Bøger af Adam Phillips

Missing Out is a meditation on reality and opportunity by Adam Phillips.We all have two lives - the life we live and the life of our fantasies. But it is the life unlived - the person we have failed to be - that can trouble and even haunt us. In Missing Out acclaimed psychoanalyst Adam Phillips delves into the gap between who we are and who we are not, to discover whether not getting what we want may be the unlikely key to the fully lived life.Praise for Adam Phillips:'"e;Phillipsian"e; would evoke a vivid, paradoxical style that led you to think that you had picked up an idea by the head, only to find you were holding it by the tail' Lisa Appignanesi, Guardian'He's brilliant' John Carey'Phillips radiates infectious charm' Sunday TimesAdam Phillips is a psychoanalyst and the author of several previous books, all widely acclaimed, including On Kissing, Tickling and Being Bored, Going Sane and Side Effects. His most recent book is On Kindness, which was co-written with historian Barbara Taylor.

To talk about getting better - about wanting to change in ways that we might choose and prefer - is to talk about pursuing the life we want; in the full knowledge that our pictures of the life we want, of our version of a good life, come from or come out of what we have already experienced. (We write the sentences we write because of the sentences we have read.)How can we talk differently about how we might want to change, knowing that all change precipitates us into an uncertain future?In this companion book to On Wanting to Change, Adam Phillips explores how we might get better at talking about what it is to get better.

In this collection of psychoanalytic essays on a wide range of relatively unexplored subjects, the author evolves his own distinctive version of psychoanalysis as part of a wider cultural conversation. The essays combine literary and philosophical commentary with clinical vignettes.

Volumes have been dedicated to madness, but sanity is rarely mentioned. We can define the mad, but how do we classify the sane? In Going Sane, psychoanalyst and writer Adam Phillips delves deep into history, philosophy, literature and his own experiences to address questions that we rarely ask about ourselves, taking us on an engrossing journey in which we learn many things - including some of what it takes to be happy in the modern world.

A selection of the most popular and relevant essays from Adam Phillips, the man New Yorker called 'Britain's foremost psychoanalytic writer''Phillips's prose is poetic in the best sense: it is muscular, resonant, and thrums with a dark music that is all its own' John BanvilleIn the twenty essays gathered here, ranging across his entire oeuvre, psychoanalyst Adam Phillips offers a vivid introduction to his discipline as well as his own unique thinking. Investigating subjects as diverse as desire, family, happiness, tickling, forgetting and even boredom, Phillips proves himself to be not only one of our most engaging writers but also a fascinating and provocative guide to our obsessions as human beings.

"A new book from the acclaimed psychoanalytic writer Adam Phillips on giving up to feel more alive"--

From acclaimed psychoanalyst Adam Phillips, a meditation on what we must give up to feel more alive.To give up or not to give up?The question can feel inescapable but the answer is never simple.Giving up our supposed vices is one thing; giving up on life itself is quite another. One form of self-sacrifice feels positive, something to admire and aspire to, while the other is profoundly unsettling, if not actively undesirable.There are always, it turns out, both good and bad sacrifices, but it is not always clear beforehand which is which. We give something up because we believe we can no longer go on as we are. In this sense, giving up is a critical moment - an attempt to make a different future.In On Giving Up, acclaimed psychoanalyst Adam Phillips illuminates both the gaps and the connections between the many ways of giving up, and helps us to address the central question: what must we give up in order to feel more alive?'One of the finest prose stylists in the language, an Emerson of our time' John Banville'The best living essayist writing in English' John Gray

AN AMBITIOUS BOOK THAT EXPLORES THE PHILOSOPHICAL, PSYCHOLOGICAL, AND SOCIAL DYNAMICS THAT GOVERN HUMAN DESIRE AND SHAPE OUR EVERYDAY REALITYA great deal has been written, by psychoanalysts and many others, about the pleasures that are forbidden to us. But what of the pleasures that are unforbidden and freely available to all?Using Oscar Wilde as a springboard, Phillips takes a deep dive into the function of taboo in society, beginning with the fall of our "first parents," Adam and Eve, and progressing through the work of the great psychoanalytic thinkers. Forbidden pleasures, he argues, are the ones we tend to think about, yet when we look into it, we may get as much gratification, if not more, from unforbidden pleasures-those things that are easy to attain and socially sanctioned. And we may have underestimated just how restricted our restiveness, in thrall to the forbidden and its rules, makes us.

From the leading psychoanalyst Adam Phillips comes Missing Out, a transformative book about the lives we wish we had and what they can teach us about who we are All of us lead two parallel lives: the one we are actively living, and the one we feel we should have had or might yet have. As hard as we try to exist in the moment, the unlived life is an inescapable presence, a shadow at our heels. And this itself can become the story of our lives: an elegy to unmet needs and sacrificed desires. We become haunted by the myth of our own potential, of what we have in ourselves to be or to do. And this can make of our lives a perpetual falling-short. But what happens if we remove the idea of failure from the equation? With his flair for graceful paradox, the acclaimed psychoanalyst Adam Phillips suggests that if we accept frustration as a way of outlining what we really want, satisfaction suddenly becomes possible. To crave a life without frustration is to crave a life without the potential to identify and accomplish our desires. In this elegant, compassionate, and absorbing book, Phillips draws deeply on his own clinical experience as well as on the works of Shakespeare and Freud, of D. W. Winnicott and William James, to suggest that frustration, not getting it, and and getting away with it are all chapters in our unlived lives-and may be essential to the one fully lived.

