Bøger af Barna William Donovan

Since the early days of film, the representation of masculinity has changed considerably. In the beginning, men instinctively knew right from wrong. They rode to the rescue and saved the day in the nick of time to the admiration and gratitude of society. But over the decades, heroes have evolved from being larger than life and infallible to being cynical, washed up, unwanted outsiders. Violent content in these films also 'evolved'_from fistfights and gunplay to brutal attacks and nuclear explosions_repeatedly ramping up in frequency, intensity, and graphic depictions. But there is more to a violent film genre than violence, and Blood, Guns, and Testosterone: Action Films, Audiences, and a Thirst for Violence brings an entirely new understanding to the nature of such entertainment. In this book, Barna William Donovan examines masculinity and violence in action and adventure films and discusses how the most ardent fans of the genre incorporate this controversial form of entertainment into their lives. Donovan argues that far from becoming violent, the fans of the action film look at the genre as an artistic rumination on the nature of violence, good and evil, and the ever-changing definitions of manhood. At their very best, or most interesting at least, these films may even reflect on the nature of violence, on human nature, on aggression, and how a self-reflexive, moral society can deal with violence. And since so much of the violence of the world has always been perpetrated by men, action films_more often than not_are contemplations of the complicated meaning of manhood. In addition to fans of the genre, Blood, Guns, and Testosterone will appeal to scholars of film, history, popular culture, gender studies, and audience research.

For many years, conspiracy theories have been among the most popular story elements in Hollywood films. According to the "conspiracy culture," Government, Big Business, the Church, even aliens--all of which, bundled together, comprise the ubiquitous "Them"--are concealing some of the biggest secrets in American and world history. From The Manchurian Candidate (1962) to JFK (1991), The Matrix (1999) to The Da Vinci Code (2006), this decade-by-decade history explores our fascination with paranoia. The work paints a vivid picture of several of the more prevalent conspiracy theories and the entertainment they have inspired, not only in theatrical films but also in such television series as The X-Files, Lost and V.

Showcases the influence of Eastern popular culture on America cinema and the ways in which its storytelling and cinematic techniques have migrated from grainy, low-budget martial arts movies to box-office blockbusters.