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Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

✓Ready for Theory(R) is a comprehensive music theory workbook series. All concepts introduced have instructional pages in addition to ample review for students. ♥Teachers and students love the clean, organized layout of Ready for Theory!Topics in the Prep B Piano Workbook include: Identify treble & bass clef note namesName and draw intervals (2nds through 5ths) Rhythm (Simple rhythms in 2/4, 3/4, 4/4 - Draw in notes or rests to complete measures, Match rhythms of equal value)Draw one-octave scales ascending (C, G, D, A, E, F Majors)Draw tonic and dominant chords (C, G, D, A, E, F Majors)Draw accidentals correctly on the staffEar Training (major/minor, melodic direction, steps/skips, same/different rhythm patterns)Musical Terms Keyboard Skills: One-octave scales, chords in root position, cadence, hand-over-hand arpeggios (C, G, D, A, E, F Majors)What our customers are saying: ★"These books are fabulous! The format is clean and organized, with high-quality paper and crisp printing. I especially love the review pages. I have students using every level from Prep A to Level IV, and love the way that this series keeps us organized and moving forward with theory every year."

By George Winston or various other composers; as recorded by George Winston.

A practical and systematic method that teaches how to practice jazz piano voicings so that they become automatic and intuitive. The method progresses step by step from 2-voice to 7-voice chord structures with fourths and upper-structure triads. Each chapter presents essential harmonic progressions written and spelled out in all keys, along with fingerings to help non-keyboardists. Also provided are songs, written out for both hands, which utilize the techniques and voicings just learned. Includes comping rhythms, bass line techniques, and practice strategies. Excellent for both classroom and individual study. Strongly endorsed by Mark Levine, Bobby Shew, Denis Diblasio, and many others. The included Play-a-long CD lets you practice the piano exercises in the book with bass and drum accompaniment; you can also practice comping along with a saxophone soloist. A demonstration piano track on one channel, played with a stylistic comping feel, gives you an idea of how the piano voicing exercises should sound.

This volume presents the complete score for Felix Mendelssohn's 1838 piano sonata, "Drei Etudes". Jakob Ludwig Felix Mendelssohn Bartholdy (1809 - 1847) was a German pianist, organist, composer, and conductor during the Romantic period. He enjoyed wide acclaim in Germany and much of Europe, but was especially successful in Britain as a soloist and conductor. Mendelssohn composed many symphonies, oratorios, and concerti, his best-known work being his "Overture" and incidental music for A Midsummer Night's Dream, the "Italian Symphony", the "Scottish Symphony", and the overture "The Hebrides". Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

Piano/Keyboard Solo Repertoire/Collections Instruction

The Notespeller & Sight-Play Book 2 reinforces note-reading skills based on the concepts introduced in the Music Lesson Book 2. Each page has two activities---a written activity and a playing example. The written activity reinforces notes on the keyboard and staff through coloring, circling, drawing, or matching. The sight-play examples help students relate notes and musical concepts to performance on the keyboard, move out of fixed hand positions, and identify melodic and rhythm patterns.

This wonderful piece "Heroic" by Frédéric Chopin contains a score for the solo piano. It is a fine example of the composer¿s work and a fantastic addition to any classical musician¿s repertoire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Alexander Skrjabin nimmt unter den russischen Klavierkomponisten um die Wende zum 20. Jahrhundert eine Sonderstellung ein. Denn schon in seinen Frühwerken ging er über die Chopin-Traditionen seiner Zeitgenossen Glasunow oder Rachmaninow hinaus. So auch in seinen unzähligen Préludes, von denen er 24 in seinem Opus 11 vereinte und dabei jede Dur- und Molltonart einmal berücksichtigte. Jedoch legte er Wert darauf, dass trotz der strengen Anordnung im Quintenzirkel "jedes Prélude eine kleine Komposition ist, die selbständig, unabhängig von den anderen Préludes existieren kann." Die Henle-Urtextausgabe stellt durch Quellenvergleich des Autographs mit der Erstausgabe von 1897 einige Fehler und Ungenauigkeiten des Drucks richtig. Ein grandioses Werk, das zum Repertoire eines jeden Pianisten gehören sollte!

