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From Simon & Schuster, Potato Jokes is performing artist, musician, singer, and humorist, Paul McMahon's, collection of jokes about potatoes.Paul McMahon's Potato Jokes is a regular contributor to "The Muppet Magazine" skewers the spud in this tasty serving of jokes and riddles.

Cranthology is a collection of poems, cartoons, stories, excerpts, etc., chosen by the compiler, who is me, Roy Crandal. You will find dictionary poems, straight poems, arbitrary silliness, cartoons, six essays and one special Movie Matinee.

It's a unanimous decision! These pulse-pounding stories and more featuring Matt Groening's beloved first family of fun, the Simpsons, will have you rolling with the punchlines!Go the distance with the Simpson family as they join everybody's favorite moonraking megalomaniac, Hank Scorpio. for a globetrotting adventure that will not only take you around the world but into orbit around the Earth. And when the lovelorn losers of Springfield feel like throwing in the towel on romance, they pick themselves up off the mat and get an adrenaline rush by living life to the extreme! And as if Homer wasn't already a glutton for punishment, watch him discover his killer instinct as he goes toe to toe with C. Montgomery Burns!

From one calamity to the next, Bart Simpson Master of Disaster will take you over the brink of laughter again and again.Hope for the best and expect the worst, when Bart, Milhouse, and Martin pull their resources together to buy a brand-new model kit that brings them together in more ways than one. Then, Principal Skinner and Bart enter into a game of ?tag? . . . sprayed all over school property. And when Lisa gets a bump on the head, Bart tries to convince her that she has a reputation as a mischief-maker. Add in a trip to Mexico, a nuclear nightmare near-miss, Vikings, vampires, making faces, alien races, acting strange, climate change, and you have the makings of a catastrophe of monumental proportions . . . or maybe just an ordinary day in the life of Bart Simpson!

"The ... four-panel comic by Bkub Okawa, on which the hit anime is based, is filled with obscure pop culture references (including walk-ons by characters from other series) and tongue-in-cheek and in-your-face quips and snipes, as well as inappropriate physical violence" --

A seasoned cartoonist of epic proportions, Brandon-Croft carves out space for Black women's perspectives in her nationally syndicated stripFew Black cartoonists have entered national syndication, and before Barbara Brandon-Croft, none of them were women. From 1989 to 2005, she brought Black women's perspectives to an international audience with her trailblazing comic strip Where I'm Coming From.From diets to day care to debt to dreaded encounters with everyday racism, no issue is off-limits. This remarkable and unapologetically funny career retrospective holds a mirror up to the ways society has changed and all the ways it hasn't. The magic in Where I'm Coming From is its ability to present an honest image of Black life without sacrificing Black joy, bolstered by unexpected one-liners eliciting much-needed laughter. As the daughter of the mid-century cartoonist Brumsic Brandon Jr.-the creator of Luther, the second nationally syndicated strip to feature a Black lead-Brandon-Croft learned from the best. With supplementary writing by the author and her peers alongside throwback ephemera, this long-overdue collection situates Brandon-Croft as an inimitable cartoonist, humorist, and social commentator, securing her place in the comics canon and allowing her work to inspire new readers at a time when it is most needed.

When the emperor wore plaid and people still hung phones on walls, Brad Yung's weekly comic strip Stay as you are. was a beacon to the slacker generation that bathed in irony and rejected everything else.A true underground underdog, the strip appeared in photocopied zines, alternative weeklies, small-town newspapers, and a few national magazines. Too savage, too biting, its targets too spread out and numerous to mention, the strip knew it was never going to achieve mainstream success and didn't care.The Complete Stay as you are. honours these remnants of a simpler, yet more complicated time. A review once called Yung the world's first meta-ironist - if that's true, he should probably apologize. But he won't.

"Calvin, the six-year-old dirty tricksmeister and master of indignation and his warm, cuddly philosopher sidekick Hobbes, a tiger whose idea of adventure is to lie on his back by the fire and have his stomach rubbed--captured the hearts, the minds, and, most of all, the funny bones of America."--Publisher's description.

Simpsons Comics Colossal CompendiumVolume ThreeStart off with a little ring-a-ding-ding from the new "King of Cool" Professor Frink, some harmless daydreaming from Bart's pal Milhouse, some bedtime nursery rhyming with Maggie Simpson, and a bit of back-in-the-day reminiscing from Mr. Burns. Even a tyke-sized Homer tries his hand at some magical wishing, and Ralph Wiggum does a little role modeling. Then, Sideshow Bob goes slumming to exact his revenge, Bart sets about reinvigorating his favorite superhero comic magazine, and Homer thinks he's seeing double when he discovers another brother from yet another mother. And for your convenience, quickly cut and fold your very own Kwik-E-Mart!*Thank you, come again!* Squishee machine not included.

Each week The New Yorker receives more than five hundred submissions from its regular cartoonists, who are all vying for one of the twenty coveted spots in the magazine. So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. The Rejection Collection Vol. 2: The Cream of the Crap is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to The Rejection Collection offers even deeper insight into the exercise in frustration, patience, and amusement that is being a New Yorker cartoonist. Warped, wicked, and wildly funny, The Rejection Collection Vol. 2 will appeal to every New Yorker fan -- and everyone with a taste for the absurd.

Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection, a place where good ideas go when they die. Too risqu, silly, or weird for The New Yorker, the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker...and to anyone with a slightly sick sense of humor.

Rabbits. We'll never quite know why, but sometimes they decide they've just had enough of this world. A Box of Bunny Suicides follows over two hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's light saber to hiding under an elephant's footstool, no stone goes unturned (or undropped, or uncatapulted) as these twisted little cuties sign off in style.A Box of Bunny Suicides combines Andy Riley's two cult favorite books, The Book of Bunny Suicides and The Return of the Bunny Suicides, and will appeal to anyone intouch with their darker side.

a modern ballet where lovers are ground to hamburger wives are turned into chairs TV sets eat people flowers grow from children's heads God is uncovered -- and re-covered and men are hung by the instrument of their desireStartling, irreverent and provocative, the incomparable creator of poems and fables for children turns his eye and pen upon the social calamities and absurdities of the adult world.

A new collection of cartoons based on the popular syndicated series features thirteen new cartoons along with more than 140 cartoons that have never appeared in book form.