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A vividly told tale of a forgotten American hero—an impassioned newsman who fought for the right to speak out against slavery. The history of the fight for free press has never been more vital in our own time, when journalists are targeted as “enemies of the people.” In this brilliant and rigorously researched history, award-winning journalist and author Ken Ellingwood animates the life and times of abolitionist newspaper editor Elijah Lovejoy. First to Fall illuminates this flawed yet heroic figure who made the ultimate sacrifice while fighting for free press rights in a time when the First Amendment offered little protection for those who dared to critique America’s “peculiar institution.” Culminating in Lovejoy’s dramatic clashes with the pro-slavery mob in Alton, Illinois—who were destroying printing press after printing press—First to Fall will bring Lovejoy, his supporters and his enemies to life during the raucous 1830s at the edge of slave country. It was a bloody period of innovation, conflict, violent politics, and painful soul-searching over pivotal issues of morality and justice. In the tradition of books like The Arc of Justice, First to Fall elevates a compelling, socially urgent narrative that has never received the attention it deserves. The book will aim to do no less than rescue Lovejoy from the footnotes of history and restore him as a martyr whose death was not only a catalyst for widespread abolitionist action, but also inaugurated the movement toward the free press protections we cherish so dearly today.
First published in 2007, the groundbreaking book Finding Freedom provided the first narrative account of the life of Joshua Glover, the freedom seeker who was famously broken out of jail by thousands of Wisconsin abolitionists in 1854. This paperback edition reframes Glover's story with a new foreword from historian Christy Clark-Pujara. Employing original research, authors Ruby West Jackson and Walter T. McDonald chronicle Glover's days as an enslaved person in St. Louis, his violent capture and escape in Milwaukee, his journey on the Underground Railroad, and his thirty-three years of freedom in rural Canada. While the catalytic "Glover incident" captured national attention--pitting the state of Wisconsin against the Supreme Court and adding fuel to the pre-Civil War fire--the primary focus is on the ordinary citizens, both Black and white, with whom Joshua Glover interacted. A bittersweet story of bravery and compassion, Finding Freedom provides the first full picture of the man for whom so many fought and around whom so much history was made.
An exploration into the very similar work of selling art and selling sex, from a luminous new voice.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
'One of the most important and timely books I've had the privilege to read' Corinne Fowler, author of Green Unpleasant LandA revelatory historical indictment of the long afterlife of slavery in the Atlantic world To fully understand why the shadow of slavery haunts us today, we must confront the flawed way that it ended. We celebrate abolition - in Haiti after the revolution, in the British Empire in 1833, in the United States during the Civil War. Yet in Black Ghost of Empire, acclaimed historian Kris Manjapra argues that during each of these supposed emancipations, Black people were dispossessed by the moves that were meant to free them. Emancipation, in other words, simply codified the existing racial caste system - rather than obliterating it. Ranging across the Americas, Europe and Africa, Manjapra unearths disturbing truths about the Age of Emancipations, 1780-1880. In Britain, reparations were given to wealthy slaveowners, not the enslaved, a vast debt that was only paid off in 2015, and the crucial role of Black abolitionists and rebellions in bringing an end to slavery has been overlooked. In Jamaica, Black people were liberated only to enter into an apprenticeship period harsher than slavery itself. In the American South, the formerly enslaved were 'freed' into a system of white supremacy and racial terror. Across Africa, emancipation served as an alibi for colonization. None of these emancipations involved atonement by the enslavers and their governments for wrongs committed, or reparative justice for the formerly enslaved-an omission that grassroots Black organizers and activists are rightly seeking to address today. Black Ghost of Empire will rewire readers' understanding of the world in which we live. Paradigm-shifting, lucid and courageous, this book shines a light into the enigma of slavery's supposed death, and its afterlives.
#1 NEW YORK TIMES BESTSELLER A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New American Origin Story offers a profoundly revealing vision of the American past and present.ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, BooklistIn late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States.The New York Times Magazine's award-winning "1619 Project" issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself.This is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation's founding and construction-and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life.Featuring contributions from: Leslie Alexander Michelle Alexander Carol Anderson Joshua Bennett Reginald Dwayne Betts Jamelle Bouie Anthea Butler Matthew Desmond Rita Dove Camille Dungy Cornelius Eady Eve L. Ewing Nikky Finney Vievee Francis Yaa Gyasi Forrest Hamer Terrance Hayes Kimberly Annece Henderson Jeneen Interlandi Honorée Fanonne Jeffers Barry Jenkins Tyehimba Jess Martha S. Jones Robert Jones, Jr. A. Van Jordan Ibram X. Kendi Eddie Kendricks Yusef Komunyakaa Kevin Kruse Kiese Laymon Trymaine Lee Jasmine Mans Terry McMillan Tiya Miles Wesley Morris Khalil Gibran Muhammad Lynn Nottage ZZ Packer Gregory Pardlo Darryl Pinckney Claudia Rankine Jason Reynolds Dorothy Roberts Sonia Sanchez Tim Seibles Evie Shockley Clint Smith Danez Smith Patricia Smith Tracy K. Smith Bryan Stevenson Nafissa Thompson-Spires Natasha Trethewey Linda Villarosa Jesmyn Ward
LARGE PRINT EDITION In publishing this book, I hope to do good not only to my own race, but to all who may read it. I am not a bookmaker, and make no pretensions to literary attainments; and I have made no efforts to create for myself a place in the literary, book-making ranks. I claim for my book truthfulness and honesty of purpose, and upon that basis, it must succeed or fail. The Biography of a Slave is called for by a very large number of my immediate acquaintances, and, I am assured, will meet with such reception as to justify the expense I have incurred in having it printed and bound. To the members of the United Brethren Church, white as well as colored, I look for help in the sale and circulation of my work, yet I am satisfied I will receive commendable patronage from members of all Christian churches everywhere.
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