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A classic work of Renaissance literature, this influential text by the Spanish bishop and writer Antonio de Guevara offers a collection of moral and political maxims for rulers and princes. Drawing on a range of classical and contemporary sources, Guevara offers practical advice for leaders in a variety of contexts, from diplomacy to warfare.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The remarkable story of the cartographic masterpiece—the Venetian mappa mundi—that revolutionized how we see the world.
"Lively . . . excoriating, eloquent . . . We are all Faustians now." — James Wood, The New YorkerA devilishly fascinating tour of the Faustian bargain through the ages, from brimstone to blues and beyond . . .From ancient times to the modern world, the idea of the Faustian bargain—the exchange of one's soul in return for untold riches and power—has exerted a magnetic pull upon our collective imaginations.Scholar Ed Simon takes us on a historical tour of the Faustian bargain, from the Bible to blues, and illustrates how the impulse fto sacrifice our principles in exchange for power is present in all kinds of social ills, from colonialism to nuclear warfare, from social media to climate change to AI, and beyond. In doing so, Simon conveys just how much the Faustian bargain shows us about power and evil . . . and ourselves.
"In the autumn of 1550, a thick volume containing a wealth of new geographical information, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi & Viaggi (Journeys & Navigations). The person who had edited this remarkable collection of travelogues, journals, and classified government reports was unknown. Two more volumes delivered the most accurate information on Asia and the "New" World that was available. The three volumes together constituted an unparalleled release of geographical data into the public domain. It was, Andrea di Robilant writes, the biggest Wikileak of the Renaissance. In Orb, di Robilant brings to life the palace intrigues, editorial wheedling, delicate alliances, and vibrant curiosity that resulted in this coup by the editor G. B. Ramusio. Learned and self-effacing, he gathered a diverse array of both popular and closely guarded narratives-from the journals of Marco Polo (he fact-checked them!) to detailed reports on Northern African cultures from Hasan ibn Mohammad al-Wazzan of Andalusia; diverse voices spill out from these chapters as di Robilant recounts how Ramusio pursued them, and how he understood both the darker episodes of "exploration," which included colonial violence, and the voices of people from African and Asian lands, who had a great deal to share about their cultures. The result is a far-flung and delightful homage to one of the founding fathers of book publishing"--
Do the names Michelangelo, Leonardo da Vinci, and Raphael ring a bell?If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some people found them controversial.This comprehensive guide digs into some of the most famous figures of the period and includes some who might not be as well known. This exciting ride through history gives you an introductory look at one of the most fascinating periods in history, injecting new life into a topic that has been written about countless times before.Avoid the stuffy academic textbooks on the Renaissance and instead explore a captivating look at a period that brought renewed interest to the arts, science, and culture in general.In this book, you will learn about the following:How the Middle Ages segued into the RenaissanceSome of the well-known concepts that emerged during the period, such as humanismWhy some families became patrons of the artsHow religion impacted the RenaissanceFamous artists, thinkers, and scientists who breathed new life into European societyExamples of Renaissance paintings and architectureHow the printing press led to the spread of ideasAnd so much more!
Heraldry was an important part of everyday life in early modern 16th century Germany. It defined in easily identifiable pictures who and what belonged to whom. It was used by towns and families alike to mark property, identify members of the family and staff, and served as a rallying point for patriotic identity. However, it was not always easy for the ordinary person to keep track of which flag belonged to which town or family. During this era, many heraldry books and resources were created and published to assist in identification, such as this guide to the heraldic flags of the Holy Roman Empire. Published originally in 1545, this guide provides the modern reader with an amazing wealth of 143 full color woodcuts depicting the flags, Landsknecht military clothing and amour of the time. Amazingly, the woodcuts were painted very close to the publication date, resulting in a fantastic reference source for the wide range of colors and styles in male military clothing fashions for the 1540s. It's a must have reference book for anyone interested in mid-16th century German clothing, armor or heraldry.
The Last Supper-oft referred to as The Lord's Supper, Communion, or the Eucharist-is one of the sacraments celebrated in Christian churches as a means of communing with Jesus and as a commemoration of His death. But whether or not one is a Christian, when The Last Supper is mentioned, inevitably the iconic painting by Leonardo da Vinci springs to mind. It has become a part of our collective consciousness.Created toward the end of the 15th century, da Vince painted in the mode of the day, so while the beloved masterpiece is most certainly great art, it is not particularly good history. In fact, Leonardo got it all wrong. The question must be asked, was it intentional or did he have an ulterior motive?Conspiracy theorists point to esoteric connections hidden in the picture. Magdalene cults found Mary as one of the desciples. Musical scholars found examples of Pythagorean musical ratios. Numerologists find the painting to be a playground of numerical references. There have been reported connections between da Vinci and secret cults. And of course there is Dan Brown's wildly popular international bestselling novel, The DaVinci Code. Literally thousands of theologians have attempted to explain the Christian symbolism and truth in the picture and to name the disciples as they sit in the picture.Regardless of how beloved or revered the painting was and is, apart from its symbolic representation, it was not a true representation of the real Last Supper.
Henri de Rohan (1579-1638) war eine facettenreiche Persönlichkeit: Militärführer und Publizist. Hochadliger und Hugenotte. Loyal und oppositionell. Er stiftete Unruhen in Frankreich und ging später in Richelieus Auftrag gegen die ¿Spanish Road¿ im Veltlin vor. Sein Traktat De l¿intérêt des princes et des Etats de la chrétienté wurde für den Interessen-Diskurs wegweisend. Erstmals geht eine geschichtswissenschaftliche Studie zahlreichen Veröffentlichungen und Briefen Rohans systematisch nach. Sie arbeitet sein Denken und Handeln quellenbasiert heraus und ordnet es in all seiner Widersprüchlichkeit in den Zusammenhang des Dreißigjährigen Krieges ein. Die Wechselwirkungen von Konfessionalisierung und Staatsbildung spielen dabei die entscheidende Rolle.
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