Medievidenskab: TV og samfund

Hele Danmarks Radio i 100 år fortalt gennem de mest kendte programmer i radio og på tv og de mennesker, der skabte dem. Det har kostet blod, sved og tårer, når de kreative kampe bag kulisserne blev udkæmpet om nyheder, sport, musik, drama, julekalendere, radiodokumentar, pausefisk og meget, meget mere. Få hele historien fra Statsradiofoniens første radioudsendelser i 1925, over besættelsens svære tider i Radiohuset, tv i både sort/hvid og farver og videre helt frem til DR i en digital verden.

Denne e-bog indeholder ikke billeder. Forlaget har nemlig ikke købt rettigheder til digital visning. Af samme grund sælges bogen væsentlig billigere end den trykte bog. Dansk tv-drama er en arena for billeder, ord og musik, der bevæger os og taler til vores følelsesliv. Det er også et forum for debat om samfundet og individet, om etik, køn, generationer og etnicitet, om danskernes forhold til vores historie og hvad der foregår i den verden, vi er en del af.Det grænseløse tv-drama beretter historien om dansk tv-dramas guldalder fra 1995 til 2016. I den periode lancerede DR og TV 2 en serie tv-dramaer, der i hidtil ukendt omfang optog publikum. Dansk tv-drama formåede at indfange og forhandle centrale tendenser i samfundsudviklingen og omsætte dem i aktuelle dilemmaer, understøttet af slagkraftig æstetik. Danske producenter tilegnede sig nye tilgange til temaer og stil - og dansk tv-drama fik momentum i et internationalt gennemslag, ingen havde drømt om. Resultatet blev øget transnationalitet i produktionsform og sigte. Bogen beskriver indgående, hvorfor og hvordan det kunne lade sig gøre.I denne historie spiller produktionskultur såvel som æstetik, genrer og modtagelse sammen. Udviklingen kortlægges i bogen ud fra kvantitative og kvalitative synsvinkler. Omdrejningspunktet er klassikere fra dominerende genrer - krimi og dansk noir, politisk drama, familie- og melodrama, komedie og satire, julekalender for hele familien og historisk drama.Gunhild Agger øser i denne bog gavmildt ud af sit store overblik over dansk medie- og tv-historie, som hun har beskæftiget sig med siden 70'erne.

Afkastet af investeringerne i medier og markedsføring er faldet i den digitale æra. Årsagen er, at digitale medier har medført alt for meget taktisk markedsføring. Måske fordi virksomhederne har undervurderet betydningen af branding og TV-reklamernes styrke. Det er i hvert fald konklusionen fra mere end 50 forskellige studier.Anmeldelser:Som et kærkomment bidrag til medieplanlægningens svar på Klodernes Kamp, sender Henrik Jensen en række relevante cases og studier i kredsløb. Med et klart bias mod klassiske TV-kampagners effekt suppleres den righoldige datamængde med stærke elementer af sund fornuft og lidt overraskende konklusioner. Must-read for alle markedsførere, der ønsker at styrke indsigter til at skabe det optimale kampagne- og mediamix.Niels Erik Folmann, CEO, Danske Licens Spil A/SAlting i verden er i konstant forandring. Mennesker, værdier, behov, samfund, markeder, salgskanaler, teknologi og medier. Sådan har det altid været, og det er godt, men i takt med at kompleksiteten øges, bliver virksomhedernes udfordring med at finde det rette mediemix større, i en konstant søgen efter overblik, enkelhed og faste holdepunkter. Henrik Jensens nye bog bidrager med en række forfriskende og veldokumenterede insights, som gør op med flere marketingmyter og giver læseren et mere balanceret mediebillede på en saglig og humoristisk måde.Lars Lyse Hansen, CEO, Bolia International A/SBogen sætter gang i en for os annoncører meget relevant diskussion omkring at finde den rette balance mellem at følge den digitale udvikling og dens muligheder og at skabe konsistent og emotionel brandoplevelse gennem det rigtige medievalg. TV er fortsat et medie med en unik seeroplevelse, som har evnen til at samle os omkring historier, indhold og events med en usammenlignelig rækkevidde.Stephanie Illgner, Global Marketing Director Core Beer, CarlsbergBogen åbner for nogle gode, spændende og ikke mindst faktabaserede diskussioner omkring den kursudstikning og navigation – man som marketing M/K anno 2019 – dagligt udfordres omkring, i det evigt oprørte mediefarvand!Jeppe Madsbad Lauritzen, Nordic Marketing Director, Santander Consumer BankBogen giver et nuanceret og tankevækkende perspektiv på TV og branding i den digitale tidsalder. Den går meget dybere end en diskussion for og imod TV-reklame og tager f.eks. fat i en interessant diskussion om, hvad TV egentlig er. Man får et brush-up på mange forskellige analyser om effekten af marketing, og på om vi er blevet så kortsigtede, at vi er ved at tabe branding på gulvet. Den er et konstruktivt indspark til debatten om optimering af marketingindsatsen på kort og lang sigt og et godt input til 2020-strategien – og videre frem.Per Christiansen, VP EMEA Marketing, Kayak

