Kulturstudier og medievidenskab

This brand-new entry in the bestselling Art of Coloring series, featuring a lay-flat paperback format, invites you into Disney Parks’ iconic Haunted Mansion attraction with 128 pages of frightfully fun patterns and art of beloved characters and scenes.The legendary Haunted Mansion attraction and its ghoulish residents come (back) to life in this bewitching adult coloring book. With a film inspired by the ride releasing in 2023, The Haunted Mansion is in the zeitgeist—and this title is perfect for any foolish mortal during Halloween and all year round.Scare up some fun coloring your way through whimsically macabre artwork of the ride’s grim grinning ghosts, scenes, and iconography, from Madame Leota, the Bride, and the Hatbox Ghost to the Stretching Room, Endless Hallway, Graveyard, and beyond—if you dare to venture inside.Collect the entire Art of Coloring series:Art of Coloring: Disney Tim Burton's The Nightmare Before ChristmasArt of Coloring: Schoolhouse RockArt of Coloring: Hocus PocusArt of Coloring: Disney VillainsArt of Coloring: Golden GirlsArt of Coloring: Walt Disney WorldArt of Coloring: Maps of the Disney Parks - 36 Postcards to Inspire CreativityArt of Coloring: Poster Art of the Disney Parks - 36 Postcards to Inspire CreativityArt of Coloring: Mickey & MinnieArt of Coloring: MuppetsArt of Coloring: Beauty and the BeastArt of Coloring: Disney PrincessArt of Coloring: Disney FrozenArt of Coloring: Star Wars

Wie kann lokale Politikberichterstattung möglichst viele Menschen erreichen? Antworten gibt dieses Buch auf der Grundlage von Umfragen und Gruppendiskussionen bei Leser*innen und User*innen von drei crossmedial publizierenden Regionalzeitungen. Es liefert eine Typologisierung des Publikums und zeigt die jeweils spezifischen Ansprüche an lokale Politikberichterstattung auf. Zudem aktualisiert es den Forschungsstand zu Ost-West-Unterschieden und spezifiziert ihn für lokale Politikberichterstattung. Die Doppelrolle der Autorin als Medienwissenschaftlerin und praktische Journalistin begünstigt eine Verbindung der Ansprüche von Theorie und Praxis. Das Buch will eine Diskussion darüber anstoßen, wie Lokaljournalismus in der digitalen Transformation seine Relevanz und Bedeutung erhalten und wie die Versorgung der Gesellschaft auf lokaler und sublokaler Ebene mit demokratierelevanten Informationen gesichert werden kann.

In diesem Buch wird ein interdisziplinärer Ansatz für die Welt des Konsums gewählt, der verschiedene Themen abdeckt und soziologische, wirtschaftliche und marketingbezogene Aspekte einbezieht. Der Begriff "Konsum" ist vage, und selbst in den akademischen Disziplinen wird der Begriff auf unterschiedliche Weise verwendet. Die Konsumforschung fragt, wie Einkommen und Ausgaben miteinander zusammenhängen. Ganz allgemein untersucht die Konsumforschung, wie Menschen, soziale Schichten oder Gesellschaften ihre Konsumgewohnheiten realisieren. Häufig wird die Frage gestellt, wie konsistent Präferenzstrukturen aufgrund wechselnder empirischer Hintergründe von Zeit, Raum und damit verbundener Kultur sind. Welche Kontextvariablen (historischer Zeitpunkt, geographischer Rahmen, kultureller Hintergrund) spezifizieren die Praxis des Konsums und in welcher Weise haben Merkmale wie Alter, Geschlecht, Klasse, Beruf und Lebensstil eigene Auswirkungen auf die Art und Weise, wie Konsum realisiert wird?Das Buch ist für Forscher aus den Bereichen Ökonomie, Soziologie, Marketing, Ästhetik und Design, Anthropologie und Kommunikationswissenschaft von Interesse.

Das Thema Medien und Krieg wird in diesem Buch aus einer vierfachen Perspektive heraus behandelt. Es geht zum einen um die Frage nach der Berichterstattung über Kriege, zum zweiten um die Rolle von Medien im Krieg, drittens geht es darum, welche strukturellen Bedingungen von Krieg und Gesellschaft die Inhalte der Medien wie prägen und viertens um eine friedensstiftende Sicht auf diese Zusammenhänge. Das Fazit: Definitorisch gibt es kaum noch einen Unterschied zwischen medialer Kommunikation und Krieg.Die zweite Auflage wurde um ein Kapitel über ukrainische Propaganda im Ukraine-Krieg ergänzt.