Clear, engaging text allows kids to learn facts in an accessible and entertaining way.

Every day, we are told that balance is a good thing. We are supposed to make balanced judgments, balance our budget, and preserve a balance of power in our government. Disturbed people are described as unbalanced. In this insightful, charming book, the philosopher and psychoanalyst Adam Phillips looks afresh at balance (and its shadow, excess) and asks if achieving the former is such an admirable goal. From this perspective, Phillips examines the explosive topics of money, sex, parenthood, faith, and education. In his exhilarating and casually brilliant explorations of case studies, fairy tales, works of art, and literature, the paradoxes inherent in our appetites and fears are revealed.

Being sane has long been defined simply as that bland and nebulous state of not being mentally ill. While writings on madness fill entire libraries, until now no one has thought to engage exclusively with the idea of sanity.In a society governed by indulgence and excess, madness is the state of mind we identify with most keenly. Though ultimately destructive, it is often credited as the wellspring of genius, individuality, and self-expression. Sanity, on the other hand, confounds us. One of the world's most respected psychoanalysts and original thinkers, Adam Phillips redresses this historical imbalance. He strips our lives back to essentials, focusing on how we--as human beings, parents, lovers, as people to whom work matters--can make space for a sane and well-balanced attitude to living. In a world saturated by tales of dysfunction and suffering, he offers a way forward that is as down-to-earth and realistic as it is uplifting and hopeful.

If you are disturbed by the idea that to grow up is to learn to live with disillusionment, if you are fascinated by the perplexity of child-rearing, or if you fear you were more creative as a child, The Beast in the Nursery offers an illuminating and possibly life-changing experience. In four interrelated essays, Adam Phillips arrives at startling new insights into issues that preoccupied Freud, showing in the process that far from having lost its relevance, psychoanalysis is still one of our most incisive tools for the exploration of the human psyche and its possibilities. Phillips transforms the genre of the essay into an instrument for intellectual investigation of the most absorbing kind.

Although he founded no school of his own, 0. W. Winnicott (1896 1971) is now regarded as one of the most influential contributors to psychoanalysis since Freud. In over forty years of clinical practice, he brought unprecedented skill and intuition to the psychoanalysis of children. This critical new work by Adam Phillips presents the best short introduction to the thought and practice of D. W. Winnicott that is currently available.Winnicott's work was devoted to the recognition and description of the good mother and the use of the mother-infant relationship as the model of psychoanalytic treatment, His belief in natural development became a covert critique of overinterpretative methods of psychoanalysis. He combined his idiosyncratic approach to psychoanalysis with a willingness to make his work available to nonspecialist audiences. In this book Winnicott takes his place with Melanie K'ein and Jacques Lacan as one of the great innovators within the psychoanalytic tradition.

This book presents a day long symposium with Adam Phillips and includes two brilliant essays that reveal what is at the heart of psychoanalysis.

Sex is often the closest they can get.' All the present controversies about the family are really discussions about monogamy. Monogamy is so much taken for granted as the foundation of the family and of family values that, as with anything that seems essential, we are very wary of being critical of it.

Has psychoanalysis failed to keep its promise? What are psychoanalysis and literature good for? And what, if anything, have they got to do with each other? Promises, Promises is a delightful new collection of essays which sets out to make and break the links between psychoanalysis and literature. It confirms Adam Phillips as a virtuoso performer able to reach far beyond the borders of psychoanalytic discourse into art, drama, poetry and history. This collection gives us insights into anorexia and cloning, the work of Tom Stoppard and A.E. Housman, the effect of the Blitz on Londoners, Nijinsky's diary and Martin Amis's Night Train, and provides a case history of clutter. In a final essay, the author turns to the question - why sign up for analysis when you could read a book?Promoting everywhere a refreshing version of a psychoanalysis that is more committed to happiness and inspiration than to self-knowledge or some absolute truth, Promises, Promises reaffirms Adam Phillips as a writer whose work, in the words of one reviewer, 'hovers in a strange and haunting borderland between rigour and delight.'

Adam Phillips uses the idea of flirtation to explore the virtues of being uncommitted - to people, to ideas, to methods - and the pleasures of uncertainty. These buoyant essays promote a psychoanalysis with a light touch, a psychoanalysis for pleasure and curiosity.'In On Flirtation, he has again deployed all his erudition and perception to beguiling effect . . . Adam Phillips may well be one of our greatest contemporary psychoanalytic thinkers.' Independent on Sunday

Becoming Freud is the story of the young Freud-Freud up until the age of fifty-that incorporates all of Freud's many misgivings about the art of biography. Freud invented a psychological treatment that involved the telling and revising of life stories, but he was himself skeptical of the writing of such stories. In this biography, Adam Phillips, whom the New Yorker calls "e;Britain's foremost psychoanalytical writer,"e; emphasizes the largely and inevitably undocumented story of Freud's earliest years as the oldest-and favored-son of Jewish immigrants from Eastern Europe and suggests that the psychoanalysis Freud invented was, among many other things, a psychology of the immigrant-increasingly, of course, everybody's status in the modern world. Psychoanalysis was also Freud's way of coming to terms with the fate of the Jews in Europe in the late nineteenth and early twentieth centuries. So as well as incorporating the writings of Freud and his contemporaries, Becoming Freud also uses the work of historians of the Jews in Europe in this significant period in their lives, a period of unprecedented political freedom and mounting persecution. Phillips concludes by speculating what psychoanalysis might have become if Freud had died in 1906, before the emergence of a psychoanalytic movement over which he had to preside.