Bøger af Anton Pavlovich Chekhov

Russian Silhouettes: More Stories of Russian Life, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable book falls within the genres of Language and Literatures, Slavic (including Russian), Languages and Literature

In this collection of stories by Anton Pavlovich Chekhov, masterfully translated by R. E. C. Long, readers are invited to explore the rich tapestry of human existence.Chekhov's storytelling prowess shines as he weaves tales of love, longing, and the relentless pursuit of happiness set against the backdrop of late 19th-century Russia. His characters are beautifully nuanced, each grappling with the joys and sorrows that define life.What sets Chekhov apart is his exceptional empathy for his characters. Whether they are common individuals or those with unique circumstances, Chekhov treats them with a rare depth of understanding and compassion. His prose, deceptively simple on the surface, conceals layers of complexity and keen observation, drawing readers into the lives and minds of his characters with an intimacy that is unmatched in literature.The Black Monk and Other Stories is a literary masterpiece that continues to captivate and resonate with audiences across generations. It offers a profound exploration of the human condition, revealing universal truths that connect us all. In this collection, Chekhov's enduring storytelling power invites readers to contemplate the profound complexities of existence.

A collection of letters written by the famous Russian writer Anton Chekhov and his sister Maria. These intimate and revealing letters offer a fascinating glimpse into the daily life and creative process of one of the world's greatest literary geniuses.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This extraordinary collection of short stories by the great Russian master of the form offers a panoramic view of humanity in all its joys and sorrows, triumphs and tragedies. With remarkable insight into the human heart, a deep understanding of social and psychological issues, and a unique literary style, Chekhov is a must-read for lovers of great literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of letters and essays by Anton Chekhov offers insight into his life, career, and creative process. It includes correspondence with family, friends, and other writers, as well as literary criticism and reflections on the craft of writing.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Wife and Other Stories" by Anton Pavlovich Chekhov is a fascinating series that immerses readers inside the intricacies of human relationships, providing a poignant exploration of affection, loss, and the complexities of the human revel in. As a grasp of the fast story shape, Chekhov skillfully weaves tales that resonate with popular topics whilst taking pictures the nuances of overdue nineteenth-century Russian society. The identify tale, "The Wife," delves into the emotional intricacies of marital existence, examining the sensitive stability among intimacy and estrangement. Chekhov's characters navigate the complexities of love, jealousy, and longing, offering a nuanced portrayal of the human heart. Other testimonies inside the collection, which includes "A Lady's Story" and "The Darling," further showcase Chekhov's keen insight into the human circumstance. Through bright characters and wealthy storytelling, he explores the depths of human emotion and the effect of societal expectations on man or woman lives. Chekhov's prose is marked by its simplicity and depth, permitting readers to connect with the characters on a profound degree. "The Wife and Other Stories" stands as a undying testomony to Chekhov's literary prowess, providing a glimpse into the widely wide-spread truths that define the human revel in, transcending cultural and temporal boundaries.

"Ivanov" is a tragic play written by means of the distinguished Russian creator Anton Pavlovich Chekhov. The story revolves around the character Nikolai Ivanov, an as soon as-outstanding gentleman now grappling with private and societal challenges. Set against the backdrop of a rural Russian property, the play explores themes of disillusionment, love, and the human psyche. Nikolai Ivanov, confused by using financial issues and the decline of his social standing, becomes entangled in a complex web of relationships. His marriage to the consumptive Anna Petrovna is strained, and he reveals himself interested in other women, specially Sasha, a younger and positive neighbor. As Ivanov navigates his internal conflicts and societal pressures, the play delves into the intricacies of the human condition. Chekhov's "Ivanov" is famend for its mental depth, practical portrayal of characters, and poignant exploration of existential topics. The creator masterfully weaves humor into the narrative, creating a tragicomic environment that reflects the complexities of life. Through Ivanov's struggles and interactions with a solid of numerous characters, Chekhov gives a poignant remark on societal norms, moral dilemmas, and the pursuit of happiness.

