Bøger af Andrew Bennett

This book offers a new introduction to Katherine Mansfield's short stories focusing on the question of the connection between life and writing in her work. This book offers a new introduction to Katherine Mansfield's short stories informed by recent biographical, critical and editorial work on her life and on her stories, letters and notebooks. The study focuses on the question of the connection between life and writing in Mansfield's work: it explores her engagements with issues of personal identity and elaborates her theory and practice of a poetics of impersonation whereby the identity of the author is merged with those of her characters. Bennett argues that Mansfield's multiple and unstable identities and identifications are bound up with issues of colonialism, nationality, gender, and sexuality, and that they may be said to be embedded within the very texture of her prose. Mansfield's impersonations, in their engagement with a 'queer' aesthetics, with strangeness and surprise, with hatred, with an unsettling of personal identity and with the uncertainties of national and sexual identification, constitute the risk and the achievement of Katherine Mansfield's writing.

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The volume offers a wide-ranging and accessible guide to the work of one of the most highly respected and well-loved novelists writing today. The volume collects essays on a range of topics by leading Ishiguro scholars and exciting emerging voices in Ishiguro criticism.

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Have you ever had that 'wow' moment? That moment of self-discovery? Do you remember how you responded when you got that one piece of information that just blew your mind? Or what about that timely word that literally changed your life and you just had to share it. That is exactly how I feel about the subject of this book, Water Baptism. As a certified church boy from birth, I had assumed that I knew about everything the church had to offer. I felt this way for much of my adult life. That's when God orchestrated things so that I would be introduced to a truth that would change my entire life. Since 1998 I have been on a journey of searching and seeking out the truth concerning baptism. This book details that journey and the truths that I have discovered along the way. This book can be divided into two parts. the first part details the events and steps that lead to both my study and discovery of baptismal truths. The second portion discusses the Biblical truths that I have found from that journey, providing scriptural evidence. It is my prayer that by the end of this book you too will know the truth about the water.

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Katherine Mansfield provides a new introduction to the author's short stories and is informed by recent biographical, critical and editorial work on her life and on her stories, letters and notebooks.

This book engages with literary, philosophical, historical and sociological perspectives on suicide, while also engaging with medical humanities and offering detailed analyses of key literary texts from the long twentieth century. It is aimed at a wide audience of literary academics and students of literature and cultural studies.

Andrew Bennett challenges the popular conception of Wordsworth as a writer who didn't so much write poetry as compose it aloud or in his head. This sustained attention to the question of writing in Wordsworth produces compelling readings of the major poems.

This original study offers clear but conceptually sophisticated readings of Keats's major poems, informed by contemporary literary theory. The book focuses on the relationship between narrative in Keats's poetry and its audience and readers, while also developing a theory of reading for Romantic poetry more generally.

What is an 'author'? This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture.

This work covers the relationship between popular music and youth culture. Reviewing existing literature, it goes on to make illustrative use of studies of dance music, rap, bhangra and rock to examine how these musical styles become part of daily life in different urban settings.

An excellent theoretical work that investigates ignorance in literature.

This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.

Why did the Soviet Union use less force to preserve the Soviet empire from 1989 to 1991 than it had used in distant and impoverished Angola in 1975? This book examines how actors' preferences and causal conceptions change as they learn from their experiences.