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Charmer - Jack Olsen - Bog

- A Ladies Man and His Victims

Bag om Charmer

This is the story of George, an African American who grew up in a Caucasian suburb of Seattle, where his unaffectionate mother and racial isolation led him to develop an effervescent personality in order to get along. He became a small-time burglar and an accomplished liar--a wisecracking "smoothy" who pretended to be an undercover detective. George made lots of friends, especially within a subculture of giggly young white women who partied endlessly in upscale Seattle clubs during 1989-90. And he murdered three of them, bizarrely mutilating and "staging" their bodies. The drinks, dancing, and deejays--the group pad where George lived with an adoring coterie of feckless college kids--Olsen gives us the quirky details that make the murderer's well-hidden rage and misogyny all the more shocking. As the New York Times wrote, "Like fine cinema verité, [Charmer] mesmerizes us with the sense of watching real life, unaugmented, move before our eyes."

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781091400757
  • Indbinding:
  • Paperback
  • Sideantal:
  • 330
  • Udgivet:
  • 25. marts 2019
  • Størrelse:
  • 152x229x19 mm.
  • Vægt:
  • 485 g.
  • 8-11 hverdage.
  • 16. januar 2025
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Beskrivelse af Charmer

This is the story of George, an African American who grew up in a Caucasian suburb of Seattle, where his unaffectionate mother and racial isolation led him to develop an effervescent personality in order to get along. He became a small-time burglar and an accomplished liar--a wisecracking "smoothy" who pretended to be an undercover detective. George made lots of friends, especially within a subculture of giggly young white women who partied endlessly in upscale Seattle clubs during 1989-90. And he murdered three of them, bizarrely mutilating and "staging" their bodies. The drinks, dancing, and deejays--the group pad where George lived with an adoring coterie of feckless college kids--Olsen gives us the quirky details that make the murderer's well-hidden rage and misogyny all the more shocking. As the New York Times wrote, "Like fine cinema verité, [Charmer] mesmerizes us with the sense of watching real life, unaugmented, move before our eyes."

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