The handbook presents key contributions from scholars worldwide, providing a comprehensive exploration of current trends in media industries from diverse perspectives. Within the framework of understanding contemporary and future trajectories in media markets and industries, the volume delves into their influence on media organization and delivery, along with broader societal and market implications. Encompassing research at the crossroads of economics, management, political economy, and production studies, the handbook emphasizes the necessity for a robust interdisciplinary dialogue. Beyond scrutinizing present and forthcoming industry developments, the handbook addresses pivotal issues pertaining to media economics research methods and pedagogy. It serves as a valuable resource for scholars, students, and media professionals, providing insights into media economics as an academic field and delving into the multifaceted dynamics that shape the media landscape. Doing this, it contributes to the ongoing discourse on the evolving nature of media markets and their profound impact on society.

Künstliche Intelligenz verändert die Welt des Erzählens fundamental. Der renommierte Dramaturg und Autor Oliver Schütte gibt einen umfassenden Einblick in die Möglichkeiten und Grenzen der KI für das kreative Schreiben. Die breite Palette reicht von Brainstorming, Recherche, Titelfindung bis hin zur Figurenentwicklung. Schütte zeigt fundiert und kritisch, wie Autoren dieses Instrument optimal nutzen können, um an Romanen und Drehbüchern zu arbeiten. Dabei stellt er viele konkrete Anwendungsbeispiele vor, die sofort umgesetzt werden können. Er warnt aber auch vor übertriebenen Erwartungen und betont die unersetzliche Rolle der menschlichen Kreativität. Ein zeitgemäßes und aufklärendes Buch für alle Autorinnen und Autoren im digitalen Zeitalter.Das Update beschreibt in einem zusätzlichen Kapitel die neuesten Programme bis einschließlich Juli 2024, die für das Entwickeln von Geschichten relevant sind.

A l'ère des réseaux sociaux, on n'échange plus des idées: on "partage" des informations et des "contenus". Cette réalité bien concrète, qui peut sembler triviale, recèle en vérité un changement fondamental, qui affecte non seulement notre manière de dialoguer avec nos prochains, mais également notre manière même d'appréhender le monde. En vérité, ce "partage" d'informations ne consiste pas tant à inviter l'autre à faire sienne notre vision du monde, qu'il ne dénote plutôt notre incapacité croissante à échanger des idées de manière authentique.Il y a là une manifestation d'une atteinte sans précédent à notre idée même du savoir et de la vérité. Dans un monde saturé d'information et soumis au bruit incessant des "tweeteurs" et d'autres notifications permanentes, nous ne pouvons non seulement plus nous entendre, mais nous sommes devenus sourds à toute voix extérieure, et parfois à notre propre voix intérieure. Le trop-plein d'informations ne tue pas seulement l'information elle-même, mais il anéantit aussi notre capacité de comprendre le monde.Dans les pages qui suivent, nous avons restreint notre analyse à douze livres qui ont pour point commun de porter sur notre monde un regard à la fois critique et constructif. Les thèmes abordés par les auteurs ici évoqués sont multiples et variés: la "Déconstruction" (P.A. Taguieff), l'idéologie post-moderne (S. Trigano), la technologie (N. Postman), l'Homo numericus (E. Sadin), la manipulation des médias (L. Lurçat) ou encore la science (F. Lurçat), etc. Malgré leur disparité apparente, ils participent pourtant d'un même phénomène - dont ils représentent les multiples facettes - qu'on pourrait définir comme la transformation radicale, ou la mutation de l'identité de l'homme.

This book tells the stories of disabled people who have been influential in creating modern mass media.

The book is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present.

