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Cloud Nine - Caryl Churchill - Bog

Bag om Cloud Nine

Comedy / Casting: 4m, 3f w/doubling / Scenery: 2 exteriorsThis time-shifting comedy by the author of Top Girls created a sensation with its Off Broadway premiere, directed by Tommy Tune. A hilarious and scathing parody of colonialism and the Victorian Empire, particularly in its rigid attitude toward sex, Cloud 9 explodes conventions and challenges its audience with humor and wit.There is Clive, a British functionary; his wife Betty (played by a man); their daughter Victoria (a rag doll); Clive's friend Harry, an explorer; Mrs. Saunders, who runs about dressed in a riding habit; Clive's son Edward, who still plays with dolls (and is played by a woman); and Joshua, an African servant who knows exactly what is really going on. What really is going on is a marvelous sendup and a non-stop round-robin of sexual liaisons. The second act shifts to London in 1980. Though a century has passed, the surviving characters have only aged twenty-five years. Now played by different actors, those repressed sexual longings have evaporated along with the Empire.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780573618741
  • Indbinding:
  • Paperback
  • Sideantal:
  • 112
  • Udgivet:
  • 14. September 2010
  • Størrelse:
  • 127x10x201 mm.
  • Vægt:
  • 126 g.
  • 8-11 hverdage.
  • 16. Oktober 2024
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Prøv i 30 dage for 45 kr.
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Beskrivelse af Cloud Nine

Comedy / Casting: 4m, 3f w/doubling / Scenery: 2 exteriorsThis time-shifting comedy by the author of Top Girls created a sensation with its Off Broadway premiere, directed by Tommy Tune. A hilarious and scathing parody of colonialism and the Victorian Empire, particularly in its rigid attitude toward sex, Cloud 9 explodes conventions and challenges its audience with humor and wit.There is Clive, a British functionary; his wife Betty (played by a man); their daughter Victoria (a rag doll); Clive's friend Harry, an explorer; Mrs. Saunders, who runs about dressed in a riding habit; Clive's son Edward, who still plays with dolls (and is played by a woman); and Joshua, an African servant who knows exactly what is really going on. What really is going on is a marvelous sendup and a non-stop round-robin of sexual liaisons. The second act shifts to London in 1980. Though a century has passed, the surviving characters have only aged twenty-five years. Now played by different actors, those repressed sexual longings have evaporated along with the Empire.

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