Bøger af Bret Harte

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Excerpt: ...The stage-coach was to start at noon. It only remained for Clarence to take leave of the party. The final parting with Susy had been discounted on the two previous days with some tears, small frights and clingings, and the expressed determination on the child's part "to go with him;" but in the excitement of the arrival at Stockton it was still further mitigated, and under the influence of a little present from Clarence

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The American consul for Schlachtstadt had just turned out of the broad Konig's Allee into the little square that held his consulate. Its residences always seemed to him to wear that singularly uninhabited air peculiar to a street scene in a theatre. The facades, with their stiff, striped wooden awnings over the windows, were of the regularity, color, and pattern only seen on the stage, and conversation carried on in the street below always seemed to be invested with that perfect confidence and security which surrounds the actor in his painted desert of urban perspective. Yet it was a peaceful change to the other byways and highways of Schlachtstadt which were always filled with an equally unreal and mechanical soldiery, who appeared to be daily taken out of their boxes of "caserne" or "depot" and loosely scattered all over the pretty linden-haunted German town. There were soldiers standing on street corners; soldiers staring woodenly into shop windows; soldiers halted suddenly into stone, like lizards, at the approach of Offiziere; Offiziere lounging stiffly four abreast, sweeping the pavement with their trailing sabres all at one angle. There were cavalcades of red hussars, cavalcades of blue hussars, cavalcades of Uhlans, with glittering lances and pennons-with or without a band-formally parading; there were straggling "fatigues" or "details" coming round the corners; there were dusty, businesslike columns of infantry, going nowhere and to no purpose. And they one and all seemed to be WOUND UP-for that service-and apparently always in the same place. In the band of their caps-invariably of one pattern-was a button, in the centre of which was a square opening or keyhole. The consul was always convinced that through this keyhole opening, by means of a key, the humblest caporal wound up his file, the Hauptmann controlled his lieutenants and non-commissioned officers, and even the general himself, wearing the same cap, was subject through his cap to a higher moving power. In the suburbs, when the supply of soldiers gave out, there were sentry-boxes; when these dropped off, there were "caissons," or commissary wagons. And, lest the military idea should ever fail from out the Schlachtstadt's burgher's mind, there were police in uniform, street-sweepers in uniform; the ticket-takers, guards, and sweepers at the Bahnhof were in uniform, -but all wearing the same kind of cap, with the probability of having been wound up freshly each morning for their daily work. Even the postman delivered peaceful invoices to the consul with his side-arms and the air of bringing dispatches from the field of battle; and the consul saluted, and felt for a few moments the whole weight of his consular responsibility

For some moments profound silence and darkness had accompanied a Sierran stage-coach towards the summit. The huge, dim bulk of the vehicle, swaying noiselessly on its straps, glided onward and upward as if obeying some mysterious impulse from behind, so faint and indefinite appeared its relation to the viewless and silent horses ahead. The shadowy trunks of tall trees that seemed to approach the coach windows, look in, and then move hurriedly away, were the only distinguishable objects. Yet even these were so vague and unreal that they might have been the mere phantoms of some dream of the half-sleeping passengers; for the thickly-strewn needles of the pine, that choked the way and deadened all sound, yielded under the silently-crushing wheels a faint soporific odor that seemed to benumb their senses, already slipping back into unconsciousness during the long ascent. Suddenly the stage stopped.

There was a slight jarring though the whole frame of the coach, a grinding and hissing from the brakes, and then a sudden jolt as the vehicle ran upon and recoiled from the taut pole-straps of the now arrested horses. The murmur of a voice in the road was heard, followed by the impatient accents of Yuba Bill, the driver. "Wha-a-t? Speak up, can't ye?" Here the voice uttered something in a louder key, but equally unintelligible to the now interested and fully awakened passengers. One of them dropped the window nearest him and looked out. He could see the faint glistening of a rain-washed lantern near the wheelers' heads, mingling with the stronger coach lights, and the glow of a distant open cabin door through the leaves and branches of the roadside. The sound of falling rain on the roof, a soft swaying of wind-tossed trees, and an impatient movement on the box-seat were all they heard. Then Yuba Bill's voice rose again, apparently in answer to the other

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Overland Monthly And The Out West Magazine Bret Harte A. Roman and company 1868-1875, 1890

Francis Bret Harte (August 25, 1836 - May 5, 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired.