Meet the Murdochs and the disastrously dysfunctional family of Fox News. Until recently, they formed the most powerful media and political force in America. Now in the lead up to the 2024 US election their empire is cracking up and crashing down. In his bestselling trilogy on the chaotic Trump presidency - Fire and Fury, Siege, and Landslide - the journalist Michael Wolff led readers deep into the twisted corridors of the White House. Drawing on years of unprecedented access to the Murdoch family and key players, he plunges us behind the scenes of another empire of influence, and the result is astonishing and unforgettable. Here is Rupert Murdoch, the ninety-two-year-old billionaire - concerned about his legacy, but more concerned about profits. Here are his contentious children, jockeying to take over when the old man is gone. Here is star anchor Tucker Carlson considering a run for the presidency while his bosses have other plans for him. Sean Hannity, the richest man in television, has his own plans: to put Trump back in office. While presenter Laura Ingraham is just trying to survive in a man's world. As the fallout from the 2020 election and the Dominion lawsuit pummels the reputation of the network, the battling Murdoch heirs position themselves for the final act in this riveting drama. The Fall takes readers inside the ruthless battle to become Rupert Murdoch’s successor and reveals a family implosion that will almost certainly lead to the fall of Fox. “Michael Wolff’s books were my foundation and port of entry for working on Succession.” Jeremy Strong.

Die in diesem Band versammelten Beiträge thematisieren aus unterschiedlicher Perspektive den Einfluss amerikanischer Ideen, Lebenshaltungen und Personen auf die Gesellschaft und Kultur der Weimarer Republik (1918-1933) in Deutschland.Der zeitgenössisch als "Amerikanismus" bezeichnete Trend zeigt sich - sowohl in seiner positiven wie negativen Konnotation - in der Debatte im Feuilleton, findet sich als Sujet in Reiseberichten und Sachbüchern, zeitigt seinen Reflex im Journalismus und der Gestaltung unterhaltender Magazine - und natürlich im Film.Die Aufsätze untersuchen den "Amerikanismus" als Denkfigur, als Moment gesellschaftlicher Selbstreflexion und kultureller Praxis. Darüber hinaus beleuchten sie aber auch die tatsächliche Wirkmacht und in exemplarischer Weise die Vor- und Nachgeschichte im Kaiserreich und zu Zeiten des Nationalsozialismus.

Das Enneagramm beschreibt neun verschiedene Charakterprofile und leitet daraus eine Vielzahl von Beziehungskonstellationen und Persönlichkeiten ab.Jens Becker erschließt die legendäre Typenlehre aus der Antike für die Drehbuchschreibenden von heute. Er entdeckt sie neu als Instrument zur Entwicklung dynamischer Stoffe und Figuren. In seine Überlegungen zum Enneagramm fließen Erkenntnisse aus Psychologie und Soziologie mit ein.Jens Beckers Drehbuch-Tool hilft, glaubhafte Charaktere und Ensembles zu entwerfen. Darüber hinaus enthält es ein eigenes Strukturmodell, mit dem fesselnde und bewegende Handlungsstränge entwickelt werden können.Wenn Sie den nächsten Schritt Ihrer Figuren nicht kennen, wenn Ihr Plot zu spannungsarm ist, wenn es Ihren Charakteren noch an Tiefe mangelt, wird Ihnen dieses Buch den Weg weisen. Jens Becker bereitet das Enneagramm für alle auf, die Drehbücher schreiben oder die an einem Roman, einer Erzählung oder einem Theaterstück arbeiten.Im Buch finden Sie außerdem den Zugang zu einer Website mit zahlreichen Vertiefungen und einigen szenischen Beispielen.

This book illustrates a distinctive lineage of critical interventions in moving image culture and in the public sphere through the trajectories of a small number of film and video organizations established between the 1970s and the early 1980s in Western Europe and North America mainly by women and still operative today.¿The six case studies examined (Drac Màgic, Women Make Movies, Groupe Intervention Vidéo, Leeds Animation Workshop, bildwechsel, Centre Audiovisuel Simone de Beauvoir) have maintained a discrete yet continuing presence within an audiovisual industry and a cultural system dominated by institutionalized and corporate forms of production and distribution. Their longevity - quite a rarity in the independent circuit - makes a strong case for the sustainability of feminist/LGBTQ media activism in the public sphere, in spite of its low-key profile.¿This volume will be of interest to academicians of history and communication studies, feminist and LGBTQ topics, and gender-related cinematic culture.

