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Examines visual representations of and by persons defined as Creole, the term applied to white, Black, and mixed-race persons born in French colonies during the nineteenth century.
Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling cartes de visite of herself at lectures and by mail. This book explores how she used her image, the press, the postal service, and copyright laws to support her activism and herself.
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