og en cirkusdirektør i højhælede støvler der knalder med pisk og råber: “Voila!”Og en klovn der hedder Dummy. Det lyder sjovt. Men Dummy er desværre ikke særlig sjov.“Du er en klovn!” råber cirkusdirektøren.“Ja,” siger Dummy. “Men du er bare ikke ret sjov!” råber cirkusdirektøren så. “Faktisk er du så lidt sjov at du er fyret til den første, hvis du ikke bliver sjovere!”“Åh,” siger Dummy.At være fyret til den første betyder at man snart skal holde op med at arbejde i cirkus og ikke tjene penge. Pressen skriver:"Klovnen er en katalysator for godhed og eftertanke. [...]  Og så kan man nyde norske Stian Holes raffinerede meddigtende illustrationer, der er fulde af liv og humor. "-  5 hjerter i Politiken"Mødet mellem Kim Fupz Aakeson og Stian Hole er et topmøde inden for den nordiske billedbog, og forfatter og illustrator står helt lige i formidlingen af historien (…) Et usædvanligt dansk-norsk samarbejde er blevet til en meget bevægende billedbog."- Weekendavisen"Kim Fupz Aakesons Klovnen der bare ikke var særlig sjov er en fin fortælling om, at man ikke kan kassere hvad som helst, der ikke følger med tiden. [...] Kim Fupz Aakeson, der som børnebogsforfatter særligt er kendt for sine populære og humoristiske Vitello-bøger, og norske Stian Hole, der er kendt for sine farverige, detaljerede og ofte collagelignende børnebogsillustrationer, udgør tilsammen et stærkt makkerpar med masser af børnelitterær pondus."- 5 stjerner i Jyllands-Posten"Som så ofte før er det en fornøjelse at møde Kim Fupz Aakesons fortællestemme i en fortælling, der i allerhøjeste grad lægger op til læserens/tilhørerens fortsatte undren og refleksion. [...] Det er en stor fornøjelse at dykke ned i Stian Holes visuelle verden og her opleve den sat sammen med Kim Fupz Aakesons verbaltekst. Tilsammen har de lavet en billedbog, der vil blive stående i lang tid, og som vil vække glæde og eftertænksomhed i både i børnehaven og i indskolingen."- bogbotten.dk"Det er så fin en historie i et nænsomt, tankevækkende sprog og i illustrationer, som er så smukke og en fryd at gå på opdagelse i. Store anbefalinger."- Børn & Bøger

The Contemporary Circus Handbook: A Guide to Creating, Funding, Producing, Organizing and Touring for the 21st Century is a guide to creating theatrical performance shows, built on interviews with dozens of creators who have made shows-big and small-throughout their careers. The author's circus background is used as an example to practical steps for any freelance company's operations: from applying for funding, building a team, planning workshops and residencies, to characteristics of successful shows. These lessons are applicable to circus, dance and theater as well as most performing arts. Whether it's your first foray into creating your own major endeavor-or you've got a couple of creations under your belt-you're sure to find advice to improve your process and bring your dream show to life.

Cirkus Paloma er et selvlæsnings-samlebind med 14 historier om Vanja og VilfredDe 14 historier om Vanja og Vilfred er skrevet som en læsebog med særligt fokus på læseforståelse fra 0.-3. klassetrin. Historierne indeholder dilemmaer og oplevelser, som børnene kender fra deres hverdag bl.a. om venskab og overnatning.Historierne er overskuelige, har forskellig sværhedsgrad og indeholder forældreguide med tips til læsning.Lix- og let-tal er oplyst på hver enkelt af de 14 historier.I samme serie:Første læsning: Læs 20 minutter om dagen: Løven og musen og 6 andre fabler, du selv kan læseFørste læsning: Læs 20 minutter om dagen: Elefanter og 6 andre spændende dyr du selv kan læseLæs selv: Læs 20 minutter om dagen: Billy, Sulajma og Jack opklarer mysterierFørste Læsning: Læs 20 minutter om dagen: Baba Yaga og fire andre eventyr

