Bøger af Arthur Machen

I have been asked to write an introduction to the story of "The Bowmen", on its publication in book form together with three other tales of similar fashion. And I hesitate. This affair of "The Bowmen" has been such an odd one from first to last, so many queer complications have entered into it, there have been so many and so divers currents and cross-currents of rumour and speculation concerning it, that I honestly do not know where to begin. I propose, then, to solve the difficulty by apologising for beginning at all.

He would sometimes, whimsically, compare himself to Coleridge, and I think that he often deliberately talked in S. T. C.'s manner with delight in the joke. For, I need hardly say that the comparison was not in any way a serious one; he had a veneration for Coleridge's achievement, with a still greater veneration for that which Coleridge might have achieved, which would have caused him to regard any such comparison, seriously entertained, as unspeakably ludicrous. Still, he liked to regard himself as a very humble disciple in Coleridge's school, he was fond, as I have said, of imitating his master's manner as well as he could, and I think that he cherished, in the fashion of S. T. C., the notion that he had a "system," an esoteric philosophy of things; he sought for a key that would open, and a lamp that would enlighten all the dark treasure-houses of the Universe, and sometimes he believed that he held both the Key and the Lamp in his hands.

The Great God Pan is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the magazine The Whirlwind in 1890. Machen later extended The Great God Pan and it was published as a book alongside another story, "The Inmost Light", in 1894. The novella begins with an experiment to allow a woman named Mary to see the supernatural world. This is followed by an account of a series of mysterious happenings and deaths over many years surrounding a woman named Helen Vaughan. At the end, the heroes confront Helen and force her to kill herself. She undergoes a series of supernatural transformations before dying and she is revealed to be the child of Mary and the god Pan.

They lay full length upon the turf; the rock between their faces and the Bowl, and now and again, Dyson, slouching his dark, soft hat over his forehead, put out the glint of an eye, and in a moment drew back, not daring to take a prolonged view. Again he laid an ear to the ground and listened, and the hours went by, and the darkness seemed to blacken, and the faint sigh of the wind was the only sound.

They were purged as if they had passed through the Furnace of the Sages governed with Wisdom that the alchemists know. They spoke without much difficulty of what they had seen, or had seemed to see, with their eyes, but hardly at all of what their hearts had known when for a moment the glory of the fiery rose had been about them.

Dyson was shocked at the result of his own audacity. The man shrank and shrivelled in terror, the sweat poured down a face of ashy white, and he held up his hands before him.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. ARTHUR MACHEN was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.

Richard Barham Middleton (28 October 1882 - 1 December 1911) was an English poet and author, who is remembered mostly for his short ghost stories, in particular "The Ghost Ship". Biography" Born in Staines, Middlesex, and educated at Cranbrook School, Kent, Middleton worked in London for the Royal Exchange Assurance Corporation bank, as a clerk, from 1901 to 1907. Unhappy in this, he affected a Bohemian life at night; he is mentioned, in disguised terms, in Arthur Ransome's Bohemia in London. He moved out of his parents' house and into rooms in Blackfriars, and he joined the club The New Bohemians, where he acquired literary contacts who included Arthur Machen, Louis McQuilland (1880-1946), and Christopher Wilson. He became an editor at Vanity Fair under Edgar Jepson, where he confided to his fellow editor Frank Harris that what he really wanted to do was make a living as a poet. Shortly after, Harris published Middleton's poem "The Bathing Boy" I saw him standing idly on the brim Of the quick river, in his beauty clad, So fair he was that Nature looked at him And touched him with her sunbeams here and there So that his cool flesh sparkled, and his hair Blazed like a crown above the naked lad. And so I wept; I have seen lovely things, Maidens and stars and roses all a-nod In moonlit seas, but Love without his wings Set in the azure of an August sky, Was all too fair for my mortality, And so I wept to see the little god. Till with a sudden grace of silver skin And golden lock he dived, his song of joy Broke with the bubbles as he bore them in; And lo, the fear of night was on that place, Till decked with new-found gems and flushed of face He rose again, a laughing, choking boy. His work was also published by Austin Harrison in The English Review, and he wrote book reviews for The Academy. Middleton suffered from severe depression, known as melancholia at that time. He spent the last nine months of his life in Brussels, where in December 1911 he took his life by poisoning himself with chloroform, which had been prescribed as a remedy for his condition. His literary reputation was kept alive by Edgar Jepson and Arthur Machen, the latter of whom wrote an introduction to Middleton's collection The Ghost Ship and Other Stories, and later by John Gawsworth. His stories have appeared in several anthologies. An encounter by Middleton with the young Raymond Chandler is said to have influenced the latter to postpone his career as writer. Chandler wrote, "Middleton struck me as having far more talent than ....................... Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons......................

