Bøger af D. H. Lawrence

The fourteen stories collected in this volume were written between 1913 and 1921. The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered.

Love Among the Haystacks and Other Stories gathers together all of Lawrence's short stories not collected in the Prussian Officer volume. Each story in this edition appears in a new, authoritative text based on the manuscripts, typescripts, corrected proofs and early printings.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

The Cambridge edition of Lawrence's first novel The White Peacock uses the final manuscript to faithfully recover Lawrence's words and punctuation from the layers of publishers' house-styling and their errors. Andrew Robertson's introduction sets out the history of Lawrence's writing and revision, and the novel's generally favourable reception.

This edition consists of the long novella St Mawr and four short stories, two unfinished. The texts are newly edited from Lawrence's original manuscripts and typescripts, eliminating errors and alterations made by publishers and printers. In some cases whole lines of text, omitted in earlier editions, have been restored.

This edition of The Lost Girl uses the manuscript which D. H. Lawrence wrote in Sicily in 1920 to recapture his direct relationship with the text and so for the first time, the novel is printed in a text corresponding to Lawrence's expectations.

This edition of Women in Love clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as Lawrence himself created it. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references.

The introduction to Lawrence's 'Study of Thomas Hardy' shows its relation to The Rainbow and its place among his continual attempts to express his philosophy in a definitive form. The other essays in this volume span virtually the whole of Lawrence's writing career. The introduction sets these essays in context.

This is an autobiographical novel - more or less a sequel to Sons and Lovers. The first part appeared as a short story in 1934; the second, larger part was never published. Mr Noon was first published in its entirety in 1984, and was widely hailed as a major literary event.

Written in the years following the First World War, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation. The Cambridge edition of the novel, based on the only authoritative surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions.

The Cambridge edition of Lady Chatterley's Lover is the first ever to restore to Lawrence's most famous novel the words that he wrote. Removing corruptions and errors and including hundreds of new words, phrases and sentences - this is the only text that can be read or quoted with confidence.

Lawrence's rewriting of a tale by the part-time author Mollie Skinner, converted her production into an ambitious, powerful novel. A study of all the extant textual documents has revealed a process of composition and revision which qualifies the novel to be treated unequivocally as part of the Lawrence canon.

The first critical edition of D. H. Lawrence's 1912-16 essays. Lawrence left England for the first time in May 1912, and began to record his reactions to foreign cultures. In 1915 he amplified some of these essays and wrote others for Twilight in Italy (1916), his first travel book.

The First 'Women in Love' is one of Lawrence's greatest works, and is the only full length work of fiction which he completed between The Rainbow and the extensively revised Women in Love. The novel's existence as an independent text has been ignored, and has not been published until now.

A vivid sketch of European history, remaining significant in the canon of Lawrence's work as the only school textbook he ever wrote. This edition uses the surviving manuscript to present a text as close to that which Lawrence wrote and corrected in proof as is now possible.

Volume II of the Letters presents more than 700 letters, covering the period from June 1913 to October 1916, from the enthusiastic reception of Sons and Lovers to the completion of the first manuscript of Women in Love. Over two hundred letters are previously unpublished.

Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. This 1997 edition restores censored passages and corrects corrupt textual readings.

D. H. Lawrence wrote his last and perhaps most famous novel, Lady Chatterley's Lover, three times, producing three very different texts. This 1999 book contains a critical edition of the two early versions of the novel. The text is printed from its manuscript source, with a detailed introduction and explanatory notes.

Lawrence asserted that 'the proper function of a critic is to save the tale from the artist who created it'. This title includes essays that exposed 'the American whole soul' within some of that continent's major works of literature.

D H Lawrence (1885-1930) made a contribution to poetry that, in the words of Louis Bogan, "Can now be recognized as one of the most important, in any language, of our time." "Birds, Beasts, and Flowers!" was his first great experiment into the form of free verse. This edition re-sets the text in the format of the first edition.