Step right up to this eye-opening account of how circuses are scouted, produced, directed and ballyhooed - and forever reinventing themselves. Covering them all, from the Kings of the sawdust rings to the bottom feeder big tops, the author's unflinching candor and rich historical grasp may change forever how you view and experience the great spangled parade!"Step right up for a visit to the American Circus! There could be no finer guide than David Lewis Hammarstrom ... His passion for sawdust and spangles bubbles from every line but - a rarity among circus writers - he's as quick to point out the rubbish and rip-offs as the wonderful" -- THE STAGE, London "Fascinating! ... Something we need in these changing times more than anything else." -- PLANET CIRCUS, Germany "Bold and ambitious ... Timely and provocative! ... It is difficult to disagree with most of his views." -- CIRCUS REPORT, USA"Once in the audience, how can viewers evaluate what they see? ... A concise guide ... Hammarstrom's memories are vivid, and his enthusiasm is infectious" -- CHOICE "I eagerly read this book - as a circus arts performer and instructor I found it entertaining, and as an academic educator I found it very useful ... strikes a fun balance between history and gossip, critical guide and personal insights into the diversity that is the world of the modern circus show." -- ELSIE SMITH ARTISTIC DIRECTOR, NEW ENGLAND CENTER FOR CIRCUS ARTS"A thought-provoking book... how circus, particularly American circus, has changed and developed over the past 50 to 60 years, this book is packed with information and opinion." -- KING POLE, UK"Penetrating ... Informative ... Takes us out of our comfort zones." - THE WHITE TOPS"Roll up, while you still can, to the greatest show on earth! 'fresh, alive, magical and compelling.' Along with the author of this fine volume, I urge you to buy tickets for the world of sawdust and spangles before it's too late and circuses go the way of steam trains." -- THE DAILY MAIL, London"Pay Attention! ... A good show!... This engaging study functions as a sort of everything-you-wanted-to-know-about-the-circus-business-today-but-were-too-mildly-nostalgic- to-ask." -- SPECTACLE, USA

The Happy Place is the 3rd book in the "Simple Pleasure" Series. Book two shared about backyard fun. In this book, the author shares about a spectacular trip to the circus! There are five young characters with diverse ethnic and racial backgrounds. The author literally draws us into the excitement of these young people with their conversations and joyus attitudes. The scenery, as the author tells the story, depicts an exciting day for the kids at the circus.

Step right up and discover the extraordinary life of George A. Hamid, a true legend of the circus world. In his memoir, aptly titled "Circus," Hamid takes readers on a remarkable journey through his captivating experiences as a circus performer, sharing an intimate and exhilarating account of a life under the big top. From his humble beginnings in Lebanon to his rise to success in the United States this is the classic "rags to riches" story of the American immigrant, George Hamid. Filled with wonderful stories of his experiences with the Buffalo Bill Wild West Show to his work on the famous "Steel Pier" of Atlantic City, this story will leave you both amazed and inspired. As a skilled acrobat, Hamid thrilled audiences with his jaw-dropping aerial feats, defying gravity with elegance and precision. But his journey extends beyond the spotlight, as he reveals the arduous training, the relentless dedication, and the camaraderie that bond circus performers together in a tight-knit family. With evocative storytelling and heartfelt reflections, he unveils the challenges and triumphs that shaped his career as a performer. Through his words, readers are transported to the colorful circus rings, the echoes of applause, and the adrenaline-fueled moments of daring acts.But amidst the triumphs, there are also personal sacrifices and moments of doubt. Hamid courageously shares the challenges he faced, the physical and emotional tolls of the circus life, and the profound impact it had on his relationships, identity, and sense of self. His candid narrative invites readers into the vulnerable spaces behind the glitter and glamour, offering a deeper understanding of the human stories that unfold behind the spectacle.Rivaled only by P.T. Barnum, George Hamid was an entrepreneur who established significant productions during the 20th century for fairs, circuses, carnivals and expositions. Also known as the 'King of the Boardwalk', he ran the famous Steel Pier and Million Dollar Pier in Atlantic City."Circus" is an extraordinary memoir that celebrates the indomitable spirit of George A. Hamid, a man who dedicated his life to the mesmerizing art of the circus. With authenticity, passion, and a touch of nostalgia, Hamid invites readers to witness the transformative power of the big top, leaving them in awe of the magic, resilience, and unbreakable bonds that define the world of the circus. Prepare to be captivated by this riveting tale that will leave you yearning for a front-row seat to the greatest show on earth.

