Filmmusik og teatermusik

(Ukulele). Movie Songs for Solo Fingerstyle Ukulele features 25 classic songs presented in two ways (except for the two instrumentals): as solo fingerstyle arrangements for playing simple chord-melody style with tab and chord diagrams included and as lyric-and-chord lead sheets for basic strumming and singing. The book also includes entertaining facts about each song, their singers, and composers. Songs include: Beauty and the Beast * Can You Feel the Love Tonight * City of Stars * Hallelujah * I Will Always Love You * Let It Go * A Million Dreams * Moon River * Over the Rainbow * The Rainbow Connection * Remember Me (Ernesto de la Cruz) * Shallow * Song from M*A*S*H (Suicide Is Painless) * The Way We Were * You've Got a Friend in Me * and more.

(Vocal Selections). Great Scott! The multi-award winning Back to the Future the Musical is set to change Broadway musical theatre history. When Marty McFly finds himself transported back to 1955 in a time machine built by the eccentric scientist Doc Brown, he accidentally changes the course of history. Now he's in a race against time to fix the present, escape the past and send himself... back to the future. This high-voltage comedy has been adapted into a stage musical featuring original music by multi-Grammy winners Alan Silvestri and Glen Ballard, alongside hit songs from the movie including "The Power of Love" and "Back in Time." This collection features those two songs plus 14 more from the cast recording arranged in standard piano/vocal format with the melody in the piano part.

"The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture. "They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists-Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles-made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a "Catholic classic" by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visâe reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comeedy"--

"Tracking the link between film and song through the past fifty years, Nate Patrin reveals the power of music used in movies to move the needle in popular culture. As he surveys the scene-musical and cinematic-across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments"--

(Piano Solo Songbook). The ultimate collection of the most iconic movie music of all time! Star Wars: The Piano Anthology is a hardcover collector's edition featuring 36 piano solo arrangements of John Williams' beloved themes from all nine films: The Phantom Menace, Attack of the Clones, Revenge of the Sith, A New Hope, The Empire Strikes Back, Return of the Jedi, The Force Awakens, The Last Jedi, and The Rise of Skywalker. All arrangements are composer-approved! The book also includes a foreword by film historian Mike Matessino and movie poster art. It is packaged in a protective slipcase.

Dieses Buch befasst sich mit der Wirkung Richard Wagners und Friedrich Nietzsches auf die Ideologien der radikalen Rechten, die in der einen oder anderen Form Eingang in die Sammlungsbewegung des Nationalsozialismus gefunden haben. Es konzentriert sich also auf die Rezeption durch die intellektuelle Rechte des Kaiserreichs und der Weimarer Republik, die zur Analyse des Nationalsozialismus wie der neuen Rechten durch die Erhellung der Vorgeschichte der Ideologien beiträgt. Zwei Kapitel widmen sich dem theoretischen Werk Wagners und dem Werk Nietzsches und den Beziehungen der beiden Leitfiguren des späten 19. Jahrhunderts untereinander.

Embodied Nostalgia is a collection of interlocking case studies that focus on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, and asks what social dance is doing performatively, dramaturgically, and critically in musical theatre.

How has The Wizard of Oz become so popular on film, television, and stage? This book offers new insights into American identity through the special relationship between musicals and L. Frank Baum's children's novel. Drawing on personal experience, Ryan Bunch offers new readings of the MGM film (1939), The Wiz (1975), Wicked (2003), and other Oz musicals to reveal how the performative magic of the fairy tale musical, with its impliedinclusions and exclusions, imagines an American utopia.

(Easy Piano Songbook). This essential collection features 50 simple arrangements of must-know Broadway showstoppers from hit shows like Chicago, Dear Evan Hansen, Godspell, Hadestown, Hairspray, Hamilton, Jagged Little Pill, Les Miserables, The Lion King, My Fair Lady, Newsies, Sound of Music, West Side Story, Wicked, and more! Songs include: All I Ask of You * And All That Jazz * Anything Goes * Consider Yourself * Don't Cry for Me Argentina * The Impossible Dream (The Quest) * My Favorite Things * Over the Rainbow * The Phantom of the Opera * Popular * Send in the Clowns * She Used to Be Mine * Tonight * Wait for Me * You Oughta Know * You're the One That I Want * and more.

(Piano Solo Sheets). This sheet features an arrangement for intermediate piano solo.

As a rookie medical reporter two decades ago, I was extraordinarily fortunate to have Russell Pyne shoot and produce so many of my early assignments. What a generous mentor! Although Russ was patient and supportive, eager to let me experiment, he was ruthless when it came to accuracy and clarity. Reading The Last Days of Film and the Rise of Electronic News Gathering immediately reminded me of his mastery as a broadcast video journalist because he applies that same scrupulous regard to the facts while crafting brilliant and passionate storytelling. Russell Pyne explores the evolution of the technology behind television news that spans over a century. Pyne introduces the reader to the genius engineers and the forward-thinking industry heroes, while separating the true disruptors from the gamblers and the bureaucrats. Pyne's detailed historical account is loaded with underappreciated discoveries, colossal egos, seething competitors, and the incredible fortunes funded by achievements, inexplicable coincidences and devastating miscalculations. On every page you will discover something you did not know about this vital industry that records and preserves our democracy. Here's some free advice from a doctor: Turn off the television and read this book! Dr. Bill LloydPhysician & Medical BroadcasterHost of CNN's "Living Well" [2004-2012]

A musical adventure that promises mischief and mashups, dresses and divas, and a whole lot of heart. Join Luke as he stumbles along his journey of queer self-discovery, capturing their brightest memories - before they start to fade forever.