Piano Chords One is a book for beginners, yes, but it's also for those who took classical piano lessons and wished they had learned more about chord theory. How great would it be to hear a song on the radio and be able to play it without needing the notes written out? This is a solution.This book is for beginners or if you've taken traditional piano lessons but would like to learn how to play by ear.You'll learn root position and first and second inversion chords for the keys of C, G, F, D, A, E, and B (All the white key keys). You'll go in that order while working through this book because each key adds a new sharp or flat note. This is called following the circle of fifths. It doesn't take long before you feel like you've advanced in your playing.You'll learn all of these chords as part of this beautifully laid out course:The Key of C: C, Dm, C/E, F, G, Am, G/BThe Key of G: G, Am, G/B, C, D, Em, D/F#The Key of F: F, Gm, F/A, Bb, C, Dm, C/EThe Key of D: D, Em, D/F#, G, A, Bm, A/C#The Key of A: A, Bm, A/C#, D, E, F#m, E/G#The Key of E: E, F#m, E/G#, A, B, C#m, B/D#The Key of B: B, C#m, B/D#, E, F#, G#m, F#/A#Micah is a veteran music teacher from Nashville, TN (USA). He specializes in teaching piano chord theory and accompaniment. Micah's been teaching piano lessons for over ten years. He also has been a professional piano player for more than 15.There are no songs written out inside this book because the purpose is to be able to play any song you'd like. After working through the first key you will be able to search Google for your favorite song in the key of C. Begin learning how to play the chords to your favorite songs today.Click the "buy" button at the top of this page to get started today!

A child prodigy who received some of his earliest lessons from Mozart and today regarded as one of Europe's finest pianists, Hummel undertook several international tours as a youth and gained a reputation as a teacher of note. The Concertino first appeared as a concerto for mandolin in 1799 but was later adapted for piano and is a significant example of the popular Viennese Classical style.---Bekannt als Wunderkind erhielt Hummel schon früh Unterricht von Mozart, unternahm als einer der bedeutendsten Pianisten Europas viele internationale Konzertreisen und wurde als bedeutender Lehrer bekannt. Das Concertino (op. 73) erschien zunächst 1799 als Mandolinen- Konzert und wurde später für Pianoadaptiert. Es stellt ein wichtiges Beispiel für den Stil der Wiener Klassik dar.

Overdue for modern reappraisal, the works of Ferdinand Ries represent a treasure trove of pieces that easily stand alongside his illustrious predecessor and former teacher, Beethoven. A serious concert work for which the faint of heart need not apply this rarely heard concerto deserves to be rediscovered for the original work it is. In this Pastoral, Ries transcends the accepted Beethoven model to create a work of enduring natural beauty and depth.---Eine moderne Neubewertung der Werke von Ferdinand Ries ist lange überfällig, stellen sie doch eine Fundgrube von Stücken dar, die leicht neben denen seines berühmten Vorgängers und ehemaligen Lehrers Beethoven ihren Platz behaupten. Als ein ernsthaftes Konzertwerk, das nichts für schwache Nerven ist, verdient dieses selten gehörte Konzert die Chance einer Wiederentdeckung und sei es um seiner Ursprünglichkeit und Originalität willen. In dieser Pastorale übersteigt Ries das allgemein anerkannte Modell Beethovens, um eine Arbeit von dauerhafter Schönheit und Tiefe zu schaffen.

Overdue for modern reappraisal, the works of Ferdinand Ries represent a treasure trove of pieces that easily stand alongside his illustrious predecessor and former teacher, Beethoven. A serious concert work for which the faint of heart need not apply this rarely heard concerto deserves to be rediscovered for the original work it is. In this Pastoral, Ries transcends the accepted Beethoven model to create a work of enduring natural beauty and depth.---Eine moderne Neubewertung der Werke von Ferdinand Ries ist lange überfällig, stellen sie doch eine Fundgrube von Stücken dar, die leicht neben denen seines berühmten Vorgängers und ehemaligen Lehrers Beethoven ihren Platz behaupten. Als ein ernsthaftes Konzertwerk, das nichts für schwache Nerven ist, verdient dieses selten gehörte Konzert die Chance einer Wiederentdeckung und sei es um seiner Ursprünglichkeit und Originalität willen. In dieser Pastorale übersteigt Ries das allgemein anerkannte Modell Beethovens, um eine Arbeit von dauerhafter Schönheit und Tiefe zu schaffen.

