Bøger af Caroline Emilia Jacobs

A Texas Blue Bonnet, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures Juvenile belles lettres

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Patricia sat on the back fence, almost hidden by the low-spreading branches of an old apple-tree. Below her, on the grass, lay a small, curly, black dog, his brown, trustful eyes fixed confidently on Patricia. "Really, you know," the child said, gravely, "it's a very perplexing situation. Aunt Julia needn't have been so inhospitable. Why didn't I wait until Daddy got home! Daddy's so much more-convincible. But it's no use now; Daddy never goes back on Aunt Julia." Patricia slipped from the fence. "I rather think you and I'd better go down to the back meadow to talk things over; it's getting pretty near sewing-time." Out in the meadow, flat on her back in the long grass, Patricia set herself to the task of solving this perplexing situation. Half an hour earlier she had appeared back from one of her desultory rambles, accompanied by this most forlorn of all forlorn dogs, explaining that she had met him on the road, and he had followed her home. It was no unusual occurrence, but when Patricia added that he didn't seem to belong to anybody, and she thought she would keep him, Miss Kirby promptly and firmly protested. To Patricia's pleading, that he was poor and lame and homeless, that Cæsar, the pointer, was the only dog they had now, and he was too old to play much, Miss Kirby had proved adamant. Patricia might give her foundling a good meal, but keep him she could not.

Pauline dropped the napkin she was hemming and, leaning back in her chair, stared soberly down into the rain-swept garden. Overhead, Patience was having a "clarin' up scrape" in her particular corner of the big garret, to the tune of "There's a Good Time Coming." Pauline drew a quick breath; probably, there was a good time coming-any number of them-only they were not coming her way; they would go right by on the main road, they always did.

Patricia by Caroline Emilia Jacobs has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.