Bøger af Clotilde Graves

Maids In A Market Garden is a novel written by Clotilde Graves and published in 1912. The story is set in a market garden in the English countryside and follows the lives of two maids, Mary and Susan, who work there. The novel explores the themes of love, class, and social mobility. Mary falls in love with the son of the garden's owner, but their relationship is threatened by their different social statuses. Susan, on the other hand, is determined to rise above her station and improve her life. The novel also delves into the lives of other characters who work in the garden, including the owner's daughter and a young man who dreams of becoming a painter. With its vivid descriptions of the natural beauty of the countryside and its portrayal of the struggles and aspirations of working-class people, Maids In A Market Garden is a captivating read and a valuable snapshot of life in early 20th century England.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Der findes forløbere for science fiction-litteraturen helt tilbage til de gamle grækere. Men det er i perioden 1870-1920, at genren for alvor vinder udbredelse og udvikles af forfattere der ser at den passer til den nye tidsalder – en periode med voldsom udvikling indenfor videnskab og teknologi, men også indenfor samfundsforholdene.Den brede befolkning møder især teknologien gennem de mange nye opfindelser, der pludselig bliver en del af hverdagen for mange. Videnskaben som sådan er noget lidt mere fjernt, men tidens medier melder jævnligt om nye fantastiske gennembrud. De mange omvæltninger, både i dagligdagen og i verdensbilledet, giver anledning til litterær bearbejdning i såvel skrækscenarier som mere humoristiske historier. Hvem skulle fx have troet at mobiltelefonen første gang blev beskrevet i 1913, lydbøger i 1889 og fjernundervisning i 1899? I den mere alvorlige afdeling optræder bl.a. forestillinger om krig ved hjælp af klimavåben, terror ved hjælp af klodens energireserver og et uetisk eksperiment på indbyggerne i en belgisk landsby – sidstnævnte af ingen ringere end Jules Verne.Dette udvalg af historier om gale videnskabsmænd, fjollede opfindere og deres frembringelser bringer historier fra Storbritannien, USA, Australien, Frankrig, Tyskland, Østrig, Irland og Finland. Det viser at frygten for og forventningerne til den nye teknologi var vidt udbredte, uanset om de så blev behandlet alvorligt eller mere humoristisk.Indhold:Niels Dalgaard: Da science fiction blev moderneGustav Meyrink: Petroleum, petroleumGeorge Griffith: Det elektriske monopolJules Verne: Doktor OxClotilde Graves: Lady Clanbevans BabyCharles Howard Shinn: En opfinders dagbogEdward Page Mitchell: Den dygtigste mand i verdenHerbert C. Ridout: Det frosne LondonJack London: Skyggen og LynetFrank R. Stockton: En opløftende historieJerome K. Jerome: DansepartnerenGustav Hochstetter: Stillevandring Edith Money Maturin: Vores automatiske lejlighedVilliers de l’Isle-Adam: Himmelsk reklameKurd Lasswitz: FjernskolenAxel Fogelholm: Hvordan man kan blive taget ved næsen i næste århundredeAndrew Barton Paterson: StøbejernskolportørenAlfred Capus: CyklopolisEdward Bellamy: Med lukkede øjneEllis Parker Butler: Et eksperiment med gyroskophatteGale videnskabsmænd og fjollede opfindere Efterord ved Niels DalgaardOm forfatterne

Clotilde Graves was known for challenging convention. In her early years, she was known as the dramatist "Clo Graves", but became better known under her fiction-writing persona, "Richard Dehan". She transgressed contemporary gender norms by dressing in male attire, wearing her hair short, and smoking in public. This border crossing can be seen also in her work, which encompasses a wide variety of forms and modes. And while she wrote relatively few fantastical stories, she was devoted to tales of lingering revenants, mysterious cryptids, and grotesque sciences-often laced with her sardonic sense of humour. This volume seeks to recover this side of Graves's writing by including stories from across her career, which challenge definition and range across the speculative genres.

Irish women have long produced literature of the gothic, uncanny, and supernatural. Bending to Earth draws together twelve such tales. While none of the authors herein were considered primarily writers of fantastical fiction during their lifetimes, they each wandered at some point in their careers into more speculative realms - some only briefly, others for lengthier stays.Names such as Charlotte Riddell and Rosa Mulholland will already be familiar to aficionados of the eerie, while Katharine Tynan and Clotilde Graves are sure to gain new admirers. From a ghost story in the Swiss Alps to a premonition of death in the West of Ireland to strange rites in a South Pacific jungle, Bending to Earth showcases a diverse range of imaginative writing which spans the better part of a century.