Bøger af Benjamin Hale

A brief foray into a moral thicket, exploring why we should protect nature despite tsunamis, malaria, bird flu, cancer, killer asteroids, and tofu. Most of us think that in order to be environmentalists, we have to love nature. Essentially, we should be tree huggers--embracing majestic redwoods, mighty oaks, graceful birches, etc. We ought to eat granola, drive hybrids, cook tofu, and write our appointments in Sierra Club calendars. Nature's splendor, in other words, justifies our protection of it. But, asks Benjamin Hale in this provocative book, what about tsunamis, earthquakes, cancer, bird flu, killer asteroids? They are nature, too. For years, environmentalists have insisted that nature is fundamentally good. In The Wild and the Wicked, Benjamin Hale adopts the opposite position--that much of the time nature can be bad--in order to show that even if nature is cruel, we still need to be environmentally conscientious. Hale argues that environmentalists needn't feel compelled to defend the value of nature, or even to adopt the attitudes of tree-hugging nature lovers. We can acknowledge nature's indifference and periodic hostility. Deftly weaving anecdote and philosophy, he shows that we don't need to love nature to be green. What really ought to be driving our environmentalism is our humanity, not nature's value. Hale argues that our unique burden as human beings is that we can act for reasons, good or bad. He claims that we should be environmentalists because environmentalism is right, because we humans have the capacity to be better than nature. As humans, we fail to live up to our moral potential if we act as brutally as nature. Hale argues that despite nature's indifference to the plight of humanity, humanity cannot be indifferent to the plight of nature.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Liberty And Law: A Lecture, Delivered Before The Young Men's Association In Geneva, New-York, November 8, 1837, Introductory To Their Course Of Lectures For The Season, And Repeated Before The Young Men's Association, At Waterloo, N.Y., February 2, 1838 Benjamin Hale Ira Morrell, 1838 Liberty

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm12570079Geneva, N.Y.: Ira Morrell, 1838. 24 p.; 21 cm.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The smart, witty collection from the prize-winning and bestselling author of The Evolution of Bruno Littlemore, which The New York Times Book Review called "an absolute pleasure" explores the dark secrets under the surface of contemporary American lives. As he brilliantly accomplished in The Evolution of Bruno Littlemore, Benjamin Hale's The Fat Artist and Other Stories holds a mirror to the world, pairing absurdity with philosophical musings on the human condition to expose the power of the secret self. From a man's illicit tryst cut short by his estranged son's homecoming, a prostitute dominatrix about to be caught with a dead US congressman, to a performance artist whose grotesque weight gain becomes an art world phenomenon, Hale's deliberate prose, dark humor, and unforgettable characters explore the secrets beneath the surface of contemporary American lives. In The Fat Artist and Other Stories, Hale openly embraces the grotesque side of human nature and the unnerving intersection between life and death, art and ridicule, consumption and creation"--

Introduction to the Mechanical Principles of Carpentry, in Two Parts: Strength and Stiffness of Timber, Statics Applied to Constructions of Timber (1827) is a comprehensive guide to the mechanical principles of carpentry written by Benjamin Hale. This book is divided into two parts, the first of which focuses on the strength and stiffness of timber, while the second part explores the application of statics to constructions of timber.In the first part, Hale delves into the properties of timber and how they affect its strength and stiffness. He discusses the different types of timber, their characteristics, and how they are tested for strength. He also explains how the shape and size of timber affect its strength, and how to calculate the load-bearing capacity of timber beams.In the second part, Hale applies the principles of statics to the construction of timber structures. He explains how to calculate the forces acting on a structure, and how to design a structure that can withstand these forces. He also discusses the different types of joints used in timber construction, and how to calculate their strength.Throughout the book, Hale provides numerous examples and illustrations to help readers understand the concepts he is discussing. He also includes a glossary of terms and a list of references for further reading.Overall, Introduction to the Mechanical Principles of Carpentry, in Two Parts: Strength and Stiffness of Timber, Statics Applied to Constructions of Timber (1827) is an invaluable resource for anyone interested in carpentry, engineering, or construction. It provides a thorough understanding of the mechanical principles that underlie timber construction, and offers practical advice for designing and building timber structures that are strong, safe, and durable.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Benjamin Hale's fiction abounds with a love of language and a wild joy for storytelling. In prose alternately stark, lush, and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.As in his acclaimed debut novel, The Evolution of Bruno Littlemore, the voices in these stories speak from the margins: a dominatrix whose longtime client, a U.S. congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippie in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives, threads in the vast tapestry of American life.Weaving a pleasure in the absurd with an exploration of the extraordinary variety of the human condition and the sway our most private selves and hidden pasts hold over us, the stories in The Fat Artist reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.