Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Sonnets On Anglo-Saxon History is a book of poetry written by Ann Hawkshaw and originally published in 1854. The book contains a series of sonnets, which are a type of poem consisting of 14 lines and a strict rhyme scheme, that explore various events and figures from Anglo-Saxon history.The sonnets cover a wide range of topics, including battles, kings and queens, and religious figures. Some of the notable figures featured in the book include Alfred the Great, who is credited with unifying England and defeating the Vikings, and Ethelred the Unready, who is known for his ineffective rule during a time of Viking invasions.Hawkshaw's poetry reflects her interest in history and her admiration for the Anglo-Saxon period. Her writing style is characterized by its lyrical quality and use of vivid imagery to bring the historical events to life.Overall, Sonnets On Anglo-Saxon History is a unique and engaging exploration of a fascinating period in British history, and a testament to the enduring appeal of poetry as a means of storytelling.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Collected Works of Ann Hawkshaw brings together Hawkshaws four volumes of poetry and republishes them together for the first time. Some two hundred years after her birth into a large family of Dissenters in the West Riding of Yorkshire, the publication of The Collected Works reflects the growing interest in Hawkshaws poetry and life. As the span of three decades between the first and last examples of Hawkshaws writing suggests, her poetry offers an exceptional insight into the changing political and religious landscape of the mid-nineteenth century. The themes of death, religion, science, history and nation that run through Hawkshaws poetry demonstrate her capacity for extended critical thought, as she engages with subjects at the heart of nineteenth-century cultural and religious debates whilst challenging the work of established scholars and writers.Writing in a strong, independent and perceptive voice, Hawkshaw makes a valuable contribution to the Manchester poetic revival of 1830s and 1840s, and to political debates over abolitionism and the Poor Law Amendment. Her defence of natural theology in light of scientific progress and her skilful use of the sonnet sequence to engage with nineteenth-century historiographies of the Anglo-Saxon period are also notable. Elsewhere, Hawkshaw draws on her experience as a mother to write tender and poignant elegies on childhood death, addressing several poems to her own children and grandchild.As well as providing a biography of Hawkshaw, who was married to the leading Victorian engineer Sir John Hawkshaw and related by marriage to the Darwin-Wedgwood family, the editors introduction and notes draw attention to several of Hawkshaws most significant poems and their critical reception, making connections between her poetry and the work of Felicia Hemans, Elizabeth Barrett Browning, Wordsworth, Gaskell and Pater.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.