Bøger af Charles Moore

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Moore's masterful and definitive biography, based on unique access to Margaret Thatcher herself, her papers, and her closest associates, tells the story of her last period in office, her combative retirement, and the controversy that surrounded her even in death.

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In June 1983 Margaret Thatcher won the biggest increase in a government's Parliamentary majority in British electoral history. Over the next four years, as Charles Moore relates in this central volume of his uniquely authoritative biography, Britain's first woman prime minister changed the course of her country's history and that of the world, often by sheer force of will.The book reveals as never before how she faced down the Miners' Strike, transformed relations with Europe, privatized the commanding heights of British industry and continued the reinvigoration of the British economy. It describes her role on the world stage with dramatic immediacy, identifying Mikhail Gorbachev as 'a man to do business with' before he became leader of the Soviet Union, and then persistently pushing him and Ronald Reagan, her great ideological soulmate, to order world affairs according to her vision. For the only time since Churchill, she ensured that Britain had a central place in dealings between the superpowers.But even at her zenith she was beset by difficulties. The beloved Reagan two-timed her during the US invasion of Grenada. She lost the minister to whom she was personally closest to scandal and almost had to resign as a result of the Westland affair. She found herself isolated within her own government over Europe. She was at odds with the Queen over the Commonwealth and South Africa. She bullied senior colleagues and she set in motion the poll tax. Both these last would later return to wound her, fatally.In all this, Charles Moore has had unprecedented access to all Mrs Thatcher's private and government papers. The participants in the events described have been so frank in interview that we feel we are eavesdropping on their conversations as they pass. We look over Mrs Thatcher's shoulder as she vigorously annotates documents, so seeing her views on many particular issues in detail, and we understand for the first time how closely she relied on a handful of trusted advisors to help shape her views and carry out her will. We see her as a public performer, an often anxious mother, a workaholic and the first woman in western democratic history who truly came to dominate her country in her time.In the early hours of 12 October 1984, during the Conservative party conference in Brighton, the IRA attempted to assassinate her. She carried on within hours to give her leader's speech at the conference (and later went on to sign the Anglo-Irish agreement). One of her many left-wing critics, watching her that day, said 'I don't approve of her as Prime Minister, but by God she's a great tank commander.' This titanic figure, with all her capacities and all her flaws, storms from these pages as from no other book.

Not For Turning is the first volume of Charles Moore's authorized biography of Margaret Thatcher, the longest serving Prime Minister of the twentieth century and one of the most influential political figures of the postwar era. Charles Moore's biography of Margaret Thatcher, published after her death on 8 April 2013, immediately supercedes all earlier books written about her. At the moment when she becomes a historical figure, this book also makes her into a three dimensional one for the first time. It gives unparalleled insight into her early life and formation, especially through her extensive correspondence with her sister, which Moore is the first author to draw on. It recreates brilliantly the atmosphere of British politics as she was making her way, and takes her up to what was arguably the zenith of her power, victory in the Falklands. (This volume ends with the Falklands Dinner in Downing Street in November 1982.) Moore is clearly an admirer of his subject, but he does not shy away from criticising her or identifying weaknesses and mistakes where he feels it is justified. Based on unrestricted access to all Lady Thatcher's papers, unpublished interviews with her and all her major colleagues, this is the indispensable, fully rounded portrait of a towering figure of our times.

Beauty is in the eye of the beholder... and the color black is one of the most beautiful colors Art historian, art collector, curator, and writer Charles Moore takes you on an exquisite journey through the world of the Black artists who revolutionized contemporary art and the patrons who dedicated their lives to collecting their works.Through interviews and dialogues, Moore captures the essence of exceptional Black artists, exploring their quests for recognition of their brilliance.Moore touches on the powerful relationships between collectors and artists, as well as on the intricate and fascinating business of art ownership, from managing your assets to supporting the growth of Black art through sponsorship and involvement. The color black evokes a myriad of emotions, and that''s what makes it one of the most impactful shades on the palette wheel.   

