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This volume is a carefully curated selection of recently published academic research, critical essays, translations, and interviews on Pakistani cinema. Indispensable for film enthusiasts, students, and scholars of cinema in Pakistan and beyond, it brings cutting edge works previously trapped behind paywalls together with neglected writings by figures such as Manto, Faiz Ahmed Faiz, and Muhammad Hasan Askari. Certain to become a classic in the burgeoning field ofSouth Asian film and media studies, its scope encompasses past and present complexities of filmmaking, distribution, and cinephilia in a country whose rich cinematic heritage is just beginning to be appreciated.
Explores the phenomena of migration, human smuggling and illegal work, in order to develop an account of international migration, linking it with irrational, risky economic behaviour and male sexual desire.
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