Reminiscent of the earliest examples of the chaconne form, this work by Jadassohn is replete with the kind of inventiveness and treatment of harmonic forces that came to characterise the works of the later 19" Century as found in Liszt and Wagner. A pioneer of harmonic theory himself, Jadassohn applied the most subtle and delicate twist to the traditional harmonic form in this piece. The rediscovery of this work is sure to delight audiences with a work of depth and virtuosity from one of the forgotten masters of the Romantic period.---An frühe Beispiele der Chaconne erinnernd, verfügt Jadassohns Arbeit über einen ähnlichen Erfindungsreichtum und eine vergleichbare Behandlung harmonischer Kräfte, die später die Werke des späteren 19. Jahrhunderts von unter anderem Franz Liszt und Richard Wagner auszeichnen würden. Selbst ein Pionier der Harmonielehre gibt Jadassohn der traditionellen harmonischen Form hier eine subtile und feine Wendung. Seine Wiederentdeckung wird dem Publikum viel Freude bereiten, handelt es sich doch um eine Arbeit voller Tiefe und Virtuosität von einem der vergessenen Meister der Romantik.

A popular, non-operatic composer, Martucci wrote about 85 works during his life which bear opus numbers: this, the 'Konzert - Fantasie über "La forza del destino", is opus number 1. Written when he was a student at the Reale Collegio di S Pietro a Majella, Naples, the fantasie demonstrates the raw compositional talent of the young composer, in this reinterpretation of themes from Verdi's opera, La forza del destino'. The resulting piano work is brilliant, lively and captivating, full of virtuosity.---Martucci, ein populärer, nicht-operatischer Komponist schrieb im Laufe seines Lebens etwa 85 Werke, die eine Opuszahl tragen. Das vorliegende 'Konzert - Fantasie über "La forza del destino" ist unter der Opusnummer 1 notiert und wurde während seiner Zeit als Student am Musikkonservatorium San Pietro a Majella in Neapel verfasst. Die Fantasie zeigt mit ihrer Neuinterpretation der Themen aus Verdis Oper 'La forza del destino' das rohe kompositorische Talent des jungen Komponisten. Das resultierende Klavierwerk ist brillant, lebhaft, faszinierend und voller Virtuosität.

Famed for his romantic wildness and massively popular in his day, Ferdinand Ries composed the 5 Grand Trio in f minor towards the end of his life. A mature and substantial piano trio, it stands alongside and equals any of those by his former piano teacher, Beethoven. A serene and expansive work in four movements from a master of the form, it is quite possibly the last of nine that he wrote.---Ferdinand Ries, berühmt für seine romantische Wildheit und zu seiner Zeit außerordentlich populär, komponierte das 5. Grand Trio in f-Moll gegen Ende seines Lebens. Als reifes und reichhaltiges Klaviertrio steht es ebenbürtig neben denen seines früheren Klavierlehrers, Beethoven. Ein ernstes und umfangreiches Werk in vier Sätzen von einem Meister der Form, und wahrscheinlich das letzte, das er schrieb.

"Fleurs du Printemps", 4 Pièces caracteristiques pour Piano composées par Sigismond Noskowski were published in 1897 as a thematic setting of four pieces evoking the Primrose, the Forget Me Not, the Rose and the Daisy. Flowers that all typically come into bloom with the arrival of Spring. Just one of several sets of characteristic pieces Noskowski wrote for the piano, this is a set that will appeal to novices and experts alike.---Die 4 Stücke "Fleurs du Printemps", 4 Pièces caracteristiques pour Piano composées par Sigismond Noskowski wurden 1897 publiziert und versinnbildlichen thematisch die Primel, das Vergissmeinnicht, die Rose und das Gänseblümchen, Blumen die typischerweise mit dem Frühlingsbeginn in Verbindung gebracht werden. charakteristischen Stücke, die Noskowski für Klavier Als eines der schrieb, ist diese Sammlung sicherlich für Anfängerund Experten zugleich ansprechend.