This book includes chapters which discuss effective and efficient approaches in dealing with various aspects of social media analysis by using machine learning techniques from clustering to deep learning. A variety of theoretical aspects, application domains and case studies are covered to highlight how it is affordable to maximize the benefit of various applications from postings on social media platforms. Social media platforms have significantly influenced and reshaped various social aspects. They have set new means of communication and interaction between people, turning the whole world into a small village where people with internet connect can easily communicate without feeling any barriers. This has attracted the attention of researchers who have developed techniques and tools capable of studying various aspects of posts on social media platforms with main concentration on Twitter. This book addresses challenging applications in this dynamic domain where it is not possible to continue applying conventional techniques in studying social media postings. The content of this book helps the reader in developing own perspective about how to benefit from machine learning techniques in dealing with social media postings and how social media postings may directly influence various applications.

Die vergangenen Jahre waren für Musikkultur und Musikwirtschaft durch tiefe Krisen gekennzeichnet. Die Maßnahmen gegen die Covid-19 Pandemie griffen nicht nur tief in den Alltag der Menschen ein, sondern mit der zeitweisen Absage jeglicher Clubveranstaltungen, Festivals und dem öffentlichen Konzertwesen kam ausgerechnet jener Bereich komplett zum Erliegen, der in den Jahren davor ein starkes Wachstum verzeichnet hatte und im Tonträgermarkt wegbrechende Einnahmen kompensierte. Für viele AkteurInnen der Branche ist damit zumindest kurzfristig die gesamte Existenzgrundlage zusammengebrochen. Der vorliegende Band richtet sich an ForscherInnen wie auch PraktikerInnen aus Musikwirtschaft und Musikkultur und betrachtet das Thema aus diesem Anlass einmal ganz grundlegend. Denn Musik kann auch und gerade in Krisenzeiten vielfältige Rollen spielen: Sie kann Stellung beziehen, Trends thematisieren oder geteilten Emotionen eine Form geben. Zugleich steckt in jeder Krise ein transformatorisches Potential: Krisen beschleunigen Entwicklungen und können hierzu leider auch missbraucht werden. Der Band liefert Beiträge zu Fragen wie: Wie haben MusikkünstlerInnen auf die Corona-Situation reagiert? Wie verändern sich gegenwärtig der Musikmarkt und Musikkulturen? Welche Rolle spielt (und spielte) Musik in Transformationsprozessen, die durch Krisen ausgelöst werden?

Examines "how facts--shared truths--have lost their power to hold us together as a community, as a country, globally, and how belief in 'alternative facts' and conspiracy theories have destroyed trust in institutions, leaders, and legitimate experts"--

Despite a variety of theoretical and practical undertakings, there is no coherent understanding of the concept of scale in digital history and humanities, and its potential is largely unexplored. A clearer picture of the whole spectrum is needed, from large to small, distant to close, global to local, general to specific, macro to micro, and the in-between levels. The book addresses these issues and sketches out the territory of Zoomland, at scale. Four regions and sixteenth chapters are conceptually and symbolically depicted through three perspectives: bird's eye, overhead and ground view. The variable-scale representation allows for exploratory paths covering areas such as: theoretical and applicative reflections on scale combining a digital dimension with research in history, media studies, cultural heritage, literature, text analysis and map modelling; creative use of scale in new digital forms of analysis, data organisation, interfaces and argumentative or artistic expressions. Zoomland provides a systematic discussion on the epistemological dimensions, hermeneutic methods, empirical tools, and aesthetic logic pertaining to scale and its innovative possibilities residing in humanities-based approaches and digital technologies.

This book sets out to clarify five key Freudian concepts (the pleasure principle, the primary processes, the unconscious, transference, and the reality principle) elaborated early on in Freud's work but, it is argued, rarely understood-even by psychoanalysts themselves. It examines in turn the post-Freudian paradigms employed in neuropsychoanalysis, Lacan, Zizek, object relations, and psychoanalytic approaches to identity politics, and in doing so reveals the extent to which they have been distorted and repressed in these new contexts. Over the course of the book the author demonstrates how Freud's unpublished Project for a Scientific Psychology can be seen as a complete system of core concepts that both ground psychoanalysis in neurology and also introduce a vital challenge to the brain sciences. This book will appeal to students and scholars of psychoanalysis, clinical psychology, and psychoanalytic theory.

