Klassiske skuespil skrevet før det 20. århundrede

Electra is a classical Greek tragedy, telling the story of a daughter seeking revenge against her mother and stepfather for the murder of her father. This one-act play is a masterful exploration of themes such as justice, revenge, and the human psyche. Readers interested in classical literature or drama will find this play both challenging and rewarding.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this seminal work, Charles V. Riley takes a scientific approach to studying the devastating effects of the locust plague on the American Midwest in the late 19th century. Drawing on his own extensive research and experiments, as well as insights from contemporary scientists and farmers, Riley offers practical, evidence-based recommendations for controlling the grasshopper population. Despite its technical subject matter, Riley's writing is accessible and engaging, making this a must-read for anyone interested in the history of entomology and agricultural science.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Richard IIIAn in palace drama with King Richard the 3rd, Queen Elizabeth, and Queen Margret. Onto a haunting reunion, as the state processes royal executions. 61+ Characters¿*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

Henry VI, Part 1Funeral of King Henry the 5th, Henry VI makes his approach to France. Henry VI fashions as thy lord protector.*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

Henry VI, Part 2King Henry the 6th, where the Cardinal is seen mocking protectors with praise, as all the rage. Queen Margaret at King Henry VI, until the end.*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

Richard IIKing Richard the 2nd readies the armed forces at the sound of alarm, while later Henry IV is near for discussion. King Richard the 2nd and his groom.*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

Pericles Prince of TyreA thoughtful/reflective Pericles interposes his good will and well-meaning nature, which leads him to visit fishermen friends, and onto state function. Pericles is then confronted, required to (take a plunge) to marry, embedding him deeper into ocean stock of sea life among sailors experience and merchant owners, investing his interest as babe, securing his destiny as then, future king44 Characters¿*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

Henry VI, Part 3King Henry VI is busy fighting a succession of battles, France and England as having at it, yet again. *Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

The Two Gentlemen of VeronaLoving beginnings, yet far too. General virtues going upwards in hierarchies, with overall chivalrous wits.*Overall contents was translated from poem form to play form, as basis for copyright ownership. Meaning all words are used, the form was translated.*The editing of text involved changing these words: "I pray to thee my lord". *Any foreign language was converted into English.

"By whatever alchemy, it serves the greatest collection of stories ever written - adds to them, modernizes them, makes them feel fresh, forces you to see them both strange and familiar...There has not been anything quite like this ever before." - THE CHICAGO TRIBUNE A contemporary Festival of Dionysus! This massive work by playwright Sean Graney undertakes a day-long play retelling of the thirty-two surviving Greek tragedies. PART IV: POETICS includes: HELENAGAMEMNONTHE LIBATION BEARERSELEKTRAORESTESTHE FURIESANDROMACHE>"All Our Tragic is a sprawling, messy, at-times-brilliant show, much like the lives of those it portrays and would hope to honor. It is a singular achievement, one not likely to be repeated any time soon." - GAPERS BLOCK, CHICAGO "We see the full range of relationships between husbands and wives, parents and children, sisters and brothers, politicians and citizens, generals and soldiers. We see the horrors and insanity of war in all their extremity, the gruesome payback for sexual betrayals, the high price paid for loyalty, the futility of prophecy and the wages of guilt. We see people driven to acts of both devotion and madness. We feel the lust for power, the ache for home, and the inevitability of death." - CHICAGO SUN-TIMES "An ambitious production that exceeds expectation (as if it's possible to even know what to expect of a 12-hour performance!), All Our Tragic is simply unforgettable, on so many levels. It's not really a show or even a play, but an experience, a total immersion into the imaginations of Sean Graney and the Greeks. The end result is that the tragedies of Aeschylus, Sophocles and Euripides really do become ours: they are all our tragic." - STAGE AND CINEMA

"By whatever alchemy, it serves the greatest collection of stories ever written - adds to them, modernizes them, makes them feel fresh, forces you to see them both strange and familiar...There has not been anything quite like this ever before." - THE CHICAGO TRIBUNE A contemporary Festival of Dionysus! This brilliant work by playwright Sean Graney undertakes a day-long play retelling of the thirty-two surviving Greek tragedies. PART II: POLITICS includes: THE BACCHAE - ION - OEDIPUS REX - OEDIPUS AT COLONUS - SEVEN AGAINST THEBES - THE PHOENICIAN WOMEN - ANTIGONE"All Our Tragic is a sprawling, messy, at-times-brilliant show, much like the lives of those it portrays and would hope to honor. It is a singular achievement, one not likely to be repeated any time soon." - GAPERS BLOCK, CHICAGO "We see the full range of relationships between husbands and wives, parents and children, sisters and brothers, politicians and citizens, generals and soldiers. We see the horrors and insanity of war in all their extremity, the gruesome payback for sexual betrayals, the high price paid for loyalty, the futility of prophecy and the wages of guilt. We see people driven to acts of both devotion and madness. We feel the lust for power, the ache for home, and the inevitability of death." - CHICAGO SUN-TIMES "An ambitious production that exceeds expectation (as if it's possible to even know what to expect of a 12-hour performance!), All Our Tragic is simply unforgettable, on so many levels. It's not really a show or even a play, but an experience, a total immersion into the imaginations of Sean Graney and the Greeks. The end result is that the tragedies of Aeschylus, Sophocles and Euripides really do become ours: they are all our tragic." - STAGE AND CINEMA