Delve into the captivating and sometimes dark history of sideshow geeks and other eccentric acts of the past! With this book, you can explore the realm of forgotten carnival entertainment. Learn all about the rise and fall of the sideshow geek, uncovering the truth behind the myths and uncovering untold stories. You'll be taken on a journey through time to discover the captivating and sometimes outrageous entertainment of these forgotten acts.Benefits of reading this book:-Uncover the truth behind the myths of the sideshow geek-Learn about the origins of the word 'geek' and how it has evolved over time-See the stories about actual known sideshow geeks.What is included in this book:- History of the sideshow geek and other eccentric acts- Interviews with performers and thought leaders- Exploration of wild men, stone eaters, human ostriches, and competitive goldfish swallowers- Comprehensive picture of the rise and ultimate demise of the sideshow geekDon't miss out on this opportunity to learn the secrets of the sideshow geek and other eccentric acts of the past. Buy it NOW!

This compendium comprises three individual research studies that examine contortion and practices of body flexibility in East Asia, namely China, Mongolia and Japan. It explores the performance art forms Chinese contortion, Mongolian contortion and the Kakubei Jishi lion dance of the Niigata prefecture in Japan which utilizes body flexibility. Common points of discussion in these research studies are the investigation of the history and genesis of these art forms and how they developed in various political and social dynamics. This work further offers vast knowledge about crucial elements such as the artist's training processes, their training environment, the development of aesthetics, symbolism in costuming and body movements, religious themes, mythology and natural phenomena, and costume designs. This compendium includes data from a wide range of literature, material evidence, oral history, current media reports, and considers recent work in anthropology, archaeology, and political history. It, therefore, offers the interested reader, the scholar, the contortionist and contortion practitioner a substantial treatise about contortionism and practices of body flexibility.

In the early years of the 19th century, an armless woman called Miss Biffin was seen annually at England's Bartholomew Fair and other events. "She worked with her toes neatly at her needle, and was very ingenious in designing and cutting out patterns in paper," describe Henry Wilson and James Caulfield in The Book of Wonderful Characters, adding that she "was a person really capable of showing talent as a miniature painter, without hands or arms."Miss Biffin is just one of more than 75 wonderful characters featured within this re-publication of the 1869 original edition. Once famous across their respective countries, or even just their local towns, these remarkable people are now brought back to life to have their stories shared again. And to stir the wonder, imagination, and fascination of the modern reader.

The study of Jewish text, over two millennia, has traditionally taken place in the Bet Midrash (the communal study hall), sitting at a table or desk. Studying the Bible has been a project of thinking, talking, contemplative reflection, and debate.There are other ways.Dr. Ora Horn Prouser, Cantor Michael Kasper, and circus artist and choreographer Ayal Prouser have joined to edit this volume which explicates their philosophy and technique as they work with students to study Hebrew Bible through the embodied experience of movement and circus arts. They have invited an international group of distinguished scholars and practitioners to share their own visions and work; each chapter adds information about circus, movement, educational practice, and theory.When seen as a whole, the collection of articles helps to frame the book's central premise: that circus and dance are perfectly matched to help students study and think through their bodies, finding valuable and enlightening textual interpretations.This flows logically as movement has been central to the Jewish experience. Similarly, though less known, circus has a documented, long, and powerful connection to Judaism and the Jewish people.Prouser, Kasper, and Prouser do not attempt to interpret text through art creation. Rather, they use art as a study partner and method, a context within which to do the research that yields new and exciting learning possibilities and readings.

"Ventriloquists and their puppet partners have won the world's largest talent shows, headlined in Vegas, and performed for sold-out stadiums. Now you can learn the secret to this unique and magical art and all you need to start is a simple sock. In these pages, you'll discover how to create a sock puppet partner of your very own and make it talk without moving your lips in just ten simple steps"--Dust jacket flap.

Sonora Carver was an American entertainer, most notable as one of the first female horse divers. Carver answered an ad placed by "Doc" William Frank Carver in 1923 for a diving girl and soon earned a place in circus history. Her job was to mount a running horse as it reached the top of a forty-foot (sometimes sixty-foot) tower and sail down along the animal's back as it plunged into a deep pool of water directly below. Sonora was a sensation and soon became the lead diving girl for Doc Carver's act as they traveled the country. In 1931, Sonora was blinded, a retinal detachment, due to hitting the water off-balance with her eyes open.while diving her horse, Red Lips, on New Jersey's Steel Pier, the act's permanent home since 1929. After her accident Sonora continued to dive horses until 1942.