"The Angels of Mons" is a short story written by Arthur Machen, originally published in 1915. The story is known for its unique blend of supernatural elements and war fiction, and it gained considerable popularity during World War I.The narrative is framed as a series of letters exchanged between two characters, one of whom recounts a fantastical event during the Battle of Mons in August 1914. According to the narrator, British soldiers were aided by a mysterious, divine intervention that took the form of angelic beings. These supernatural entities allegedly protected the British forces and turned the tide of the battle in their favor.Machen's story contributed to the creation of a legend that suggested the appearance of angelic or supernatural forces on the battlefield, providing hope and inspiration to the soldiers. However, it's essential to note that "The Angels of Mons" is a work of fiction, and the events described are not based on historical facts.The tale became so influential that it led to rumors and misconceptions, with some people believing that the events described by Machen were true accounts rather than fictional elements. The story reflects the psychological and emotional impact of war, as well as the human tendency to find solace and inspiration in supernatural or divine intervention during times of crisis.

The Terror: A Mystery, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

Dreamt In Fire has been compiled and arranged with the desire to present an expansive survey on the work of Arthur Machen without resorting to the over-anthologized texts found so easily in other collections.

LARGE PRINT EDITION. Invited by his friend to witness an experimental procedure, Clarke watches with interest and horror as the surgeon opens his young patient¿s mind to grant her a vision of the spirit realm. Years later, a nearby town is traumatized by the strange disappearance of several children, prompting Clarke to investigate. The Great God Pan is a novella by Arthur Machen.

The work displayed in A Reader of Curious Books paints an intellectual portrait of Arthur Machen as a young man. All of the writer's future themes and favorite subjects can be found in its pages: Christian history and liturgy, folklore, early man, the history of world literature, psychic phenomenon, orthodoxy versus heresy-to name only a few. For the certified bibliophile, a lover of literary exploration or the merely curious, a collection of this sort justifies itself. The archaic dispatches are both entertaining for the quality of the prose and interesting for the array of arcane subjects covered. The forgotten books reviewed in this collection become living characters with each title owing its existence to the simple suggestion that it does exist. In a sense, this lost bookshelf functions best as does the library of Don Quijote-a dusty chamber of the possibly dangerous, perhaps banal books which feed the imagination of man... that mad mammal.

An essay exploring the role of ecstasy and altered states of consciousness in literature, using examples from various literary traditions.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Secret Glory, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The Angels of Mons-The Bowmen and Other Legends of the War is a classic World War One short story collection by Arthur Machen. The Angels of Mons is a popular legend about a group of angels who supposedly protected members of the British Army in the Battle of Mons at the outset of the First World War. Though the story itself is nothing, it has yet had such odd and unforeseen consequences and adventures that the tale of them may possess some interest. And then, again, there are certain psychological morals to be drawn from the whole matter of the tale and its sequel of rumours and discussions that are not, I think, devoid of consequence; and so to begin at the beginning.

There are strange things lost and forgotten in obscure corners of the newspaper. I often think that the most extraordinary item of intelligence that I have read in print appeared a few years ago in the London Press. It came from a well known and most respected news agency; I imagine it was in all the papers. It was astounding. The circumstances necessary-not to the understanding of this paragraph, for that is out of the question-but, we will say, to the understanding of the events which made it possible, are these. We had invaded Thibet, and there had been trouble in the hierarchy of that country, and a personage known as the Tashai Lama had taken refuge with us in India. He went on pilgrimage from one Buddhist shrine to another, and came at last to a holy mountain of Buddhism, the name of which I have forgotten. And thus the morning paper.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Arthur Machen (March 3, 1863 - December 15, 1947) was a leading Welsh author of the 1890s. He is best known for his influential supernatural, fantasy, and horror fiction. He also is well known for his leading role in creating the legend of the Angels of Mons. His surname rhymes with blacken.

Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name. Local historian and folklorist Fred Hando traces Machen's interest in the occult to a volume of Household Words in his father's Rectory library, in which he read, at the age of eight, an entrancing article on alchemy. Hando recounts Machen's other early reading: He bought De Quincey's Confessions of an English Opium Eater at Pontypool Road Railway Station, The Arabian Nights at Hereford Railway Station, and borrowed Don Quixote from Mrs. Gwyn, of Llanfrechfa Rectory. In his father's library he found also the Waverley Novels, a three-volume edition of the Glossary of Gothic Architecture, and an early volume of Tennyson At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London......................