"The Party and Other Stories" by Anton Pavlovich Chekhov is a fascinating collection that showcases the Russian literary massive's unheard of mastery of the quick story genre. With eager commentary and a profound expertise of human nature, Chekhov weaves a tapestry of testimonies that provide a poignant and often satirical statement at the complexities of life in overdue nineteenth-century Russia. The title story, "The Party," delves into the nuances of social gatherings, exposing the idiosyncrasies and contradictions inherent in human interactions. Chekhov's characters navigate the social material with humor, revealing the intricacies in their desires, objectives, and vulnerabilities. Other memories in the collection, inclusive of "The Complaints Book" and "The Man in a Shell," discover topics of human folly, the absurdity of forms, and the outcomes of emotional detachment. Chekhov's narratives are marked by using a delicate stability of wit and despair, capturing the essence of the human experience. "The Party and Other Stories" is a literary triumph that transcends cultural and temporal boundaries. Chekhov's exploration of the human condition, coupled together with his tremendous prose, leaves an indelible mark on readers. As a timeless series, it remains a testomony to Chekhov's enduring legacy as a master storyteller and a keen observer of the human soul.

"The Witch and Other Stories" by using Anton Pavlovich Chekhov is a literary collection that showcases the profound mastery of the quick tale form through the famend Russian writer. With an eager eye for human nature and an exceptional capability to capture the nuances of ordinary lifestyles, Chekhov provides a series of memories that are as poignant as they may be insightful. The name story, "The Witch," explores the superstitions and fears embedded in a small provincial town, providing a nuanced commentary on societal beliefs and the consequences of irrationality. Chekhov's exploration of human psychology is evident in every narrative, whether or not or not it's the tragicomic struggles of normal human beings or the diffused complexities of interpersonal relationships. Chekhov's memories are a testament to his literary genius, characterised by using a delicate blend of humor, irony, and a deep knowledge of the human situation. Through bright characters and evocative settings, he invites readers to ponder the complexities of lifestyles and the regularly diffused, but profound, moments that form our existence. "The Witch and Other Stories" is a undying collection that transcends cultural and temporal boundaries.

IT was approaching nightfall. The sexton, Savely Gykin, was lying in his huge bed in the hut adjoining the church. He was not asleep, though it was his habit to go to sleep at the same time as the hens. His coarse red hair peeped from under one end of the greasy patchwork quilt, made up of coloured rags, while his big unwashed feet stuck out from the other. He was listening. His hut adjoined the wall that encircled the church and the solitary window in it looked out upon the open country. And out there a regular battle was going on. It was hard to say who was being wiped off the face of the earth, and for the sake of whose destruction nature was being churned up into such a ferment; but, judging from the unceasing malignant roar, someone was getting it very hot. A victorious force was in full chase over the fields, storming in the forest and on the church roof, battering spitefully with its fists upon the windows, raging and tearing, while something vanquished was howling and wailing.... A plaintive lament sobbed at the window, on the roof, or in the stove. It sounded not like a call for help, but like a cry of misery, a consciousness that it was too late, that there was no salvation. The snowdrifts were covered with a thin coating of ice; tears quivered on them and on the trees; a dark slush of mud and melting snow flowed along the roads and paths. In short, it was thawing, but through the dark night the heavens failed to see it, and flung flakes of fresh snow upon the melting earth at a terrific rate. And the wind staggered like a drunkard. It would not let the snow settle on the ground, and whirled it round in the darkness at random. Savely listened to all this din and frowned. The fact was that he knew, or at any rate suspected, what all this racket outside the window was tending to and whose handiwork it was.

"The Horse Stealers and Other Stories" by Anton Pavlovich Chekhov is a fascinating series of quick stories that gives a nuanced exploration of human nature and the complexities of Russian society. Originally penned within the past due nineteenth and early twentieth centuries, Chekhov's narratives continue to resonate with readers for his or her insightful commentary and masterful storytelling. The identify story, "The Horse Stealers," unfolds with a mix of humor and irony, as Chekhov delves into the lives of characters concerned in a reputedly petty crime. Through this tale and others like "Ward No. 6" and "The Petchenyeg," Chekhov skillfully examines the human circumstance, revealing the fragility of sanity, the impact of societal norms, and the effects of moral picks. Chekhov's characters are vividly drawn, representing a pass-section of Russian society, every grappling with personal dilemmas and societal expectations. The collection is characterised by way of its exploration of the mundane and the profound, demonstrating Chekhov's keen know-how of the subtleties of human behavior. "The Horse Stealers and Other Stories" stands as a testament to Chekhov's literary genius, showcasing his potential to seize the complexities of lifestyles in concise but profound narratives. Each tale serves as a window into the human soul, making this collection a long lasting traditional within the realm of quick fiction.

