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Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism, and out of the wake of modernist art has suggested that a radically pluralistic art world has emerged. His essays here discuss his vision of the art world and the implications it has for criticism.
A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Failure to make this distinction is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge.
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