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A growing field of English-language giallo studies has focused on aspects of production, distribution and reception. This volume explores an overlooked yet prevalent element in some of the best known gialli - an obsession with art and artists in creative production, with a particular focus on painting.
As the first critical book on the subject of masks in horror, this book explores the often-overlooked question of why have masks been such an enduring and popular aspect of the genre's history? Masks in Horror Cinema considers how masks, ritual and transformation intersect in horror movies.
Despite its association with the broadly disparaged rape-revenge category, Abel Ferrara's Ms. 45 is today considered one of the most significant feminist cult films of the 1980s. Straddling mainstream, arthouse, and exploitation film contexts, Ms. 45 is a potent case study for cult film analysis. At its heart lies two figures: Ferrara himself, and the movie's star, the iconic Zoe Lund, who would further collaborate with Ferrara on later projects such as Bad Lieutenant. This book explores the entwining histories and contexts that led to Ms. 45's creation and helped establish its enduring legacy, particularly in terms of feminist cult film fandom, and the film's status as one of the most important, influential, and powerful rape-revenge films ever made.
Considers the complex ways that Sergio Argento weaves together light, sound, and cinema history to construct one of the most breathtaking horror movies of all time, a film as fascinating as it is ultimately unfathomable.
As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets, allowing both major studios and independent productions to participate in the popular phenomenon. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development.
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