"The Bishop and Other Stories" is a set of short tales by the famed Russian author Anton Pavlovich Chekhov. Published in the late nineteenth century, the anthology showcases Chekhov's mastery of the fast story form and his insightful exploration of human circumstance. The testimonies inside this series provide a poignant exam of Russian society, delving into the lives of diverse characters facing the challenges of their time. Chekhov's eager observations capture the nuances of normal existence, revealing the complexities of human relationships, aspirations, and societal norms. The titular tale, "The Bishop," unfolds as an individual study of a priest navigating the ethical dilemmas posed by way of his function. Other memories in the series, in addition, offer glimpses into the lives of everyday individuals, each grappling with their own set of situations and dilemmas. Chekhov's narrative style, marked by subtlety and nuance, invites readers to ponder the deeper layers of that meaning under the surface of apparently mundane activities. "The Bishop and Other Stories" is a testament to Chekhov's capacity to combine realism with profound information about human psychology.

"The Black Monk" is a poignant quick story by Anton Pavlovich Chekhov. This narrative explores the delicate balance between fact and imagination, delving into the mental complexities of human thoughts. The tale revolves around Andrey Vasilievich Kovrin, a talented and bold scholar who isolates himself in a geographical region to focus on his work. As Kovrin becomes more and more absorbed in his studies, he starts to enjoy bright hallucinations and dreams related to a mysterious black monk. This enigmatic figure serves as a manifestation of Kovrin's heightened highbrow and creative aspirations. As the road between reality and imagination blurs, Kovrin's intellectual kingdom unravels. The tale unfolds as a mental drama, examining the satisfactory line between genius and madness. Chekhov skillfully explores themes of creativity, the pursuit of understanding, and the dangers of unchecked ambition. "The Black Monk" is well known for its nuanced portrayal of the human psyche and its exploration of the thin boundary between inspiration and intellectual instability. Chekhov's storytelling prowess shines through as he crafts a narrative that invites readers to reflect on the difficult interaction of dreams, truth, and the toll of intellectual pursuit on the fragile material of the mind.

"The Darling and Other Stories" by Anton Pavlovich Chekhov is a captivating collection that showcases the masterful storytelling and eager observations of certainly one of Russia's best literary figures. Originally published between the past due nineteenth and early 20th centuries, those short tales delve into the complexities of human relationships, societal norms, and the nuances of regular life. At the coronary heart of the collection is the titular story, "The Darling," which follows the life of Olga Semyonovna, a lady whose identity turns into deeply entwined with those around her. The narrative unfolds with Chekhov's signature mixture of humor and pathos, providing a poignant remark on the character of love and dependence. The other tales within the collection provide a rich tapestry of characters and eventualities, a microcosm of the human enjoy. Chekhov's sharp wit and profound insights into the human psyche are evident in memories consisting of "The Kiss," "The Grasshopper," and "The Man in a Case." Through his exploration of diverse characters and situations, Chekhov captures the essence of the human condition, revealing the comedy and tragedy inherent in our normal lives. "The Darling and Other Stories" stays a timeless series, reflecting Chekhov's enduring legacy as a master storyteller and a perceptive chronicler of the human soul.