This book offers the first English translation and comprehensive analysis (inclusive of introductory study and endnotes to the translation) of the longest and most complex Italian Renaissance utopia, Ludovico Agostini¿s Imaginary Republic. It not only reveals the significance of a text that has been mostly forgotten; it also shows how an investigation of Imaginary Republic uncovers neglected and surprising facets of Renaissance utopianism. The current scholarly image of Renaissance utopianism is based, predominantly, on English texts. Other European utopian traditions are considered only tangentially and do not substantially inform the overall picture of the nature of Renaissance utopias. This book¿s study of Imaginary Republic, within the context of Italian sixteenth- and seventeenth-century utopias, contributes to filling this gap in the critical literature by expanding the current understanding of Renaissance utopianism.

This Handbook explores the ways in which religion among the African people has been applied in situations of conflict and violence to contribute to sustainable peace and development. It analyzes how peacebuilding inspired and enabled by religion serves as the foundation for sustainable development in Africa, while also acknowledging that religion can also be a tool of destruction, and can be used to fuel violence and underdevelopment. Contributors to this volume offer theoretical discussions from existing literature, as well as experiences of practitioners, to deepen the readers¿ understanding on the role of religion and religious institutions in peacebuilding and development in Africa. The Handbook provides reflections on possible future developments as well, thereby aligning with the goals of SDG 16.

This book is an interdisciplinary collection exploring the impact of emergent technologies on the production, distribution and reception of media content in the Asia-Pacific region. Exploring case studies from China, Japan, South Korea, India, Thailand and Australia, as well as American co-productions, this collection takes a Cultural Studies approach to the constantly evolving ways of accessing and interacting with visual content. The study of the social and technological impact of online on-demand services is a burgeoning field of investigation, dating back to the early-2010s. This project will be a valuable update to existing conversations, and a cornerstone for future discussions about topics such as online technologies, popular culture, soft power, and social media.

The current discussion on the rule of law, especially in the EU, seems to be developing because the terms that express the idea of the rule of law in different European languages do not convey the same content. The rule of law, der Rechtstatt, l'état de droit, to name just three language versions, were coined in different historical contexts and within different traditions of political thought. The question then becomes, to what extent is diversity in the understanding of the rule of law still legitimate today? The answer is sought in the book we have edited, whose authors are academically recognized individuals representing these different traditions of legal and political thinking.The publication is divided into three parts. The first part explains the concept of the rule of law and outlines the development of the idea of the rule of law. The analyses presented also address the issue of legal positivism seen as a minimization of the idea of the rule of law. In addition, this part includes articles on the problem of the rule of law from the perspective of Catholic social thought, as well as a consideration of the transformation of the legal concept of the rule of law into a kind of political fetish. Part two is devoted to various European traditions of understanding the rule of law. In this part of the book, the reader will find articles on approaches to the issue of the rule of law from the Anglo-Saxon, French, German, and Polish perspectives. The third part of the book deals with the issue of the rule of law from the perspective of the European Union. It is about the mechanisms of control of the rule of law in the Member States and the possibility of applying this concept to the EU.

Today, English is the global lingua franca and competent English communication skills should be one of the rights of all educated individuals irrespective of any socio-cultural limits.  By introducing a new method, this book focuses on helping any learner to get sufficient communication skills in English as much as in the native language. This method helps one to avoid translating from mother tongue to English. And by using the method of thinking in English, one could acquire the required English bilingual skills naturally. The method is founded on the philosophical idea of mentalese-mind language as the base language of thinking available for humans for constructing thoughts. The proposed English Bilingual Project (EBP) helps one to transfer thoughts from a structureless mentalese to the grammatical structure of any language English/Japanese/Chinese. The method described in this book works in two ways: one it helps one to intuitively understand the working of mentalese; the other is by practicing think in English with the mentalese, one could generate the bilingual brain. The main procedure for transferring thoughts from the mentalese to English is through writing one's thoughts. This helps one to think effectively in English like one's own mother tongue. This method works as a prime requirement model for one to generate multilingual skills.  The book resourced the idea of mentalese from the classical philosophy, reflects it with the modern generative theories, links it with the studies in neuro-linguistic studies on bilingualism and the bilingual brain.

This scholarly work delves into the intriguing and widespread phenomenon of Christ figures in contemporary popular culture. When discussing this research area, people often conjure familiar names from film and literature, such as Harry Potter, Gandalf, Superman, Neo, and even ET, all of whom embody characteristics and roles akin to traditional Christ figures. These iconic characters act as moral guides, selflessly sacrifice themselves for the greater good of humanity, and often experience a form of resurrection. Notably, they also bear visual symbols reminiscent of crucifixion during their moments of sacrifice.

