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Captive to a staggering genius and mounting paranoia, Mademoiselle--the fictional incarnation of legendary French sculptor Camille Claudel--relives her art-making in Belle Époque Paris from the asylum where she's been captive for thirty years. The year is 1943, the height of the Vichy regime in war-torn France, and salvation comes in the form of Solange Poitier, the nurse who cares for Mademoiselle in her final days, and their growing friendship. In this compassionate, deftly-researched novel melding art history and storytelling, art and medicine mingle in the characters' rejection of the misogynistic conditions that would stifle their deepest ambitions and gifts. Best known as Rodin's muse and mistress, Claudel is given a voice here that's fiercely hers and her art a recognition long due.
In this bittersweet novel inspired by the life of Nova Scotia folk artist Maud Lewis, master storyteller Carol Bruneau gives voice to the artist, allowing her to speak from beyond the grave, freed from the stigmas of gender, poverty and disability that marked her life and shaped her art.
Two men freeze solid during a blizzard, their bodies posed until spring. A minister discovers his wife's Internet infidelities. A former nun discusses "Hanging up the Habit" on a talk show. A ski jumper takes off . . . and never lands. In an unmistakable chorus of Atlantic accents, Running the Whale's Back offers a host of stories from Eastern Canada's brightest literary talents. Exploring the precarious terrain of faith and doubt, these authors pen rough-hewn, weather-beaten accounts of spirituality and religion. Consider yourself forewarned: there's grit in these stories. The authors poke and prod, unearthing philosophies and leitmotifs rarely examined. As they leap from subject to subject, surfacing and diving, we encounter intense ruminations on life and death, morality and immorality, peace and desire -- and even a miracle or two.
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