Bøger af Beata Sniecikowska

The Futurists produced most conspicuous, creative, and diverse figures of sound in the Polish avant-garde. The book is a comparative study of the Polish Futurists' works presented against the backdrop of European literary practices of the time (Dadaism, Italian and Russian Futurism) and the Polish literary tradition (folk poetry, Young Poland). S¿niecikowska examines variations on symbolist "musicality," traces similarities between Polish Futurist word formation and Cubo-Futurist experimentation, compares Dadaist and Futurist concepts of onomatopoeia, analyses applications of Marinetti's "words in freedom." The study also deals with uses of glossolalia and echolalia as well as sound-semantic concepts that employ pure nonsense and parody.

The monograph presents the Polish history of haiku and the forms associated with the genre - in literature and visual arts. Polish works are confronted with Japanese poetry (along with its aesthetic and philosophical contexts) and with haiku-inspired works of different Western authors. The book also touches upon various translatological problems.