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Was Shakespeare gay? Is the merchant of Venice anti-Semitic? How does mainstream reading differ from that of subcultural groups? This book challenges the assumptions of English literature and investigates the principles and practices that may inform lesbian and gay reading.
Focuses on writing in early-modern England. This work shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.
He situates the volume in its original contexts, assesses the fate of queer theory and renews his call for an 'Englit' that confidently incorporates ongoing study of the cultures of ethnicity, gender and sexuality.
It is widely supposed that the most suitable partner will be someone very much like oneself; gay fiction and cinema are often organized around this assumption. Nonetheless, power differentials are remarkably persistent-as well as sexy. What are the personal and political implications of this insight?Sinfield argues that hierarchies in interpersonal relations are continuous with the main power differentials of our social and political life (gender, class, age, and race); therefore it is not surprising that they govern our psychic lives. Recent writing enables an exploration of their positive potential, especially in fantasy, as well as their danger.On Sexuality and Power focuses on the writing of the last thirty years, revisiting also Whitman, Wilde, Mann, Forster, and Genet, and reassessing the very idea of a gay canon.
A new collection of recent essays by the most important scholars, critics and theorists of today, with a lively and accessible introduction by Alan Sinfield. This New Casebook is full of exciting ideas about Macbeth and is a convenient way to assess recent critical developments through the work of the best current commentators on Shakespeare.
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