Europæisk historie: renæssancen

The incredible notebooks of Renaissance master Leonardo da Vinci are presented in this luxurious, clothbound volume with gold embossing. Richly illustrated with more than 50 facsimile images from his notebooks and several of his most famous works of art, including The Last Supper and the Mona Lisa, The Notebooks of Leonardo da Vinci dips into the thousands of pages and several notebooks that he accumulated with his observations on a wide range of subjects, offering an insight into his thoughts and ideas. Combining Leonardo's famous mirror writing with the most beautifully detailed drawings and sketches, these extracts are divided into three sections - art, science, and design - and cover topics as varied as painting, anatomy, the nature of flight, the scientific method, and the practical concerns of engineering. The accompanying translations by the renowned Leonardo da Vinci scholar Edward MacCurdy bring to life this polymath and genius who was truly the quintessential 'Renaissance Man'.

Reframing Aristotle's natural philosophy, this wide-ranging collection of essays reveals the centrality of magic to his thinking. From late medieval and Renaissance discussions on the attribution of magical works to Aristotle to the philosophical and social justifications of magic, international contributors chart magic as the mother science of natural philosophy. Tracing the nascent presence of Aristotelianism in early modern Europe, this volume shows the adaptability and openness of Aristotelianism to magic. Weaving the paranormal and the scientific together, it pairs the supposed superstition of the pre-modern era with modern scientific sensibilities. Essays focus on the work of early modern scholars and magicians such as Giambattista Della Porta, Wolferd Senguerd, and Johann Nikolaus Martius. The attribution of the Secretum secretorum to Aristotle, the role of illusionism, and the relationship between the technical and magical all provide further insight into the complex picture of magic, Aristotle and early modern Europe. Aristotelianism and Magic in Early Modern Europe proposes an innovative way of approaching the development of pre-modern science whilst also acknowledging the crucial role that concepts like magic and illusion played in Aristotle's time.

The figure of the "professional" looms large in our contemporary society as an ideal for economic activity and socio-political inclusion, and even as a model for individual self-development. But how and when did this figure arise? And what has led professional activity to become such an essential part of our personal, social, moral, economic, and political life? While Max Weber and others have famously addressed these questions, this book reveals a more nuanced history of the concept of "profession" and "professional duty," and offers the first comprehensive study of the discourse of professional ethics from a historical perspective. Italy, France, Germany, and the United Kingdom provide most of the rich corpus of philosophical, juridical, and theological sources discussed throughout the book in its longue durée journey from Ancient Rome to the present.

An original, illuminating history of the northern European Renaissance in art, science, and philosophy, which often rivaled its Italian counterpart.It is generally accepted that the European Renaissance began in Italy. However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself. The northern Renaissance, like the southern Renaissance, largely took place during the period between the end of the Medieval age (circa mid-14th century) and the advent of the Age of Enlightenment (circa end of 17th century). Following a sequence of major figures, including Copernicus, Gutenberg, Luther, Catherine de' Medici, Rabelais, van Eyck, and Shakespeare, Paul Strathern tells the fascinating story of how this "Other Renaissance" played as significant a role as the Italian renaissance in bringing our modern world into being.

Margherita Costa, Diva of the Baroque Court reconstructs the life, work, and legacy of an extraordinary woman and prolific writer of the seventeenth century.

In this book, Gavin Francis writes about the resonance for him as medic in reading the work of early modern polymath Sir Thomas Browne.

Christopher Dean looks at medieval and Renaissance Arthurian literature in detail and examines contemporary chronicles and histories, chivalric theory and practice, popular myths and legends, folk-lore and place-names to examine English attitudes.

"In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine focused studies from East andSouth Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos"--

The Essays are contained in 107 chapters of varying length. Montaigne's stated goal in his book is to describe himself with utter frankness and honesty. The insight into human nature provided by his essays is a by-product of his introspection.

In Educating the Catholic People, Salomoni offers a new perspective on the pedagogical, institutional, and political innovations introduced in Italy by religious teaching congregations between the sixteenth and eighteenth centuries.

40 unique coloring pages of woodcuts from the 16th century depicting Landsknecht soldiers and camp followers.