Decadent, perverse and unreal, the strange stories of Arthur Machen uncover a lingering, ancestral horror, distantly remembered in the language of fairy tales, pagan lore, and in the secret old games that nurses teach to children. Deeply controversial in their own time, some of Machen's stories had to wait decades to for changing social mores to permit their publication.This new collection by Lowood Press combines all of Machen's most celebrated works in one volume. Herein are his greatest short stories, including The White People, The Great God Pan, The Bowmen and The Shining Pyramid; his semi-autobiographical novel, Hill of Dreams; and the original, complete version of The Three Impostors, with its interconnecting tales of occult intrigue.An unrivaled master of sacred terror and pioneer of the weird fiction genre, Machen's work has directly influenced such notable horror writers as H. P. Lovecraft, Peter Straub, and Stephen King-but it has yet to be surpassed.

"Well, as I say, I found myself on a certain night a partaker of all this cheerfulness. I was one guest among many; there were explorers and ambassadors and great scientific personages and judges, and the author who has given the world the best laughter that it has enjoyed since Dickens died: in a word, I was in much more distinguished company than that to which I am accustomed. And after dinner the Persians (as I will call them) have a kindly and courteous custom of praising their guests; and to my astonishment and delight the speaker brought me into his oration and said the kindest and most glowing things imaginable about a translation I once made of the "Heptameron" of Margaret of Navarre. I was heartily pleased; I hold with Foker in "Pendennis" that every fellow likes a hand. Praise is grateful, especially when there has not been too much of it." "Far Off Things" is a series of autobiographical sketches by the great Arthur Machen; notice how even in fairly mundane prose from nearly the beginning, there's a haunting quality to the words themselves............. Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name. Local historian and folklorist Fred Hando traces Machen's interest in the occult to a volume of Household Words in his father's Rectory library, in which he read, at the age of eight, an entrancing article on alchemy. Hando recounts Machen's other early reading: He bought De Quincey's Confessions of an English Opium Eater at Pontypool Road Railway Station, The Arabian Nights at Hereford Railway Station, and borrowed Don Quixote from Mrs. Gwyn, of Llanfrechfa Rectory. In his father's library he found also the Waverley Novels, a three-volume edition of the Glossary of Gothic Architecture, and an early volume of Tennyson At the age of eleven, Machen boarded at Hereford Cathedral School, where he received an excellent classical education. Family poverty ruled out attendance at university, and Machen was sent to London, where he sat exams to attend medical school but failed to get in. Machen, however, showed literary promise, publishing in 1881 a long poem "Eleusinia" on the subject of the Eleusinian Mysteries. Returning to London, he lived in relative poverty, attempting to work as a journalist, as a publisher's clerk, and as a children's tutor while writing in the evening and going on long rambling walks across London.................

"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).The story has since been described as an important example of horror fiction, influencing generations of later writers.

The Hill of Dreams is a novel written by Arthur Machen, first published in 1907. The story follows the life of a young writer named Lucian Taylor, who lives in poverty and dreams of becoming a successful author. Lucian spends his days wandering the Welsh countryside, exploring ancient ruins and immersing himself in the natural beauty of his surroundings.As he struggles to make a name for himself in the literary world, Lucian's dreams and reality begin to blur together, and he becomes increasingly obsessed with the idea of a mystical, otherworldly realm that he believes exists just beyond the physical world. He becomes convinced that he can access this realm through his writing, and begins to pour all of his energy and creativity into his work.As Lucian's obsession with his writing and his dreams intensifies, he becomes increasingly isolated from the world around him, and his mental and physical health begins to deteriorate. The novel explores themes of creativity, madness, and the blurred line between reality and fantasy.Machen's writing is known for its vivid descriptions of the Welsh countryside and its mystical, otherworldly elements. The Hill of Dreams is considered a classic of the supernatural genre, and has been praised for its haunting and atmospheric prose.But already about he town the darkness was forming; fast, fast the shadows crept upon it from the forest, and from all sides banks and wreaths of curling mist were gathering, as if a ghostly leaguer were being built up against the city, and the strange race who lived in its streets. Suddenly there burst out fro the stillness the clear an piercing music of the r�����veill�����, calling, recalling, iterated, reiterated, and ending with one long high fierce shrill note.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Classics in speculative fiction, Arthur Machen's most famous stories are journeys through fear, madness, and the furthest regions of the unknown. A woman is rendered catatonic after a doctor's botched attempt at brain surgery. The surgery, it seems, has opened the woman to a forbidden fold in existence, a place not meant for human eyes, a place where "The Great God Pan" dwells. Years later, men of good position begin committing suicide in the most heinous ways, and for no apparent reason. But behind this trail of bodies is a mysterious woman. What is her connection to the suicides? And even more disturbing, what secrets does she share with the catatonic victim of a horrid medical experiment, a devastated woman who was shown the horrors of The Great God Pan? Also contains The Angels of Mons: The Bowmen and Other Legends of the War. --Part of the BROKEN GROUND series of novellas-- The Broken Ground project is a series of classic novellas that have influenced, revolutionized, or perfected the art of storytelling. These groundbreaking stories forced the boundaries and formed the future of literature, sometimes creating entire styles and genres in the process. With the idea that such works should be studied so that foundations can be understood, Broken Ground is dedicated to presenting these short-but-powerful novellas in a quality - yet affordable - package worthy of the words they contain.

