Filosofi: æstetik

Argues that aesthetic pleasure plays a key role in both racial practices and struggles against racistdomination For Pleasure proposes that experimental aesthetics shaped race in the twentieth-century United Statesby creating transformative scenes of pleasure. Rachel Jane Carroll explains how aesthetic pleasure isfundamental to the production and circulation of racial meaning in the United States through a study ofexperimental work by authors and artists of color. For Pleasure offers methods for reading experimental literature and art produced by racially minoritizedauthors and artists working in and around the US, including Isaac Julien, Nella Larsen, Yoko Ono, JackWhitten, Byron Kim, Glenn Ligon, Zora Neale Hurston, Theresa Hak Kyung Cha, and Cici Wu. Along theway, we learn what a racist joke has to do with the history of monochrome painting, if beauty has a partto play in social change, and whether whimsy should be taken seriously as a political affect. Carrolldraws attention to key connections between aesthetic pleasure and experimentation through theirshared capacity for world-building. Neither aesthetic pleasure nor experimental forms are liberatory inand of themselves; however, both can interrupt, defamiliarize, and rearrange our habits of aestheticjudgment.

This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.

"Black gold. Liquid sunlight. Texas tea. Oil remains the commodity of our global era. Wars are fought over it. Some communities are displaced by its extraction. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art"--

The "e;THINKING: Bioengineering of Science and Art"e; is to discuss about philosophical aspects of thinking at the context of Science and Art. External representations provide evidence that the fundamental process of thinking exists in both animal subjects and humans. However, the diversity and complexity of thinking in humans is astonishing because humans have been permitted to integrate scientific accounts into their accounts and create excellent illustrations for the effects of this integration. The book necessarily begins with the origins of human thinking and human thinking into self and others, body, and life. Multiple factors tend to modify the pattern of thinking. They all will come into play by this book that brings thinking into different disciplines: humanities, natural sciences, social sciences, formal sciences, and applied sciences. The thinking demands full processing of information, and therefore, the book considers the economy of thinking as well. The book thoroughly intends to explore thinking beyond the boundaries. Specifically, several chapters are devoted to discipline this exploration either by artistic thinking alone or by art and mathematics-aided engineering of complexities. In this manner, the book models variations on thinking at the individual and systems levels and accumulates a list of solutions, each good for specific scenarios and maximal outcomes.