Fænomenologi og eksistentialisme

Reformulates the notion of the ego and provides a new perspective for understanding ego development and the role of the ego in spiritual life.

The first edited collection to offer a systematic introduction to African phenomenology.

Combines phenomenology with the "enactivist" approach to consciousness theory and recent emotion research to explore the way self-motivated action plans shape selective attention, exploration, and ultimately the mind's interpretation of reality - in philosophy, psychology, cultural awareness, and our personal lives.

We are all haunted by things we fear, repress, and those things of which we have no conscious knowledge. We are thus haunted by a variety of ""ghosts"" in our lives so that, at times, we might notice those things we have ignored, and so too allow the repressed elements of our world a chance to speak more directly to us. Being honest with ourselves means listening better to what haunts us, and to wrestle with our own ghosts, as humans have often claimed throughout history to wrestle with God. Recognizing how we are ceaselessly haunted by that which threatens to undo our representations of ourselves is what draws together a series of reflections in this book on how we will never be able to rid ourselves of such hauntings. By examining a series of ""hauntings,"" this study looks at what continues to haunt the field of continental philosophy, the various things that haunt our sovereign construction of ourselves, the church, our words and language in general, and even how our texts are endlessly haunted by the autobiographical ""I"" we are often taught to exclude from our writings.

This book connects recent developments in speculative realism, new materialism, and eco-phenomenology to articulate an approach to wonder that escapes the connected traps of anthropocentrism and correlationism. Brian Onishi argues that wonder has explanatory power for the constitution of the world and the organization of meaning. To do this, he appeals to both fiction (speculative and Weird fiction in particular) and quantum physics. More specifically, he argues that the focus of Weird fiction on impossible experiences and a feeling of something just beyond the limits of one¿s grasp dramatizes the speculative reach beyond the limits of our understanding. But more than a tool for knowledge acquisition, wonder is an organizing property of objects. Like the collapse of superposition in quantum physics, reality is constituted when objects reveal themselves to other objects and thereby organize themselves into complex objects. Since no relation is exhaustive, the capacity to wonder remains at a material level, and the possibility of reorganization is ever present. Ultimately, Onishi argues for a speculative eco-phenomenology with wonder as an engine for a Weird environmental ethics.

In The Contemplative Self after Michel Henry: A Phenomenological Theology, Joseph Rivera provides a close and critical reconstruction of the philosophical anthropology of Michel Henry (1922-2002) while also addressing the question of how theology contributes to Henry's phenomenology. In conversation with other French figures such as Derrida, Marion, Lacoste, and Barbaras, Rivera undertakes a global thematic study of Henry's work. He shows how, for Henry, the theological debate is shifted onto a phenomenological problem, with a coincident will to pursue the epistemological efforts of Husserl and Heidegger.The chapters tackle some of the most pressing debates in contemporary Continental philosophy, such as the "e;modern ego,"e; the nature and experience of temporality, and the constitution of the body and otherness, and how a theological discourse may illumine those anthropological structures. The book expands on the modern narrative of the self from Descartes to Nietzsche, opens up the particular lines of inquiry Henry advances in dialogue with those figures and phenomenology in particular, and highlights the surprising theological turns in Henry's late work on Christianity.Because Henry's work is difficult, it is often misunderstood; Rivera's own vision of the self, one that is shaped by Henry but not in full agreement with him, advances insights internal to Henry but also brings into sharp focus many problematic points in Henry's phenomenological theology. An array of classical theological voices appear in the final chapters, such as St. Augustine, Tertullian, Irenaeus, Pseudo-Dionysius, and Gregory of Nyssa, all of whom are set in dialogue with Henry. A fresh and creative articulation of contemplation and selfhood, the volume is a valuable addition to the continuing conversation that seeks to build bridges between phenomenology and theology.

This volume contains for the first time in English, Jan Patökäs seminal essay ¿The Phenomenology of Afterlife¿, as well as contributions surrounding and analyzing this text. In his essay, Patöka reflects on our relation to the dead and on how the departure of a loved one affects our continued existence. The premise of Patökäs investigation is that our existence always takes place by and through an originary and reciprocal ¿being for others¿.The contributors in the volume extend the field of inquiry into the wider phenomenological and post-phenomenological discussion of death by being cognizant of how works of literature can broaden our understanding of the care of death, grief, forgiveness and non-reciprocal love. Also included are reflections on issues of philosophical anthropology, community, collective memory, and the ecstatic nature of life ¿ issues that can all be related back to Patökäs initial reflections, but which nonetheless radiate intoa myriad of directions. This volume appeals to students and researchers in the field.

Revisits Julia Kristeva's magnum opus on the fiftieth anniversary of its original publication to open up new paths of interdisciplinary inquiry.

Argues that humans are animals that philosophize about their condition by fictionalizing other animals.

De foreliggende digte handler i høj grad om sprog og især om ”det sprog, som hænder, der møder hænder, har i behold”. Flere steder refereres der – med afstandtagen – fra filosoffen Wittgensteins kendte tese, ”at grænserne for mit sprog er grænserne for min verden”. Hermed tænker forfatteren bestemt ikke på noget metafysisk, men snarere på noget eksistentielt. Hensigten med digtene er primært at gøre opmærksom på menneskets konkrete, oprindelige forhold til sin historie og til naturen som alternativ til tidens overfladelige og rastløse medievirkelighed. Sideløbende hermed er der mange digte, der udtrykker en hvas samfundskritik, ikke mindst i relation til eliternes ideologi.I mange digte, måske mest i dem, der handler om natteregnen, antydes tilstedeværelsen af en anden person end den, der skriver digtet. Og måske er det netop denne tilstedeværelse af en livsledsager, som digtet handler om.

