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Absence of Wings depicts the extraordinary and tragically foreshortened life of A.-- Paré 's niece, Brazilian, adopted, racialized, and living with multiple mental health diagnoses. In her deft and clear poetics, accompanied by documentary pieces in the tradition of C.D. Wright's One with Others, Paré is both witness to and emotionally engaged in the life and death of A. The result is deep and heart-felt, both factional and fictional, poetry and prose, holding its subject, A., heart-close and 3,000 miles away. Absence of Wings unfolds on many levels; it embraces the private and public spheres; it is as intimate as family, as worldly as the public and personal politics that surround each life. It both observes and embraces, always with the important question of the world's unprotected children in mind.
Award-winning poet Arleen Paré pays homage to the work of lesbian Syrian American poet Etel Adnan. If books come from books, as David W. McFadden has claimed, then Time Out of Time is a clear example, arising, very deliberately as it does, out of Etel Adnan's astonishing collection entitled Time. The poems in Time Out of Time are in love with the poems in Adnan's Time and, it seems, Paré has fallen in love with Time's author, Etel Adnan, the internationally renowned poet and painter--or perhaps it is that she has merely fallen in love with Adnan's words. Paré's poems mirror the form, the rhythm, the shape, the short, brief lines in her own spare missives that are the poems in Time. This mirroring increases the intensity of Time Out of Time, creating a rare intimacy in Paré's collection. Paré's work pays homage to Adnan's work. Both collections pay homage to the world of the lesbian in the twenty-first century and to the world of the small poem. Using clear, crisp, well-defined language in visibly defined geometries, in "stanza after sweet-smelling stanza," Paré attempts to examine the trials of this new century, the hush around the word lesbian, the hush of the world's general collapse.
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