Bøger af Anton Pavlovich Chekhov

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Un Meurtre Anton Pavlovich Chekhov La revue blanche, 1902

IT was approaching nightfall. The sexton, Savely Gykin, was lying in his huge bed in the hut adjoining the church. He was not asleep, though it was his habit to go to sleep at the same time as the hens. His coarse red hair peeped from under one end of the greasy patchwork quilt, made up of coloured rags, while his big unwashed feet stuck out from the other. He was listening. His hut adjoined the wall that encircled the church and the solitary window in it looked out upon the open country. And out there a regular battle was going on. It was hard to say who was being wiped off the face of the earth, and for the sake of whose destruction nature was being churned up into such a ferment; but, judging from the unceasing malignant roar, someone was getting it very hot. A victorious force was in full chase over the fields, storming in the forest and on the church roof, battering spitefully with its fists upon the windows, raging and tearing, while something vanquished was howling and wailing.... A plaintive lament sobbed at the window, on the roof, or in the stove. It sounded not like a call for help, but like a cry of misery, a consciousness that it was too late, that there was no salvation. The snowdrifts were covered with a thin coating of ice; tears quivered on them and on the trees; a dark slush of mud and melting snow flowed along the roads and paths. In short, it was thawing, but through the dark night the heavens failed to see it, and flung flakes of fresh snow upon the melting earth at a terrific rate. And the wind staggered like a drunkard. It would not let the snow settle on the ground, and whirled it round in the darkness at random. Savely listened to all this din and frowned. The fact was that he knew, or at any rate suspected, what all this racket outside the window was tending to and whose handiwork it was.

In 1841 a serf belonging to a Russian nobleman purchased his freedom and the freedom of his family for 3,500 roubles, being at the rate of 700 roubles a soul, with one daughter, Alexandra, thrown in for nothing. The grandson of this serf was Anton Chekhov, the author; the son of the nobleman was Tchertkov, the Tolstoyan and friend of Tolstoy. There is in this nothing striking to a Russian, but to the English student it is sufficiently significant for several reasons. It illustrates how recent a growth was the educated middle-class in pre-revolutionary Russia, and it shows, what is perhaps more significant, the homogeneity of the Russian people, and their capacity for completely changing their whole way of life. Chekhov's father started life as a slave, but the son of this slave was even more sensitive to the Arts, more innately civilized and in love with the things of the mind than the son of the slaveowner. Chekhov's father, Pavel Yegorovitch, had a passion for music and singing; while he was still a serf boy he learned to read music at sight and to play the violin. A few years after his freedom had been purchased he settled at Taganrog, a town on the Sea of Azov, where he afterwards opened a "Colonial Stores."

"The Duel" is a novella by Anton Chekhov first published in 1891. The story primarily focuses on Ivan Andreich Laevsky and Nadyezhda Fyodorovna, lovers who have moved to the Caucasus. Nadezhda is married to another man and some townspeople disapprove of the couple living together. Laevsky confides in his friend Samoylenko that he no longer loves Nadyezhda. Laevsky drinks, gambles, and lacks direction. The scientist Von Koren feels that Laevsky's slovenly lifestyle is worthless. In fact, Von Koren feels killing Laevsky would be beneficial to society, an act of natural selection. Von Koren's dislike builds until he formally challenges Laevsky to a pistol duel. The tension at the duel steadily increases. None of the men in attendance, with the possible exception of Von Koren, want to see the challenge completed. Fortunately for Laevsky, a deacon stops the duel before either man is slain. Laevsky's near-death experience leads him back to Nadyezhda.

Three Sisters is a play by the Russian author and playwright Anton Chekhov, perhaps partially inspired by the situation of the three Brontë sisters. It was written in 1900 and first performed in 1901 at the Moscow Art Theatre. Three Sisters is a naturalistic play about the decay of the privileged class in Russia and the search for meaning in the modern world. It describes the lives and aspirations of the Prozorov family, the three sisters (Olga, Masha, and Irina) and their brother Andrei. They are a family dissatisfied and frustrated with their present existence.

Anton Pavlovich Chekhov (29 January 1860 - 15 July 1904) was a Russian physician, dramaturge and author who is considered to be among the greatest writers of short stories in history. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a medical doctor throughout most of his literary career: "Medicine is my lawful wife," he once said, "and literature is my mistress." Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text." Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. (wikipedia.org)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Uncle Vanya is a play by the Russian playwright Anton Chekhov. It was first published in 1897 and received its Moscow première in 1899 in a production by the Moscow Art Theatre, under the direction of Konstantin Stanislavski. The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yelena, to the rural estate that supports their urban lifestyle. Two friends, Vanya, brother of the Professor's late first wife, who has long managed the estate, and Astrov, the local Doctor, both fall under Yelena's spell, while bemoaning the ennui of their provincial existence.

The Schoolmistress, and Other Stories, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The Schoolmaster and Other Stories, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Unique ElementsAbout the AuthorAbout the TranslatorA Literary Classic by ANTON CHEKHOV. The Lady with the Dog and Other Stories by RUSSIAN author ANTON CHEKHOV is a collection of short stories first published in 1899 in RUSSIA. The title story of this collection, "The Lady with the Dog," tells an illicit love affair between two persons married to others, thought to reflect events of Chekhov's life. Sneak Peak'IT was said that a new person had appeared on the sea-front: a lady with a little dog. Dmitri Dmitritch Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney's pavilion, he saw, walking on the sea-front, a fair-haired young lady of medium height, wearing a béret; a white Pomeranian dog was running behind her.'About the AuthorAnton Chekhov (1860-1904), a Russian playwright and short story writer, is considered to be one of the greatest writers of all time. He was a key figure of early modernism in the theatre and also wrote hundreds of short stories, while working in his profession as a medical doctor. "The Lady with the Dog," the title story of this collection, is among his most famous stories. At the time this story was written, in 1899, Chekhov had already fallen in love with an actress, Olga Knipper, whom he would later marry. Title DetailsTranslation by Constance C. Garnett, 1901Short stories

Unique ElementsAbout the AuthorAbout the TranslatorA Literary Classic by ANTON CHEKHOV. The Chorus Girl and Other Stories by RUSSIAN author ANTON CHEKHOV is a collection of short stories first published in 1920 in the UNITED KINGDOM.The title story of this collection, "The Chorus Girl," tells the sad story of a woman spurned by her lover. Sneak Peak'Kolpakov did not mind being found by the postman or Pasha's lady friends, but by way of precaution gathered up his clothes and went into the next room, while Pasha ran to open the door. To her great surprise in the doorway stood, not the postman and not a girl friend, but an unknown woman, young and beautiful, who was dressed like a lady, and from all outward signs was one.'Master StorytellerAnton Chekhov (1860-1904), a Russian playwright and short story writer, is regarded by some as one of the greatest. He was a key figure of early modernism in the theatre and also wrote hundreds of short stories, while working in his profession as a medical doctor. "The Chrous Girl," the title story of this collection, was first published n 1886 and later revised before appearing in book form. Title DetailsTranslation by Constance C. Garnett, 1920Short stories

The Party and Other Stories by Anton Pavlovich Chekhov has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Love, and Other Stories by Anton Pavlovich Chekhov has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. If there is an overriding theme in The Seagull , it is that humankind's greatest enemy is time, the relentless enemy of passion and hope. It is a play of hopelessly misplaced love or desire. Many of the characters want love from others who are either indifferent or have emotional. The Seagull, drama in four acts by Anton Chekhov, performed in 1896 and published in Russian the following year as Chayka. A revised edition was published in 1904. The play deals with lost opportunities and the clash between generations.