"Love and Other Stories" is a collection of brief stories written by way of Anton Pavlovich Chekhov, one of the most celebrated Russian writers of the past due nineteenth and early 20th centuries. The stories show off Chekhov's mastery of the fast tale form and his eager perception into the human circumstance. The series encompasses quite a number topic, delving into the complexities of love, relationships, and the everyday lives of regular human beings. Chekhov's tales are characterized via a profound know-how of human nature, capturing moments of joy, sorrow, and introspection with superb sensitivity. In "Love and Other Stories," Chekhov explores the nuances of romantic relationships, regularly highlighting the subtleties and intricacies of human feelings. The character's grapple with the challenges of affection, navigating the delicate balance between ardour and practicality. Chekhov's narrative style is marked by using a mix of realism and irony, reflecting the social and cultural milieu of past due 19th-century Russia. The tales are poignant and thought-provoking, providing readers a glimpse into the complexities of the human psyche. "Love and Other Stories" stands as a undying collection that maintains to resonate with readers, showcasing Chekhov's potential to seize the depth of human experience in concise and evocative narratives. The tales continue to be a testament to Chekhov's enduring legacy as a grasp storyteller.

AT half-past eight they drove out of the town. The highroad was dry, a lovely April sun was shining warmly, but the snow was still lying in the ditches and in the woods. Winter, dark, long, and spiteful, was hardly over; spring had come all of a sudden. But neither the warmth nor the languid transparent woods, warmed by the breath of spring, nor the black flocks of birds flying over the huge puddles that were like lakes, nor the marvelous fathomless sky, into which it seemed one would have gone away so joyfully, presented anything new or interesting to Marya Vassilyevna who was sitting in the cart. For thirteen years she had been schoolmistress, and there was no reckoning how many times during all those years she had been to the town for her salary; and whether it were spring as now, or a rainy autumn evening, or winter, it was all the same to her, and she always-invariably-longed for one thing only, to get to the end of her journey as quickly as could be. She felt as though she had been living in that part of the country for ages and ages, for a hundred years, and it seemed to her that she knew every stone, every tree on the road from the town to her school. Her past was here, her present was here, and she could imagine no other future than the school, the road to the town and back again, and again the school and again the road.... She had got out of the habit of thinking of her past before she became a schoolmistress, and had almost forgotten it. She had once had a father and mother; they had lived in Moscow in a big flat near the Red Gate, but of all that life there was left in her memory only something vague and fluid like a dream. Her father had died when she was ten years old, and her mother had died soon after.... She had a brother, an officer; at first they used to write to each other, then her brother had given up answering her letters, he had got out of the way of writing. Of her old belongings, all that was left was a photograph of her mother, but it had grown dim from the dampness of the school, and now nothing could be seen but the hair and the eyebrows.

IT happened nigh on seven years ago, when I was living in one of the districts of the J. province, on the estate of Bielokurov, a landowner, a young man who used to get up early, dress himself in a long overcoat, drink beer in the evenings, and all the while complain to me that he could nowhere find any one in sympathy with his ideas. He lived in a little house in the orchard, and I lived in the old manor-house, in a huge pillared hall where there was no furniture except a large divan, on which I slept, and a table at which I used to play patience. Even in calm weather there was always a moaning in the chimney, and in a storm the whole house would rock and seem as though it must split, and it was quite terrifying, especially at night, when all the ten great windows were suddenly lit up by a flash of lightning. Doomed by fate to permanent idleness, I did positively nothing. For hours together I would sit and look through the windows at the sky, the birds, the trees and read my letters over and over again, and then for hours together I would sleep. Sometimes I would go out and wander aimlessly until evening. Once on my way home I came unexpectedly on a strange farmhouse. The sun was already setting, and the lengthening shadows were thrown over the ripening corn. Two rows of closely planted tall fir-trees stood like two thick walls, forming a sombre, magnificent avenue. I climbed the fence and walked up the avenue, slipping on the fir needles which lay two inches thick on the ground. It was still, dark, and only here and there in the tops of the trees shimmered a bright gold light casting the colours of the rainbow on a spider's web. The smell of the firs was almost suffocating. Then I turned into an avenue of limes. And here too were desolation and decay; the dead leaves rustled mournfully beneath my feet, and there were lurking shadows among the trees.

