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India and Indian Engineering; Three lectures delivered at the Royal Engineer Institute, Chatham, in July 1872 , a classic since it was first published. Has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
The Journal of Electricity, Power and Gas, Volume XX, No. 18, May 2, 1908 ;Devoted to the Conversion, Transmission and Distribution of Energy , a classic since it was first published. Has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
A delightful romp through the surprising subcultures of an obsolete formatThis volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square?By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.Interviewees include: Jason Scott, the founder of archive.org; Tom Persky, founder of floppydisk.com, often dubbed the "last man standing in the floppy disk business"; Florian Cramer; Jason Curtis, founder of the Museum of Obsolete Media; Adam Frankiewicz, founder of Pionierska Records; Foone Turing; Clint Basinger, creator of a YouTube channel called Lazy Game Reviews; Nick Gentry; Joerg Droege and AJ Heller, cofounders of the popular diskmag Scene World; and Bart van den Akker, founder of the Helmond Computer Museum.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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