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This book uses an interdisciplinary inter-mediational approach to reflect on the relational complexity of unsettlement as a predominant sensibility of the present époque.

This edited collection examines engagements between health literacies and undergraduate writing instruction, providing research, case studies, and practical guidance on developing an interdisciplinary writing pedagogy.Bringing together works from scholars in rhetoric and composition, technical communication, UX, public health, nursing, and writing center administration, this collection showcases a range of evidence-based practices for composing, teaching, and assessing health literacies, which the readers can apply to their own contexts. Using non-specialist language accessible to instructors from a variety of backgrounds, the chapters consider the use of writing assignments including image analyses, public service announcements, podcasts, health education materials, illness narratives, public presentations, research proposals, and journal articles. The book offers a holistic overview by profiling entire writing programs, both online and face-to-face, that teach health literacies across their curricula.This evidence-based collection is essential reading for scholars and instructors in rhetoric and composition, writing in the health professions, technical communication, and health humanities, and can be used as a supplemental textbook for pedagogy courses in these fields.

Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens'A whip-smart collection' Kamila Shamsie, author of Best of FriendsWhat if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling, featuring:¿ Taymour Soomro on resisting rigid stories about who you are¿ Madeleine Thien on how writing builds the room in which it can exist¿ Amitava Kumar on why authenticity isn't a license we carry in our wallets¿ Tahmima Anam on giving herself permission to be funny¿ Ingrid Rojas Contreras on the bodily challenge of writing about trauma¿ Zeyn Joukhadar on queering English and the power of refusing to translate ourselves¿ Kiese Laymon on hearing that no one wants to read the story that you want to write¿ Deepa Anappara on writing even through conditions that impede the creation of artPlus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, Myriam Gurba, Mohammed Hanif and Sharlene Teo.'This book is essential' Nikesh Shukla'Bracing and moving . . . No one interested in how we read and should read fiction can afford to miss this' Pankaj Mishra, author of Run And Hide

Autoethnographic and autobiographical explorations of social identities and relationships, (un)belonging, and how practitioners and academics do their work. They show the ongoing need to rethink and re-examine how to do critical and engaging scholarly work. Life stories are necessarily, messy, complex and personal experiences. 34 b/w illus.

TÆNK, når du tænkerSKRIV, når du skriverREDIGER, når du redigerSkriv lettere end du tror er bygget op om det enkle princip: del skriveprocessen op i tre faser. Ved at følge det kan du skrive godt, uanset hvilken type tekst, du skal skrive. For at skrive er ingen kunst, men et håndværk alle kan blive bedre til.Skriv lettere end du tror er fyldt med konkrete værktøjer til alle tre faser af skriveprocessen og med eksempler på, at de virker. Nyt i denne 2. udgave af bogen er et helt kapitel med ekstra skrivetips og redskaber til at skrive tekster på sociale medier, nye illustrerende eksempler og kapitlet om feedback er udvidet med endnu mere hjælp til, hvordan du hjælper andre med at gøre deres tekst bedre.Undervejs møder du også fagfolk fra forskellige brancher, som flittigt bruger bogens råd i deres arbejdsliv.Det er besværligt at ændre vaner, men også forløsende. Små succeser bliver langsomt til nye vaner. Kast dig ud i det og oplev større glæde ved at skrive.

I wrote this set of linked stories in the 1980s, focusing on the anxieties of middle age and family life. Why publish them now? I've harbored a parental affection for the characters; they deserve to be brought into the light of the world. Consider Vince Delaney, for example, who has a wife and five cats and the biography of Rousseau he'll never finish writing, as he calculates his venial sins. Anna Cox once yearned to follow Joni Mitchell's footsteps to the Mermaid Tavern on the coast of Crete but remains landlocked in North Carolina as an aerobics instructor. Charles Weber, the editor of The Almanac of Has-Beens, feels abandoned as his daughter departs for college.

August StrindbergGospöica Julijadrama u jednom ¿inu - M1,¿2Nepremostive drütvene i osobne razlike postepeno pretvaraju naivni flert izme¿u koketne grofove k¿eri i markantnog sluge u neminovnu tragediju.Gospöica Julija jedno je od najznamenitijih djela ¿vedskog dramati¿ara Augusta Strindberga. Drama je napisana 1888. i premijerno izvedena 1906. godine. Djelo odlikuje naturalisti¿ki pristup intrigantnoj temi, vje¿ta psiholöka iznijansiranost likova i suptilnost njihovih emocija.

Writer and professor, Dr. Lisa Wood, offers a comprehensive deep dive into the study of horror fiction. With importance placed on knowing the history of the genre and how integral to storytelling research is, this textbook will serve as a referenceable guide for anyone interested in writing in the horror genre. This work, which is accessible and detailed at the same time, offerspractical scenarios and industry secrets alongside subgenre review and creative writing instruction.This textbook gives you the tools you need to craft horror fiction that will challenge the reader as well as frighten them.

Cast 2 men, 12 women. One of the great successes of this distinguished writer. A serious and adult play about two women who run a school for girls. After a malicious youngster starts a rumor about the two women, the rumor soon turns to scandal. As the young girl comes to understand the power she wields, she sticks by her story, which precipitates tragedy for the women. It is later discovered that the gossip was pure invention, but it is too late. Irreparable damage has been done.

The road to rejection is paved with bad beginnings. Agents and editors agree: Improper story beginnings are the single biggest barrier to publication. Why? If a novel or short story has a bad beginning, then no one will keep reading. It's just that simple. In Hooked, author Les Edgerton draws on his experience as a successful fiction writer and..

Many today may see the relationship between God and humanity as one of passive submission and thus unquestioning. Two outstanding Dominicans, Timothy Radcliffe and Lukasz Popko. suggest otherwise. Questioning God explores Biblical conversations with God and there is no genuine conversation without true questions. Our God question us, from the first conversation of God and humanity in the Bible, where God asks Adam, 'Where are you?', to the Risen Lord's questioning Peter on the beach: 'Do you love me more than these others?' But humanity questions God too, as in the audacious questioning of Jesus by the Samaritan woman at the well. In this process of mutual questioning, humanity is drawn ever deeper into the life of God, the eternal conversation of the Trinity. Insights into these transformative conversations are helpful as the Church questions how to be faithful to God in this uncertain time. Fr Popko offers a fresh translation and insights of Biblical scholarship, and Fr Radcliffe extends his rich experience as a preacher, theologian, and an inspiring commentator.