GRISHA, a fat, solemn little person of seven, was standing by the kitchen door listening and peeping through the keyhole. In the kitchen something extraordinary, and in his opinion never seen before, was taking place. A big, thick-set, red-haired peasant, with a beard, and a drop of perspiration on his nose, wearing a cabman's full coat, was sitting at the kitchen table on which they chopped the meat and sliced the onions. He was balancing a saucer on the five fingers of his right hand and drinking tea out of it, and crunching sugar so loudly that it sent a shiver down Grisha's back. Aksinya Stepanovna, the old nurse, was sitting on the dirty stool facing him, and she, too, was drinking tea. Her face was grave, though at the same time it beamed with a kind of triumph. Pelageya, the cook, was busy at the stove, and was apparently trying to hide her face. And on her face Grisha saw a regular illumination: it was burning and shifting through every shade of colour, beginning with a crimson purple and ending with a deathly white. She was continually catching hold of knives, forks, bits of wood, and rags with trembling hands, moving, grumbling to herself, making a clatter, but in reality doing nothing. She did not once glance at the table at which they were drinking tea, and to the questions put to her by the nurse she gave jerky, sullen answers without turning her face. "Help yourself, Danilo Semyonitch," the nurse urged him hospitably. "Why do you keep on with tea and nothing but tea? You should have a drop of vodka!" And nurse put before the visitor a bottle of vodka and a wine-glass, while her face wore a very wily expression.

FYODOR LUKITCH SYSOEV, the master of the factory school maintained at the expense of the firm of Kulikin, was getting ready for the annual dinner. Every year after the school examination the board of managers gave a dinner at which the inspector of elementary schools, all who had conducted the examinations, and all the managers and foremen of the factory were present. In spite of their official character, these dinners were always good and lively, and the guests sat a long time over them; forgetting distinctions of rank and recalling only their meritorious labours, they ate till they were full, drank amicably, chattered till they were all hoarse and parted late in the evening, deafening the whole factory settlement with their singing and the sound of their kisses. Of such dinners Sysoev had taken part in thirteen, as he had been that number of years master of the factory school. Now, getting ready for the fourteenth, he was trying to make himself look as festive and correct as possible. He had spent a whole hour brushing his new black suit, and spent almost as long in front of a looking-glass while he put on a fashionable shirt; the studs would not go into the button-holes, and this circumstance called forth a perfect storm of complaints, threats, and reproaches addressed to his wife.

A HOSPITAL assistant, called Yergunov, an empty-headed fellow, known throughout the district as a great braggart and drunkard, was returning one evening in Christmas week from the hamlet of Ryepino, where he had been to make some purchases for the hospital. That he might get home in good time and not be late, the doctor had lent him his very best horse. At first it had been a still day, but at eight o'clock a violent snow-storm came on, and when he was only about four miles from home Yergunov completely lost his way. He did not know how to drive, he did not know the road, and he drove on at random, hoping that the horse would find the way of itself. Two hours passed; the horse was exhausted, he himself was chilled, and already began to fancy that he was not going home, but back towards Ryepino. But at last above the uproar of the storm he heard the far-away barking of a dog, and a murky red blur came into sight ahead of him: little by little, the outlines of a high gate could be discerned, then a long fence on which there were nails with their points uppermost, and beyond the fence there stood the slanting crane of a well. The wind drove away the mist of snow from before the eyes, and where there had been a red blur, there sprang up a small, squat little house with a steep thatched roof. Of the three little windows one, covered on the inside with something red, was lighted up.

The Cherry Orchard is the last play by Russian playwright Anton Chekhov. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Constantin Stanislavski. The play concerns an aristocratic Russian woman and her family as they return to their family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. While presented with options to save the estate, the family essentially does nothing and the play ends with the sale of the estate to the son of a former serf; the family leaves to the sound of the cherry orchard being cut down

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Seagull is a play by Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.

Stories of childhood: The boys, Grisha, A trifle from real life, The cook's wedding, Shrove Tuesday, In passion week, An incident, A matter of classics, The tutor, Out of sorts -- Stories of youth: A joke, After the theater, Volodia, A nughty boy, Bliss, Two beautiful girls -- Light and shadow: The chorus girl, The father of a family, The orator, Ionitch, At Christmas time, In the coach house, Lady N--'s story, A journey by cart, The privy councillor, Rothschild's fiddle, A horsey name, The Petcheneg, The bishop

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.