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The accepted interpretation of Britain's wartime role as an island sea power is challenged by Correlli Barnett's brilliant demonstration that the dependence on seashore imports of food and raw materials, together with the obligations of Empire, were less a form of strength to Britain than a weakness.
First published in 1970, Britain and Her Army was Correlli Barnett's sixth published book and earned him the Royal Society of Literature's W.H.
Correlli Barnett's 'Pride and Fall' sequence on the decline of British power and influence in the twentieth century concludes with this majestic, controversial study.
Correlli Barnett described his Audit or War as an 'operational study' to 'uncover the causes of Britain's protracted decline as an industrial country since the Second World War.' First published in 1986, the book swiftly became one of the most controversial and influential historical works of its time.'[The Audit of War] argued that British industry during the Second World War was scandalously inefficient, a situation Barnett blamed on an establishment more concerned with welfare than with industry, technology or the capacity of the nation to fight a war... Alan Clark records approvingly that Mrs Thatcher herself read it...' David Edgerton, London Review of Books'A stimulating polemic.' Times Literary Supplement'A formidable book, essential reading.' Asa Briggs, Financial Times
This is the first book in the 'Pride and Fall' sequence on British power in the 20th century. Correlli Barnett seeks to explain the decay of British power between 1918 and 1940 and its collapse between 1940 and 1945.
In 1945 Britain emerged from war triumphant. On July 26, after Labour won a landslide election victory, Churchill resigned, Attlee became Prime Minister. Drawing on material from Cabinet and other Whitehall records, this title argues that what followed was an era of mistaken strategies and costly consequences.
Four key men, four key moments in the Great War. The principal actors are four national commanders-in-chief: two German, one Frenchman, one Englishman. Each in turn, as commander-in-chief, bore his nation's sword at a period when the course of the war pivoted on his judgement and will: four actors in a continental tragedy of death and re-birth.'
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