Bøger af Christina Gerhardt

Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German and Austrian society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German-language cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinema verite and US direct cinema. Contributors: Marco Abel, Tilman Baumgartel, Madeleine Bernstorff, Timothy Scott Brown, Michael Dobstadt, Sean Eedy, Thomas Elsaesser, IanFleishman, Christina Gerhardt, Lisa Haegele, Randall Halle, Priscilla Layne, Ervin Malakaj, Kalani Michell, Evelyn Preuss, Patricia Anne Simpson, Fabian Tietke, Andrew Stefan Weiner. Christina Gerhardt is Associate Professor of German and Film Studies at the University of Hawai'i at Manoa. Marco Abel is Professor of English and Film Studies at the University of Nebraska-Lincoln.

"Sea level rise will make all current atlases obsolete as it encroaches on coastlines and erases whole islands from the Arctic to the South Pacific. In Christina Gerhardt's stunning atlas of the present and future, we not only see these living places disappear in stages, but hear from their inhabitants in this mix of cartography, science, history, and urgent outcry about the climate crisis. This book makes tangible and visible both the physical changes and their cultural, emotional, and social impact."--Rebecca Solnit, author of several books including Infinite Cities: A Trilogy of Atlases--San Francisco, New Orleans, New York "This book presents islands as more than just geographic locations, as places of resilience replete with history and culture laced with the fiber that underscores the interface of planet, people, and other beings in the time of looming catastrophic climate change. Sea Change: An Atlas of Islands in a Rising Ocean maps hopes and histories and offers cautionary tales and wake-up calls couched in sensitive yet expansive poetics of life. This is a rare gift."--Nnimmo Bassey, author of To Cook a Continent: Destructive Extraction and the Climate Crisis in Africa "Islands are extraordinarily rich--in history, culture, and biodiversity. In an age of climate change, they're also incredibly vulnerable. At once lyrical and clear-sighted, Sea Change: An Atlas of Islands in a Rising Ocean invites us to rethink our relationship to these magical, threatened places."--Elizabeth Kolbert, author of The Sixth Extinction: An Unnatural History "A vital guide to understanding and navigating this time of rising oceans. A love song to island peoples and civilizations facing unimaginable loss. A paean of resistance and re-visioning, towards livable futures."--Shailja Patel, author of Migritude "In this engaging and timely work, Gerhardt maps how islands have and will continue to change due to rising sea levels. She invites us to see these changes, not only through the form and genre of the atlas, but also through the eyes, voices, and perspectives of islanders themselves."--Craig Santos Perez, author of Navigating CHamoru Poetry: Indigeneity, Aesthetics, and Decolonization "Christina Gerhardt's Sea Change is an urgent resource for an urgent moment of social and climatological upheaval. Islands--reproduced in a colonial imagination as bounded, isolated geographies--are dynamic sites of political imagination and ecological worldmaking. Gerhardt provides us with a grammar to make sense of our shared predicaments and unsung solidarities as island-dwelling communities."--Ryan Jobson, University of Chicago