Als wir anfingen, ein Instrument zu lernen, waren wir neugierig und fasziniert davon. Doch nach einigen Jahren Unterricht empfinden wir Uben oft als harte Arbeit, sind unzufrieden mit dem Ergebnis oder verlieren sogar ganz die Lust am Musik machen. Mussen wir uns also mehr anstrengen, noch gewissenhafter uben? Was wir dabei vergessen: Musik ist mehr, als die richtigen Noten in der richtigen Intensitat zu spielen! Dieses Buch habe ich fur Hobby-Musiker geschrieben, die spuren das etwas nicht funktioniert, aber nicht wissen, woran das liegen konnte. Es zeigt einfache Wege, um zu einem gelingenden Lern- und Entwicklungs-Prozess bei der eigenen Musik zuruck zu finden. So konnen auch Laien-Musiker mit wahrer Freude wirkungsvolle Musik erschaffen, gleichwertig zu professionellen Interpreten. Die grundlegenden Prinzipien und praktischen Ansatze basieren auf uber zwei Jahrzehnten Erfahrung mit verschiedenen Instrumenten und Methoden zum Lernen. Sie sind kein Ersatz fur einen Lehrer, sondern eine wertvolle Erganzung zu jedem Unterricht. Mit Hilfe dieses Buches konnen die Leser ihre eigene Musik wieder richtig genieen und herausfinden, wozu sie fahig sind - und das ist weit mehr als wir bisher gedacht und gelernt haben. Andere Blickwinkel bietet das Buch auch fur Musiklehrer, die ihre Schuler begleiten und ermutigen wollen, statt sie immer effizienter zu belehren.

The author, who is passionate and deeply interested in music, did not stop her learning and research towards music. The book is a treasure that we have received as a result. Life goes effortlessly when we love music. The book is full of rare information about music and the benefits of music.

Emil Reesen (1887-1964) var den populære altmuligmand i dansk musik. Han er i dag bedst kendt for sin operette Farinelli, men havde en karriere, der spændte bredere end nogen anden dansk komponist. Reesen komponerede alt fra revyviser til raffinerede orkesterværker og balletter. Samtidig havde han en dirigentkarriere på højeste niveau, der gjorde ham til en af de kendteste danskere i radioens guldalder. Reesens musikalske begavelse var utrolig, og han brugte sine talenter til at afprøve alle slags stilarter. Det var en del af hans kunstneriske natur at forklæde sig i musikken – og at underholde sit publikum. Den alsidighed kom senere til at betyde, at han ikke blev regnet for helt klassisk nok. Derfor har der ikke før været skrevet en bog om Emil Reesen, en af de mest succesfulde danske musikpersonligheder i det 20. århundrede.

I Danmark i 1930’erne er der lige så meget fart på udviklingen som det nye lyntog, der passerer den nybyggede Lillebæltsbro. I filmbranchen sker der også store forandringer, hvor stumfilmen nu for alvor forstummer til fordel for tonefilmen. 30’ernes film kendetegnes ved den muntre genre fyldt med komik, romantik og musik. Marguerite Viby og Hans W. Petersen titter til hinanden, Christian Arhoff ’Okke-ja’er og ’Okke-nejer’, imens Ib Schønberg snart for alvor skal blive hele Danmarks Ibbermand. Hvor der i den virkelige verden ikke var meget at grine ad i de voldsomme krisetider, så stod smil og latter i kø i de mørke biografsale. Det var dog ikke lystspil hele vejen igennem, for faktisk starter tonefilmen med kendte dramatiske værker af både Blicher og Drachmann. Danskerne kunne også stifte bekendtskab med skattefrie historiske film og de første danske musicals. Velkommen til en fantastisk tidsrejse igennem filmens første tonefilmsårti – 1930’erne. Uddrag af bogen I 1931 udkommer Nordisk Films Kompagni med den første danske tonefilm, ’Præsten i Vejlby’. Det krævede sin tilvænning og især for de mange og efterhånden garvede filmfolk. De fik sved på panden ved tanken om at skulle filme på en helt anden måde og med nyt og dyrt teknisk udstyr. Det var ikke bare ligetil. Filmproduktioner blev i det hele taget meget dyrere, og mange filminstruktører var bange for at give slip på deres ’stumfilmstider’. Men det krævede også tilvænning hos publikum, som hidtil kun havde mødt filmstjernerne stumme på lærredet. Man havde selv dannet sig en ide om, hvem de var, og hvordan de skulle lyde, og det stemte ikke altid overnes med virkeligheden, når filmen pludselig fik lyd på. Om forfatteren Sandra Neerhøj er født 1990 i Sønderborg. Efter endt skolegang og studentereksamen var det lærergerningen, Sandra tog fat på, hvor historie var selvskrevet som undervisningsfag. Det er netop historie, som er Sandras store passion, og dette i særdeleshed den danske film-, teater- og revyhistorie, som hun har interesseret sig for siden den tidligste ungdom.

The first study to explore the crucial influence of Kurt Weill on operas and musicals by Marc Blitzstein and Leonard Bernstein.

A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era explores the symbiotic relationship between a dozen Broadway musicals and their Hollywood film adaptations, including some of the best loved, most admired, and most enduring works in their respective genres. Beginning with the stage version of Show Boat and ending with Bob Fosse's cinematic re-envisioning of Cabaret, Geoffrey Block explores twelve stage shows and their film adaptations spanning nearly a half century (1927-1972). A Fine Romance engages with aesthetic and critical concerns while also considering social issues, including race and ethnicity, class, gender, and sexual identity.