This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.

This volume investigates the intersection of phenomenology and posthumanism by rethinking the human and nonhuman specifically with regard to boredom, isolation, loneliness, and solitude.  By closely examining these concepts from phenomenological, philosophical, and literary perspectives, this diverse collection of essays offers insights into the human and nonhuman in the absence of the Other and within the postapocalyptic. Topics of interest include modalities of presence and absence with regard to body, time, beast, and things; the phenomenology of corporeity; ontopoiesis and the sublime; alienation, absurdity, and phenomenology of existence; memory, posthistoricity, posthuman nihilism, and posthumanity; speculative cosmology, cosmic holism, and consciousness; ecophenomenology; and the philosophy of the aesthetic.  These essays parse and probe distinct aspects of the posthuman condition and what it means to exist in a posthuman world, thereby furthering the vast, rich scope of phenomenological research and study.  This text appeals to students and researchers working in these topics and fields.

This book focuses on the unique philosophical relationship between Hedwig Conrad-Martius and Edith Stein. The two phenomenologists discussed and debated insights and ideas about the nature of the soul, phenomenology, personhood and individuality, animal life, nature, being, and God. This book brings together for the first time leading international scholars of phenomenology to explore the philosophical exchange between both Conrad-Martius and Stein. This is an important book for understanding the development of the phenomenological movement and key phenomenological ideas and methods. It provides a critical and comprehensive overview of the key issues that helped frame both phenomenologists' philosophical trajectories. Additionally, the ideas of Conrad-Martius and Stein are mined to address contemporary questions surrounding such topics as personal identity, animal versus human personhood, contemporary atheism, and the relationship between religion and science. The book will have great appeal to phenomenologists, philosophers, and historians of philosophy. 

One of our most influential political theorists offers a boundary-breaking—and liberating—perspective on the meaning of life in the internet age

This book analyzes the relation between the flow time and poetic speech in drama and rhetoric. It begins with the classical understanding of time as flux, and its problems and paradoxes entailing from Aristotle, Augustine, Kant and Husserl. The reader will see how these problems unfold and find resolutions through dramatic speech and rhetoric which has an essential relation to the flow of time. It covers elements in poetic speech such as affect, rhythm, metaphor, and syntax. It uses examples from classical rhetorical theories by Aristotle, Cicero, Quintilian, dramatic speeches from Shakespeare, as well as other modern dramatic texts by Chekhov, Beckett, Jelinek and Sarah Kane. This book appeals to students and academic researchers working in the philosophical fields of aesthetics and phenomenology as well those working in theater and the performing arts.

In the last decade, a great variety and volume of scholarly work has appeared on mind-wandering, a mental process involving a vast range of human life, connected with "e;first-person perspective"e; and "e;personhood"e;, submental thinking, mental autonomy, etc. While different and emerging features that flow into and out of one another (second field, mental travel, visual imagery, inner speech, unspecific memory, autobiographical memory, fantasies, introspection, etc.) and negative and positive approaches seem to describe mind-wandering, we offer an interdisciplinary theoretical and empirically informed and informative overview on mind-wandering studies and methodologies oriented toward the educational field. The aim is to transform and enrich the debate on mind-wandering but also to show how theoretical arguments and research findings could inform the teaching-learning context.This groundbreaking book, moves along three representations of developed scientific knowledge: imaginary lines, circles and spirals. The first section, "e;The Lines"e;, develops new lines of inquiry on attention (selective and sustained) and mind-wandering, the influence of age and mind-wandering, embodiment, consciousness and experience and mind-wandering. In the second section, the "e;Circles"e;, groups of Chapters on the same topic, methodology (tasks and measurement), intervention (auditory beat stimulation and mindfulness practices) and creativity, recreate a dance of interacting parts in which there are always profitable, decisive and retroactive exchanges between the information that each group or author activates. The last section, "e;The Spirals"e;, critically discusses the absence of a unified theoretical perspective, in the pedagogical field, attentive both to the processes of emergence and the interactions between parts. 

The Environmental Gaze: Reading Sartre through Guido van Helten's No Exit Murals offers an environmental reading of Sartre's theory of the gaze. Challenging the common association of his work with Western anthropocentrism, Balay argues that the Sartrean gaze involves an inter-human-natural mode of perception: the environmental gaze.

A philosophical investigation of the concept of interiority, presenting readers with its unmined aspects and senses.

This book presents both a historical overview of the absorption of Heidegger's thought into English-language philosophical schools as well as a philosophical discussion of his thought provided by contemporary scholars. The text describes the ways in which a philosophical methodology and worldview seemingly so inhospitable to Anglophone academia has managed to find an unlikely home.This volume is roughly divided into two types of contributions: discussions of Heidegger's reception in the English-speaking world, and outstanding examples of English-language Heidegger scholarship. The first type includes both historiographical accounts of the encounters between Heidegger's thought and the Anglo-American world, as well as their philosophical expositions and critiques. The second group of chapters reveal the latest contemporary scholarship by contemporary Heideggerians writing in English. It is moreover the first volume to bring together thinkers from both genealogies of Anglo-American Heideggerianism appealing to students and researchers working in both of these camps.