Bøger af Barbara Tepa Lupack

In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupack explores the rampant racial and gender stereotyping in early cinema and demonstrates how that imagery helped shape American attitudes and practices.

The first book-length examination of Jerzy Kosinski in more than a decade, Being There in the Age of Trump goes beyond conventional literary and film analysis to a larger interdisciplinary and cultural study of the issues that Kosinski so presciently explored in both the novel and the film Being There.

"Filmmakers Ted and Leo Wharton, whose serials became popular in the 1910s, established a model for incremental storytelling and holdover suspense still employed by filmmakers and television producers more than a century later"--

In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "e;home talent"e; filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.

This is an account of how five key novels of the 1960s and 1970s emerged from their culture, taking ""madness"" as a key theme. The works concerned are: ""Catch-22"", ""One Flew Over the Cuckoo's Nest"", ""Slaughterhouse-5"", ""Being There"" and ""Sophie's Choice"".

The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers'' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.

From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas. Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. "Take Two" closely analyzes the adaptations of ten such works: "Catch-22," "One Flew over the Cuckoo's Nest," "Slaughterhouse-Five," "Being There," "The World According to Garp," "Sophie's Choice," "The Color Purple," "Ironweed," "Tough Guys Don't Dance," and "Billy Bathgate,"