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Almon suggests that Texas autobiography reveals as much about the state as it does the writer, recording geography and history; and economic, social, and religious practices. A sense of place distinguishes Texas autobiographical writing, for it springs from a state considered unique.
The poems in A Ghost in Waterloo Station take the everyday world as their point of departure, but the place of arrival is never the shore you started from. Vivid invocations and meditations on childhood, art, and travel bring together places and people as likeable and unexpected as the wry poetic sensibility recommending them to our attention. Greece is a country where clarity / is inescapable unless it forces your lids shut. Swallows enter their nests high on the white stacked walls at Indian Lodge as if the ghost/ of a remorseful pickpocket/ were slipping a wallet/ back where it come from. There is much humour here, and warmth, combined with an awareness of loss and the weight of history--all delivered in a voice distinctive in its combination of narrative, whimsy, and psychological observation.
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