Masculinities in the US Hangout Sitcom examines how four sitcoms - Friends, How I Met Your Mother, The Big Bang Theory, and New Girl - mediate the tense relationship between neoliberalism and masculinities.Why is Ross in Friends so worried about everything? This book argues that the men in Friends and similar shows that follow young, straight, mostly white twentysomethings in major US cities are beset by a range of social and economic concerns about their place in society. Using multiple methods of analysis to examine these shows - including conjunctural analysis, historiographical method, and critical discourse analysis - a range of topics in these shows are examined, from sexuality through to homosociality, from race through to nationality.This book makes an insightful contribution to work on the television sitcom and on neoliberalism in culture and society. It will be an ideal resource for upper-level undergraduates, post-graduates, and researchers in a range of disciplines including television and screen studies, critical studies on men and masculinities and humor studies.

Focusing on Netflix's child and family-orientated platform exclusive content, this book offers the first exploration of a controversial genre cycle of dark science fiction, horror, and fantasy television under Netflix's "Family Watch Together TV" tag.Using a ground-breaking mix of methods including audience research, interface, and textual analysis, the book demonstrates how Netflix is producing dark family telefantasy content that is both reshaping child and family-friendly TV genres and challenging earlier broadcast TV models around child-appropriate family viewing. It illuminates how Netflix encourages family audiences to "watch together" through intergenerational dynamics that work on and offscreen. The chapters in this book explore how this "Netflixication" of family television developed across landmark examples including Stranger Things, A Series of Unfortunate Events, The Dark Crystal: Age of Resistance, and even Squid Game. The book outlines how Netflix is consolidating a new dark family terrain in the streaming sector, which is unsettling older concepts of family viewing, leading to considerable audience and critical confusion around target audiences and viewer expectations.This book will be of particular interest to upper-level undergraduates, graduates, and scholars in the fields of television studies, screen genre studies, childhood studies, and cultural studies.

This book is a cultural history of post-Wall urban, social, political, and cultural transformations in Berlin.Branding Berlin: From Division to the Cultural Capital of Europe presents a cultural analysis of Berlin's cultural production, including literature, film, memoirs and non-fiction works, art, media, urban branding campaigns, and cultural diversity initiatives put forth by the Berlin Senate, and allows readers to understand the various changes that transformed the formerly divided city of voids into a hip cultural capital. The book examines Berlin's branding, urban-economic development, and its search for a post-Wall identity by focusing on manifestations of nostalgic longing in documentary films and other cultural products. Building on the sociological research of urban branding and linking it with an interpretive analysis of cultural products generated in Berlin during that time, the author examines the intersections and tensions between the nostalgic views of the past and the branded images of Berlin's present and future.This insightful and innovative work will interest scholars and students of cultural and media studies, branding and advertising, urban communication, film studies, visual culture, tourism, and cultural memory.

"As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment--frequently at the expense of fostering responsible citizenship. In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today's rampant polarization and scandal politics--the intentional restructuring of television as a political institution is. She describes how cable innovations--from C-SPAN coverage of congressional debates in the 1980s to MTV's foray into presidential politics in the 1990s--took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval. 24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground."--]cPublisher's website.

¿Öffentlich-politische Kommunikation findet zunehmend über Soziale Netzwerke wie Twitter, Facebook, Instagram etc. statt. Dieses Buch schlägt ¿ mit einem Fokus auf dem Dispositiv Twitter ¿ einen mediatisierungslinguistischen Zugang vor, der die drei medienkulturell relevanten Ebenen Kommunikator, Kommunikat und Aneignung integrativ untersucht. Der Autor zeigt auf, dass mediatisierte politische Kommunikation holistisch zu analysieren ist: Die Identitäts- und Imagebildung von Politiker*innen basiert auf selbstgewählten multimodalen Rollen(-mustern), und sie wird auch interaktiv mit weiteren Akteur*innen wie Bürger*innen und Journalist*innen ausgehandelt.

This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape.At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel's Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies.Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.

This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape.

One minute and thirty seconds is the average length allotted to a news feature. For more than ten years, artist Monika Huber has been photographing images from daily news reports that bear witness to protest, riots, war and violence, as well as their consequences. She saves the images digitally, prints them out and reworks them by means of painting and drawing. Over the years, an archive has been created; it reveals a "grammar" of news images and invites us to examine the crisis reporting of television news in a critical way. This selection of over 100 images from the archive is accompanied by contributions positioning Archive OneThirty from art-historical, philosophical, political-scientific and journalistic perspectives. Artistic exposure of media images and their rhetoric With contributions by Ernst van Alphen, Mieke Bal, James W. Davis, Antje Kapust, Ute Schaeffer, Ulrich Wilmes, and an introduction by Bernhart Schwenk

This volume examines the use of Black popular culture to engage, reflect, and parse social justice, arguing that Black popular culture is more than merely entertainment.