This book examines trauma in late twentieth- and twenty-first century American popular culture. Trauma has become a central paradigm for reading contemporary American culture. Since the early 1980s, an extensive range of genres increasingly feature traumatised protagonists and traumatic events. From traumatised superheroes in Hollywood blockbusters to apocalyptic-themed television series, trauma narratives abound. Although trauma is predominantly associated with high culture, this project shows how popular culture has become the most productive and innovative area of trauma representation in America. Examining film, television, animation, video games and cult texts, this book develops a series of original paradigms through which to understand trauma in popular culture. These include: popular trauma texts' engagement with postmodern perspectives, formal techniques termed 'competitive narration', 'polynarration' and 'sceptical scriptotherapy', and perpetrator trauma in metafictional games. 

This book provides an in-depth, feminist and sociological analysis of Gamergate, a major social movement and anti-feminist harassment campaign. Gamergate provides a clear example of both how a modern anti-feminist 'backlash' is enacted, and how feminists in the digital age respond. Chapters connect Gamergate to the broader Men's Rights Activism (MRA) political movement, examining men's anxieties surrounding what they see as an erosion of male privilege, their conflation of privilege with rights, as well as their use of social media to harass and attack women as a response to their perceived oppression. Likewise, the author analyses the online strategies used by feminists to respond to this backlash, how social media is harnessed to build a feminist movement, the effectiveness of these online strategies, and the parallels that these actions have with those from previous waves of feminism. Finally, the author reflects on what has changed with regards to MRA, online harassment, and digital feminism after the height of Gamergate.This book will be of interest to scholars in Gender Studies, Sociology, and Media Studies.

Media industry is a vibrant element of East Asian popular culture that has become increasingly important on a global level in the last decades. Japanese, and recently South Korean and Chinese films or TV series have a growing and worldwide audience not least because of easier access through streaming services. The many film productions provide a multifaceted arena of highly diverse content that spans nearly all aspects of the cultural developments in the countries. Religion has always played a major role in these contexts in various ways and in accordance with the highly diversified religious landscape of East Asia. Consequently, this issue brings together contributions on Japanese, Chinese and Korean films, including one additional glimpse to South Asia, thereby presenting portrayals of independent filmmakers, highly renowned classics, but also specimina of manga and anime, the cyberpunk genre, or on most recent highly successful streaming series. The admittedly tiny sample we can provide is intended to pique curiosity and encourage readers to delve deeper into the multifaceted and intriguing relationship between religion and media in Asia. If the presented contributions, which have been carefully selected, lead to academic discourse and inspire further research, then this issue will have served its purpose.

Three years after "Shape Grammars" (2020), Jannis Maroscheck returns with an updated look on machine-generated graphics and the core motif of mass produced ideas: "Latent Figures." Looking for forms of expression hidden between ancient runes and y2k logos, medieval monograms and clip art illustrations, hieroglyphs and stock icons, Maroscheck developed AI-based systems to merge the shared visual vocabulary designed by humans across eras, continents and cultures. The underlying process simulates human inspiration, but it is an analytical, objective process. The systems consider form as pure form. They draw no reference to real-world things. In doing so, they have a stubborn intensity to them, that seems less like human creativity and more like a strange, unstoppable force of nature.The resulting catalog is a dive into the inner workings of an AI that has seen nothing but graphic shapes and symbols. With this sort-of-dictionary, Maroscheck creates a visual language that blends pragmatic graphic design aesthetics with elusive imagery. A collection of shapes that often approximate something we know or can understand, but their meaning doesn't quite want to resolve, they revolve around themselves, somewhere between meaning and nonsense. Offering a space to project ones own imagination and come across new ideas. "When I think about it, something like a graphic form, black and white, defined only by its outline, feels quite limited in what it can express, what it can communicate. Then I look at it, like a blob of ink, continuously reshaping itself, in flux, automatic and open in all directions." Jannis Maroscheck

Building and expanding on the first edition, the second edition of Food, National Identity and Nationalism continues to explore a much-neglected area study: the relationship between food and nationalism. With a preface written by Michaela DeSoucey and using a wide range of case studies, it demonstrates that food and nationalism is an important area to study, and that the food-nationalism axis provides a useful prism through which to explore and analyse the world around us, from the everyday to the global, and the ways in which it affects us. The second edition includes a number of new case studies, including the demise and resurrection of pie as a ¿national dish¿ in post-Brexit Britain; the use of netnography; the role of diasporas in maintaining and reinventing national food; the gastrodiplomatic potential of the New Nordic Cuisine; the potential of veganism to transcend nationalism; and the relationship between gastronationalism and populism.