╨Ü╨╛╨╗╨╡╨║╤å╨╕╨╛╨╜╨╕╤Ç╨░╨╜╨╡╤é╨╛ ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛ ╨╝╨╛╨╢╨╡ ╨┤╨░ ╨╛╤é╨╜╨╡╨╝╨╡ ╨╝╨╜╨╛╨│╨╛ ╨▓╤Ç╨╡╨╝╨╡, ╨┤╨░ ╨▒╤è╨┤╨╡ ╤ü╨╗╨╛╨╢╨╜╨╛ ╨╕ ╨╛╨▒╤è╤Ç╨║╨▓╨░╤ë╨╛ ╨╖╨░ ╨╜╨░╤ç╨╕╨╜╨░╨╡╤ë╨╕╤é╨╡. . . ╨╜╨╛ ╨╜╤Å╨╝╨░ ╨╜╤â╨╢╨┤╨░ ╨┤╨░ ╨╡ ╤é╨░╨║╨░.╨Æ ╤é╨╛╨▓╨░ ╤Å╤ü╨╜╨╛ ╨╕ ╨╗╨╡╤ü╨╜╨╛ ╨╖╨░ ╤ü╨╗╨╡╨┤╨▓╨░╨╜╨╡ ╤Ç╤è╨║╨╛╨▓╨╛╨┤╤ü╤é╨▓╨╛ ╤ë╨╡ ╨┐╤Ç╨╕╨┤╨╛╨▒╨╕╨╡╤é╨╡ ╨╜╨╡╨╛╨▒╤à╨╛╨┤╨╕╨╝╨╕╤é╨╡ ╨╖╨╜╨░╨╜╨╕╤Å ╨╕ ╤â╨╝╨╡╨╜╨╕╤Å, ╨╖╨░ ╨┤╨░ ╨╖╨░╨┐╨╛╤ç╨╜╨╡╤é╨╡ ╨┤╨░ ╨╕╨╖╨│╤Ç╨░╨╢╨┤╨░╤é╨╡ ╤ü╨▓╨╛╤Å ╤ü╨╛╨▒╤ü╤é╨▓╨╡╨╜╨░ ╨║╨╛╨╗╨╡╨║╤å╨╕╤Å ╨╛╤é ╨┐╤Ç╨╛╨╕╨╖╨▓╨╡╨┤╨╡╨╜╨╕╤Å ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛╤é╨╛. ╨¥╨░╨╣-╤ç╨╕╤ü╤é╨░╤é╨░ ╤ä╨╛╤Ç╨╝╨░ ╨╜╨░ ╨╜╨░╨┤╨╡╨╢╨┤╨░, ╨╝╨╡╤ç╤é╨╕ ╨╕ ╤ç╤â╨▓╤ü╤é╨▓╨░, ╨╡╨┤╨╕╨╜-╨╡╨┤╨╕╨╜╤ü╤é╨▓╨╡╨╜ ╤à╤â╨┤╨╛╨╢╨╡╤ü╤é╨▓╨╡╨╜ ╨╛╨▒╤Ç╨░╨╖ ╨╝╨╛╨╢╨╡ ╨┤╨░ ╤Ç╨░╨╖╨║╤Ç╨╕╨╡ ╨┤╤è╨╗╨│╨╛╨│╨╛╨┤╨╕╤ê╨╜╨╕ ╤é╨░╨╣╨╜╨╕, ╨┤╨░ ╤Ç╨░╨╖╨┐╨░╨╗╨╕ ╨▓╤è╨╛╨▒╤Ç╨░╨╢╨╡╨╜╨╕╨╡╤é╨╛, ╨┤╨░ ╨┐╤Ç╨╡╨┤╨╛╤ü╤é╨░╨▓╨╕ ╤ç╤â╨▓╤ü╤é╨▓╨╛ ╨╖╨░ ╨┐╤Ç╨╕╨╜╨░╨┤╨╗╨╡╨╢╨╜╨╛╤ü╤é.╨ÿ╨╖╨║╤â╤ü╤é╨▓╨╛╤é╨╛ ╨┐╤Ç╨╡╨┤╨░╨▓╨░ ╨┤╤â╨╝╨╕╤é╨╡, ╨║╨╛╨╕╤é╨╛ ╤à╤â╨┤╨╛╨╢╨╜╨╕╨║╤è╤é ╤ç╨╡╤ü╤é╨╛ ╨╜╨╡ ╨▒╨╕ ╨╝╨╛╨│╤è╨╗ ╨┤╨░ ╨╕╨╖╨│╨╛╨▓╨╛╤Ç╨╕ ╨╜╨░ ╨│╨╗╨░╤ü. ╨Æ ΓÇ₧The Black Market: ╨á╤è╨║╨╛╨▓╨╛╨┤╤ü╤é╨▓╨╛ ╨╖╨░ ╨║╨╛╨╗╨╡╨║╤å╨╕╨╛╨╜╨╕╤Ç╨░╨╜╨╡ ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛", ╨┤╤è╨╗╨│╨╛╨│╨╛╨┤╨╕╤ê╨╡╨╜ ╨║╨╛╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç ╨╜╨░ ╨┐╤Ç╨╛╨╕╨╖╨▓╨╡╨┤╨╡╨╜╨╕╤Å ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛╤é╨╛ ╨╕ ╨╕╤ü╤é╨╛╤Ç╨╕╨║ ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛╤é╨╛ ╨º╨░╤Ç╨╗╨╖ ╨£╤â╤Ç ╨╖╨░╨┐╨╛╨╖╨╜╨░╨▓╨░ ╨║╨╛╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç╨╕╤é╨╡ ╨╕ ╨▒╤è╨┤╨╡╤ë╨╕╤é╨╡ ╤é╨░╨║╨╕╨▓╨░ ╤ü╤è╤ü ╤ü╨▓╨╡╤é╨░ ╨╜╨░ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛╤é╨╛, ╨╜╨╡╨│╨╛╨▓╨╕╤é╨╡ ╨┤╤è╨╗╨▒╨╛╨║╨╕ ╨║╨╛╤Ç╨╡╨╜╨╕, ╨▓╤Ç╤è╨╖╨║╨╕╤é╨╡ ╤ü ╨╝╨╕╨╜╨░╨╗╨╛╤é╨╛ ╨╕ ╨╜╨░╨┤╨╡╨╢╨┤╨░╤é╨░ ╨╝╤â ╨╖╨░ ╨╜╨░╤ê╨╡╤é╨╛ ╨▒╤è╨┤╨╡╤ë╨╡ .╨É╨║╨╛ ╨╜╤Å╨║╨╛╨│╨░ ╤ü╤é╨╡ ╨╕╤ü╨║╨░╨╗╨╕ ╨┤╨░ ╤ü╤é╨░╨╜╨╡╤é╨╡ ╨║╨╛╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç, ╨┤╨░ ╨╜╨░╤â╤ç╨╕╤é╨╡ ╨┐╨╛╨▓╨╡╤ç╨╡ ╨╖╨░ ╨░╤ä╤Ç╨╛╨░╨╝╨╡╤Ç╨╕╨║╨░╨╜╤ü╨║╨╛╤é╨╛ ╨╕╨╖╨║╤â╤ü╤é╨▓╨╛ ╨╕╨╗╨╕ ╨┤╨░ ╨╖╨░╨┤╤è╨╗╨▒╨╛╤ç╨╕╤é╨╡ ╨┐╨╛╨╖╨╜╨░╨╜╨╕╤Å╤é╨░ ╤ü╨╕ ╨▓ ╤é╨░╨╖╨╕ ╨╛╨▒╨╗╨░╤ü╤é, The Black Market ╨╡ ╨╖╨░╨▓╨╗╨░╨┤╤Å╨▓╨░╤ë ╨╕ ╨╕╨╖╨║╨╗╤Ä╤ç╨╕╤é╨╡╨╗╨╜╨╛ ╨▓╨░╨╢╨╡╨╜ ╨╕╨╜╤ü╤é╤Ç╤â╨╝╨╡╨╜╤é ╨╖╨░ ╨╕╨╖╨│╤Ç╨░╨╢╨┤╨░╨╜╨╡ ╨╜╨░ ╤ü╨╝╨╕╤ü╨╗╨╡╨╜╨░ ╨╕ ╨▓╨┤╤è╤à╨╜╨╛╨▓╤Å╨▓╨░╤ë╨░ ╨║╨╛╨╗╨╡╨║╤å╨╕╤Å.

