Bøger af Charles Lock Eastlake

This book is a comprehensive overview of the history of painting from the time of Constantine the Great up to the present day. Part 1 covers the period from the 4th to the 14th century and includes discussions of Byzantine, Romanesque, and Gothic paintings. The book includes numerous illustrations and is a must-read for anyone interested in the history of painting.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Written by Charles Lock Eastlake and Edmund Head, this book provides a comprehensive overview of the history of painting from the age of Constantine the Great up to the present time. It is a must-read for anyone interested in art history or the evolution of painting techniques and styles over time.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Is A New Release Of The Original 1848 Edition.

Materials For A History Of Oil Painting is a book written by Charles Lock Eastlake in 1847. The book is a comprehensive study of the materials and techniques used in oil painting throughout history. Eastlake was a prominent art historian and curator, and his book is considered a seminal work in the field of art conservation and restoration. The book is divided into three parts. The first part discusses the history of oil painting, including the origins of the medium and its development over time. The second part focuses on the materials used in oil painting, including pigments, oils, and varnishes. Eastlake provides detailed information on the properties of each material and how they were used in different periods of history. The third part of the book is devoted to techniques and methods of oil painting. Eastlake discusses the various approaches used by artists throughout history, including glazing, impasto, and underpainting. He also provides practical advice on how to prepare surfaces for painting, how to mix colors, and how to apply varnish. Overall, Materials For A History Of Oil Painting is an essential resource for anyone interested in the history of art and the techniques used by artists throughout history. It is a valuable reference for art historians, conservators, and artists alike.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.