There was a glow in the sky as if great furnace doors were opened. But all the afternoon his eyes had looked on glamour; he had strayed in fairyland. The holidays were nearly done, and Lucian Taylor had gone out resolved to lose himself, to discover strange hills and prospects that he had never seen before. The air was still, breathless, exhausted after heavy rain, and the clouds looked as if they had been molded of lead. No breeze blew upon the hill, and down in the well of the valley not a dry leaf stirred, not a bough shook in all the dark January woods.

It is probable that all through those early years Ambrose's father had been charming his son's heart, drawing him forth from the gehenna-valley of this life into which he had fallen, as one draws forth a beast that has fallen into some deep and dreadful place. Various are the methods recommended. There is the way of what is called moral teaching, the way of physiology and the way of a masterly silence; but Mr. Meyrick's was the strange way of incantation. He had, in a certain manner, drawn the boy aside from that evil traffic of the valley, from the stench of the turmoil, from the blows and the black lechery, from the ugly fight in the poisonous smoke, from all the amazing and hideous folly that practical men call life, and had set him in that endless procession that forever and forever sings its litanies in the mountains, going from height to height on its great quest. Ambrose's soul had been caught in the sweet thickets of the woods; it had been bathed in the pure water of blessed fountains; it had knelt before the altars of the old saints, till all the earth was become a sanctuary, all life was a rite and ceremony, the end of which was the attainment of the mystic sanctity -- the achieving of the Graal. For this -- for what else? -- were all things made. It was this that the little bird sang of in the bush, piping a few feeble, plaintive notes of dusky evenings, as if his tiny heart were sad that it could utter nothing better than such sorry praises. This also celebrated the awe of the white morning on the hills, the breath of the woods at dawn. This was figured in the red ceremony of sunset, when flames shone over the dome of the great mountain, and roses blossomed in the far plains of the sky. This was the secret of the dark places in the heart of the woods. This the mystery of the sunlight on the height; and every little flower, every delicate fern, and every reed and rush was entrusted with the hidden declaration of this sacrament. For this end, final and perfect rites had been given to men to execute; and these were all the arts, all the far-lifted splendor of the great cathedral; all rich carven work and all glowing colors; all magical utterance of word and tones: all these things were the witnesses that consented in the One Offering, in the high service of the Graal.............. Arthur Machen (3 March 1863 - 15 December 1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan (1890; 1894) has garnered a reputation as a classic of horror, with Stephen King describing it as "Maybe the best [horror story] in the English language." He is also well known for his leading role in creating the legend of the Angels of Mons. Early years: Machen was born Arthur Llewelyn Jones in Caerleon, Monmouthshire, though he usually referred to the area by the name of the medieval Welsh kingdom, Gwent. The house of his birth, opposite the Olde Bull Inn in The Square at Caerleon, is adjacent to the Priory Hotel and is today marked with a commemorative blue plaque. The beautiful landscape of Monmouthshire, with its associations of Celtic, Roman, and medieval history, made a powerful impression on him, and his love of it is at the heart of many of his works. Machen was descended from a long line of clergymen, the family having originated in Carmarthenshire. In 1864, when Machen was two, his father John Edward Jones, became vicar of the parish of Llanddewi Fach with Llandegveth, about five miles north of Caerleon, and Machen was brought up at the rectory there. Jones had adopted his wife's maiden name, Machen, to inherit a legacy, legally becoming "Jones-Machen"; his son was baptised under that name and later used a shortened version of his full name, Arthur Machen, as a pen name.....................

In the region of Meirion, the fictional name given by the narrator, several inexplicable crimes, brutal and for no apparent reason, seem to be the product of a madman. At the same time some ammunition factories are also destroyed, and that is when you begin to think that it is a matter of the Germans, who are infiltrating the country. But the strange facts do not stop here, because some animals seem to have gone mad and act irrationally. People start to see and hear fantastic things, almost hallucinatory, and it is not known if there is anything to do with a certain collective suggestion. The population does not know what to think of all this, and the news does not arrive, there is order to control the entire press.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. 'What did I do? Why, I sat down and reflected. I had a good classical education, and a positive distaste for business of any kind: that was the capital with which I faced the world. Do you know, I have heard people describe olives as nasty! What lamentable Philistinism! I have often thought, Salisbury, that I could write genuine poetry under the influence of olives and red wine. Let us have Chianti; it may not be very good, but the flasks are simply charming.' 'It is pretty good here. We may as well have a big flask.'

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. ARTHUR MACHEN was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.