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╨Ü╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╕╤Ç╨╛╨▓╨░╨╜╨╕╨╡ ╨┐╤Ç╨╛╨╕╨╖╨▓╨╡╨┤╨╡╨╜╨╕╨╣ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨░ ╨╝╨╛╨╢╨╡╤é ╨▒╤ï╤é╤î ╤é╤Ç╤â╨┤╨╛╨╡╨╝╨║╨╕╨╝, ╤ü╨╗╨╛╨╢╨╜╤ï╨╝ ╨╕ ╨╖╨░╨┐╤â╤é╨░╨╜╨╜╤ï╨╝ ╨┤╨╗╤Å ╨╜╨╛╨▓╨╕╤ç╨║╨░. . . ╨╜╨╛ ╤ì╤é╨╛ ╨╜╨╡ ╨┤╨╛╨╗╨╢╨╜╨╛ ╨▒╤ï╤é╤î.╨Æ ╤ì╤é╨╛╨╝ ╤Å╤ü╨╜╨╛╨╝ ╨╕ ╨┐╤Ç╨╛╤ü╤é╨╛╨╝ ╤Ç╤â╨║╨╛╨▓╨╛╨┤╤ü╤é╨▓╨╡ ╨▓╤ï ╨┐╨╛╨╗╤â╤ç╨╕╤é╨╡ ╨╜╨╡╨╛╨▒╤à╨╛╨┤╨╕╨╝╤ï╨╡ ╨╖╨╜╨░╨╜╨╕╤Å ╨╕ ╨╜╨░╨▓╤ï╨║╨╕, ╤ç╤é╨╛╨▒╤ï ╨╜╨░╤ç╨░╤é╤î ╤ü╨╛╨╖╨┤╨░╨▓╨░╤é╤î ╤ü╨▓╨╛╤Ä ╤ü╨╛╨▒╤ü╤é╨▓╨╡╨╜╨╜╤â╤Ä ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╤Ä ╨┐╤Ç╨╛╨╕╨╖╨▓╨╡╨┤╨╡╨╜╨╕╨╣ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨░. ╨º╨╕╤ü╤é╨╡╨╣╤ê╨░╤Å ╤ä╨╛╤Ç╨╝╨░ ╨╜╨░╨┤╨╡╨╢╨┤╤ï, ╨╝╨╡╤ç╤é╨░╨╜╨╕╨╣ ╨╕ ╤ç╤â╨▓╤ü╤é╨▓, ╨╛╨┤╨╜╨╛ ╤à╤â╨┤╨╛╨╢╨╡╤ü╤é╨▓╨╡╨╜╨╜╨╛╨╡ ╨╕╨╖╨╛╨▒╤Ç╨░╨╢╨╡╨╜╨╕╨╡ ╨╝╨╛╨╢╨╡╤é ╤Ç╨░╤ü╨║╤Ç╤ï╤é╤î ╨┤╨░╨▓╨╜╨╕╨╡ ╤ü╨╡╨║╤Ç╨╡╤é╤ï, ╨┐╤Ç╨╛╨▒╤â╨┤╨╕╤é╤î ╨▓╨╛╨╛╨▒╤Ç╨░╨╢╨╡╨╜╨╕╨╡, ╨▓╤ï╨╖╨▓╨░╤é╤î ╤ç╤â╨▓╤ü╤é╨▓╨╛ ╨┐╤Ç╨╕╨╜╨░╨┤╨╗╨╡╨╢╨╜╨╛╤ü╤é╨╕. ╨ÿ╤ü╨║╤â╤ü╤ü╤é╨▓╨╛ ╨┐╨╡╤Ç╨╡╨┤╨░╨╡╤é ╤ü╨╗╨╛╨▓╨░, ╨║╨╛╤é╨╛╤Ç╤ï╨╡ ╤à╤â╨┤╨╛╨╢╨╜╨╕╨║ ╤ç╨░╤ü╤é╨╛ ╨╜╨╡ ╨╝╨╛╨│ ╨┐╨╡╤Ç╨╡╨┤╨░╤é╤î ╨│╨╛╨▓╨╛╤Ç╨╕╤é╤î ╨▓╤ü╨╗╤â╤à. ╨Æ ╨º╨╡╤Ç╨╜╤ï╨╣ ╤Ç╤ï╨╜╨╛╨║: ╨á╤â╨║╨╛╨▓╨╛╨┤╤ü╤é╨▓╨╛ ╨┐╨╛ ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╕╤Ç╨╛╨▓╨░╨╜╨╕╤Ä ╨┐╤Ç╨╛╨╕╨╖╨▓╨╡╨┤╨╡╨╜╨╕╨╣ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨░, ╨┤╨░╨▓╨╜╨╕╨╣ ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç ╨╕ ╨╕╤ü╤é╨╛╤Ç╨╕╨║ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨░ ╨º╨░╤Ç╨╗╤î╨╖ ╨£╤â╤Ç ╨╖╨╜╨░╨║╨╛╨╝╨╕╤é ╨╜╨░╤ç╨╕╨╜╨░╤Ä╤ë╨╕╤à ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç╨╛╨▓ ╨╕ ╨┐╨╛╤é╨╡╨╜╤å╨╕╨░╨╗╤î╨╜╤ï╤à ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç╨╛╨▓ ╤ü ╨╝╨╕╤Ç╨╛╨╝ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨░, ╨╡╨│╨╛ ╨│╨╗╤â╨▒╨╛╨║╨╕╨╝╨╕ ╨║╨╛╤Ç╨╜╤Å╨╝╨╕, ╨╡╨│╨╛ ╤ü╨▓╤Å╨╖╤Å╨╝╨╕ ╤ü ╨╜╨░╤ê╨╕╨╝ ╨┐╤Ç╨╛╤ê╨╗╤ï╨╝ ╨╕ ╨╡╨│╨╛ ╨╜╨░╨┤╨╡╨╢╨┤╨╛╨╣ ╨╜╨░ ╨╜╨░╤ê╨╡ ╨▒╤â╨┤╤â╤ë╨╡╨╡. . ╨ò╤ü╨╗╨╕ ╨▓╤ï ╨║╨╛╨│╨┤╨░-╨╗╨╕╨▒╨╛ ╤à╨╛╤é╨╡╨╗╨╕ ╤ü╤é╨░╤é╤î ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╛╨╜╨╡╤Ç╨╛╨╝, ╤à╨╛╤é╨╡╨╗╨╕ ╤â╨╖╨╜╨░╤é╤î ╨▒╨╛╨╗╤î╤ê╨╡ ╨╛╨▒ ╨░╤ä╤Ç╨╛╨░╨╝╨╡╤Ç╨╕╨║╨░╨╜╤ü╨║╨╛╨╝ ╨╕╤ü╨║╤â╤ü╤ü╤é╨▓╨╡ ╨╕╨╗╨╕ ╤â╨│╨╗╤â╨▒╨╕╤é╤î ╤ü╨▓╨╛╨╕ ╤à╤â╨┤╨╛╨╢╨╡╤ü╤é╨▓╨╡╨╜╨╜╤ï╨╡ ╨╖╨╜╨░╨╜╨╕╤Å, ╨º╨╡╤Ç╨╜╤ï╨╣ ╤Ç╤ï╨╜╨╛╨║ - ╤ì╤é╨╛ ╨╖╨░╤à╨▓╨░╤é╤ï╨▓╨░╤Ä╤ë╨╕╨╣ ╨╕ ╨▓╨░╨╢╨╜╤ï╨╣ ╨╕╨╜╤ü╤é╤Ç╤â╨╝╨╡╨╜╤é ╨┤╨╗╤Å ╤ü╨╛╨╖╨┤╨░╨╜╨╕╤Å ╨╖╨╜╨░╤ç╨╕╨╝╨╛╨╣ ╨╕ ╨▓╨┐╨╡╤ç╨░╤é╨╗╤Å╤Ä╤ë╨╡╨╣ ╨║╨╛╨╗╨╗╨╡╨║╤å╨╕╨╕.

