Historiografi

This book foregrounds the figure of the perpetrator in a selection of British, American, and Canadian comics and explores questions related to remembrance, justice, and historical debt. Its primary focus is on works that deliberately estrange the figure of the perpetrator¿through fantasy, absurdism, formal ambiguity, or provocative rewriting¿and thus allow readers to engage anew with the history of genocide, mass murder, and sexual violence. This book is particularly interested in the ethical space such an engagement calls into being: in its ability to allow us to ponder the privilege many of us now enjoy, the gross historical injustices that have secured it, and the debt we owe to people long dead.

This book addresses a little-considered aspect of the study of the history of emotions in medieval literature: the depiction of perplexing emotional reactions. Medieval literature often confronts audiences with displays of emotion that are improbable, physiologically impossible, or simply unfathomable in modern social contexts. The intent of such episodes is not always clear; medieval texts rarely explain emotional responses or their motivations. The implication is that the meanings communicated by such emotional display were so obvious to their intended audience that no explanation was required. This raises the question of whether such meanings can be recovered. This is the task to which the contributors to this book have put themselves. In approaching this question, this book does not set out to be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feelingmay reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.

Digital history is a branch of digital humanities that involves the use of digital media to facilitate historical analysis, presentation, and research. It examines and represents the past with the help of new communication technologies such as computers, the Internet, and software systems. Digital history harnesses essential features of the digital technology such as databases, hypertextualization, and networks, to create and share historical knowledge. Integration of digital history with the traditional historical methods helps to create models and maps of data extracted to create a visualization of the data. It employs different tools to extract and analyze large amounts of data that would not be manageable otherwise. This data can be placed alongside existing historiography to increase combined historical knowledge. In this book, the concept, use and applications of digital history have been described. It is appropriate for historians, researchers and students seeking detailed information in this area of digital humanities.

Analyses Christian literature as emerging from the common dynamics of ancient Mediterranean religion

Transformation and the History of Philosophy is an outstanding survey of the history, nature and development of the idea of transformation, from the classical period to the twentieth century. Essential reading for students and researchers in the history of philosophy, ethics, metaphysics, non-western philosophy and aesthetics.