Francis Bret Harte was born on August 25, 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11; a satirical poem titled "Autumn Musings." Expecting praise he encountered anything but and was later to write "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later, in 1853, the family moved to California. Here the young man worked in a variety of capacities; miner, teacher, messenger, and journalist. But it was also here on the West coast that he found the stories and inspiration for the works that would endure his fame across the literary world. He championed the early writings of Mark Twain. He was instrumental in propelling the short story genre forward and brought tales of the Old West and the Gold Rush to a greater audience. At the height of his fame we would entertain staggering monetary offers to write for monthly magazines. His talents extended to poetry, plays, lectures, book reviews, editorials, and magazine sketches. As he moved location initially further east to New York and then through Consular appointments to Europe and finally to settle in England his audience diminished but he continued to experiment, to write and to publish. Bret Harte died of throat cancer on May 5th 1902 and is buried in St Peter's Church in Frimley, Surrey, England. Here we publish another very fine collection of his short stories; "Frontier Stories".

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Works Of Bret Harte: The Luck Of Roaring Camp, And Other Sketches; Volume 1 Of The Works Of Bret Harte; Bret Harte Bret Harte McKinlay, Stone & Mackenzie, 1899

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Writings Of Bret Harte, Volume 6; The Writings Of Bret Harte; Bret Harte Bret Harte Houghton, Mifflin & co., 1896

Bocetos californianos es un libro escrito por Bret Harte el cual pertenece al género Relato, Literatura, Cuentos y relatos . Originalmente fue publicado en 1979 Junto al título Bocetos californianos, actualmente tenemos registrados otros 3 libros del autor Bret Harte. La vastedad de las desiertas regiones ganadas para los Estados Unidos en el Oeste obligó a sus pobladores a ejercer las más diversas actividades. Así BRET HARTE (1836-1902), nacido en Albany, amigo y protector de Mark Twain, fue sucesivamente maestro de escuela, empleado de farmacia, minero, mensajero, tipógrafo, reportero, autor de cuentos cortos, colaborador regular del Golden Era y, a partir de 1868, director de la importante revista Overland Monthly. En sus páginas aparecieron esas breves y patéticas obras maestras The Luck of Roaring Camp (La suerte de Roaring Camp), The Outcasts of Poker Flat (Los expulsados de Poker Flat), Tennessee's Partner (El socio de Tennessee), que el autor reuniría bajo el título de The Californian Sketches (Bocetos californianos) y que fueron, acaso, una revelación del Oeste. Un poema humorístico The Heathen Chinne (El chino pagano), lo hizo famoso desde el Pacífico al Atlántico. En 1878, a pedido suyo, fue nombrado cónsul en la ciudad de Crefeld, en Prusia, y luego en Glasgow. Sus últimos años los pasó en Londres.

Francis Bret Harte (1836 - 1902) was an American author and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often reprinted, adapted, and admired. In this book: A Waif of the Plains Brown of Calaveras By Shore and Sedge Clarence Devil's Ford Drift from Two Shores Selected Stories The luck of Roaring Camp The outcasts of Poker flat Miggles Tennessee's partner The idyl of Red Gulch Brown of calaveras High-water mark A lonely ride The man of no account Mliss The right eye of the Commander Notes by flood and field An episode of Fiddletown Barker's luck A yellow dog A mother of five Bulger's reputation In the tules A convert of the mission The indiscretion of Elsbeth The devotion of Enriquez The Heritage of Dedlow Marsh and Other Tales A knight-errant of the Foothills. A secret of Telegraph Hill Captain Jim's friend. The Bell-Ringer of Angel's and Other Stories Johnnyboy. Young Robin Gray. The sheriff of Siskyou. A rose of Glenbogie. The mystery of the Hacienda. Chu chu. My first book.

The wind was getting up on the Bolinas Plain. It had started the fine alkaline dust along the level stage road, so that even that faint track, the only break in the monotony of the landscape, seemed fainter than ever. But the dust cloud was otherwise a relief; it took the semblance of distant woods where there was no timber, of moving teams where there was no life. And as Sue Beasley, standing in the doorway of One Spring House that afternoon, shading her sandy lashes with her small red hand, glanced along the desolate track, even HER eyes, trained to the dreary prospect, were once or twice deceived.

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.