Coleccionar arte puede consumir mucho tiempo, ser complicado y confusopara el principiante... pero no tiene por qué serlo. En esta guía clara y fácil de seguir, obtendrás los conocimientos y habilidades necesarios para empezar a crear tu propia colección de arte. Como la forma más pura de esperanza, sueños y sentimientos, una sola imagen artística puede revelar secretos largamente guardados, despertar la imaginación y ofrecer un sentido de pertenencia. El arte transmite las palabras que el artista a menudo no ha podido decir en voz alta. En El Mercado Negro: Una Guía para Coleccionar Arte, el veterano coleccionista e historiador de arte Charles Moore presenta el mundo del arte, sus profundas raíces, sus conexiones con nuestro pasado y su esperanza para nuestro futuro a los coleccionistas novatos y a los aspirantes a coleccionistas. Si alguna vez has querido convertirte en coleccionista, has deseado aprender más sobre el arte afroamericano o quieres profundizar en tus conocimientos de arte, El Mercado Negro es una herramienta envolvente y esencial para crear una colección significativa y asombrosa.

Kunst verzamelen kan tijdrovend, ingewikkeld en verwarrend zijnvoor de beginner. . . maar dat hoeft het niet te zijn. In deze duidelijke en gemakkelijk te volgen gids, zult u de nodige kennis en vaardigheden verwerven om te beginnen met het opbouwen van uw eigen kunstcollectie. Als de zuiverste vorm van hoop, dromen en gevoelens kan één enkel kunstbeeld lang gekoesterde geheimen onthullen, de verbeelding prikkelen en een gevoel van verbondenheid geven.. Kunst brengt de woorden over die de kunstenaar vaak niet hardop heeft kunnen uitspreken.The Black Market: A Guide to Art Collecting, introduceert kunstverzamelaar en kunsthistoricus Charles Moore beginnende en toekomstige verzamelaars in de kunstwereld, haar diepe wortels, haar connecties met ons verleden, en haar hoop voor de toekomst.Als u ooit verzamelaar wilde worden, meer wilde weten over Afro-Amerikaanse kunst, of uw kunstkennis wilt verdiepen, dan is The Black Market een meeslepend en essentieel instrument om een zinvolle en ontzagwekkende verzameling te ontwikkelen.