Où va l'édition savante? On ne s'étonnera pas du choix de l'autoédition pour un tel sujet. J'avais quand même soumis ce petit essai à plusieurs éditeurs, pas à ceux que j'épingle, ni à ceux dont je dis du bien, naturellement, et la plupart d'entre eux me répondirent de façon encourageante, voire chaleureuse et amusée. Et puis, finalement, je me suis dit que je tenais là un samizdat...

Popular culture today manifests itself in a dense network of styles and genres, while the aesthetic preferences of the Audience are highly differentiated. Besides, popular culture also implies a diversity of aesthetic strategies, discourses and value systems that traverse the symbolic demarcations between styles and genres and are effective across different artistic fields and individual media. Aesthetic concepts such as camp, retro or trash are expressions of a transgressive mode of Production that facilitates a multitude of cross-connections between aesthetic spaces of experience. The volume brings together authors from different disciplines who approach aesthetic concepts in popular culture on a historical, theoretical and methodological level, analyze them on the basis of various aesthetic phenomena, or discuss aspects relevant to their theoretical contextualization, such as the emergence and establishment of artistic practices and aesthetic value systems.

This book focuses on digital institutions and the advanced technologies used on their basis, as well as their contribution to sustainable development in the unity of seventeen SDGs formulated by the UN, which is sequentially disclosed in six parts of the book. This book is dedicated to comprehensive coverage of the role of the digital economy in sustainable development and the offering of a set of scientific, methodological, and practical recommendations to increase the scale and effectiveness of this role. The first part explores the training of digital personnel for sustainable development, the second part reveals the regional features of Russia, and the third part describes the industry specifics of using digital technologies in entrepreneurship in support of sustainable development. The fourth part deals with financial, organizational, and managerial issues of using digital technologies in entrepreneurship in support of sustainable development, the fifth part is devoted to security, international factors, and risks, and the sixth part deals with the legal framework and state regulation of digital technologies and sustainable development institutions. The novelty of the book lies in its reliance on an institutional approach that allows rethinking and systematically studying the contribution of the digital economy to sustainable development. The book is aimed at scholars who will find in it an institutional understanding of the digital economy's support for sustainable development and ways to improve it. The secondary target audience of the book is the subject of managing the sustainable development of the digital economy. For them, the book contains relevant and illustrative examples from practice and applied recommendations.   

Authenticity is a highly-prized concept on social media, but given the history of the term, has it been adequately scrutinised? This book provides an alternative definition of authentic social media practice and suggests that, rather than being an achievable ideal, authenticity reveals itself as an unrepeatable temporary interval. Applying a post-structural lens of performativity, Taylor analyses the resurgence of the authentic as a cultural trend and argues that the professionalisation of social media has given rise to a 'neoliberal authentic' that equates productivity with self-actualisation, questioning whether society should present this as a cultural ideal. Using a new critical framework, Taylor recontextualises authenticity in a variety of social media practices. This includes authentic self-representation, authentic influence and its effect in influencer culture, as well as meme production as an attempt to find authenticity. Part-reader, part-manifesto, the book asks readers to reappraise authenticity and provides a working definition for future practice.

This book explores disrupted youth cohesion in France within the context of multiple ongoing global economic, migratory, social, political, and security-related crises. While these trends can be observed in numerous Western societies, France provides a unique case study of various anti-cosmopolitan and anti-Enlightenment movements shaping youth conditions and reconfiguring relationships between the individual, the group, and society. The authors undertook in-depth interviews with French young people between the ages of 18 to 30 years old to inquire into how they experience "e;vivre ensemble"e; (living together) in a time of rising economic inequalities and multicultural tensions. Through these findings, they invite decision-makers, politicians, educators, and parents to propose a renewed narrative of social cohesion for youth who are not disillusioned, but deeply on edge.

This book examines the cultural articulation of Spanish History (and histories (remembered, meaningful experiences). It analyzes how real people and fictional characters experience the rupture of post-war repression, as their vindicating collective memory counters the authoritarian narrative and laws that demonized and criminalized them. The book, that breaks the persistent cycle of denial of Francoist malfeasance, is a resource for scholars and students who research the representation of Spain's dictatorship, its aftermath and the recovery of postdictatorial memory.